Lesson length30 min 45 min 60 min

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English lesson plan · 5th grade (Year 6 in England) · 60 minutes

Making inferences

Reading Comprehension

CCSS RL.5.1CCSS RI.5.1England: Y5/6 Reading (inference)England: KS2 SATs ReadingEngland: 11+ English

Objective and success criteria

Students will: Making inferences.

I can answer questions on today's skill on my own, without help.
I can explain each step and say why it works.
I can check my answer and spot a mistake.

Before and after

Needs first: Predicting and simple inference

Leads to: Citing textual evidence; Tone and mood; Implicit meaning and inference

Materials: A short text or extract (one copy each), Highlighters, Question cards, Mini whiteboards, A short model text on the board, Printed student sheet (below).

Warm-up · 6 min

Quick retrieval from earlier learning (Predicting and simple inference). Students answer on mini whiteboards.
Show answers together and note who needs support in the main task.

Kim stepped up to the high board. Her knees shook as she looked down at the water. How does Kim feel? (angry / bored / nervous / sleepy) → nervousPrompt: The answer is not written word for word. Look for clues.
Theo yawned and rubbed his eyes. His book slipped onto the floor. What is probably happening? (Theo is running a race. / Theo is falling asleep. / Theo is very excited. / Theo is hungry.) → Theo is falling asleep.Prompt: The answer is not written word for word. Look for clues.
The ice cream dripped down Lucy's arm. The sun beat down on the beach. What will probably happen to the ice cream? (It will get colder. / It will grow. / It will freeze. / It will melt.) → It will melt.Prompt: The answer is not written word for word. Look for clues.

Hook · 6 min

Read the first lines of a short text aloud and ask what students predict will happen and why.
Share the objective: Making inferences. Read the success criteria together.

I do: model it · 12 min

Work through the example out loud, saying why you do each step, not just what you do.
Example: The house was silent. Dust covered the furniture, and cobwebs hung from every corner. What can you infer about the house?
Step 1: An inference combines clues in the text with what you know.
Step 2: So the answer is: Nobody has lived there for a long time.
Answer: Nobody has lived there for a long time.
Pause after each step and ask a student to say what comes next.

We do: guided practice · 12 min

Do these together. Students try each step on whiteboards before you reveal it.
Use the hints as prompts rather than giving the answer.

Bea's eyes lit up when she unwrapped the paints. She had been asking for them since the summer. What can you infer? (Bea is pleased with her present. / Bea bought the paints herself. / Bea is disappointed. / Bea dislikes painting.) → Bea is pleased with her present.Prompt: The answer is not written word for word. Look for clues.
The coach blew the whistle, and the players trudged off the field, heads down, while the other team cheered. What can you infer? (The match was cancelled. / The players lost the match. / The players won. / The players are going to start playing.) → The players lost the match.Prompt: The answer is not written word for word. Look for clues.

You do: independent practice · 17 min

Students work on the student sheet. Circulate and check the first two answers of every student early.
Students who finish: write a question of their own for a partner, with the answer.

The 8 questions are on the student sheet below, with answers in the key.

Exit ticket · 7 min

Two questions on their own. Sort answers into got it / nearly / not yet to plan the next lesson.

Bea's eyes lit up when she unwrapped the paints. She had been asking for them since the summer. What can you infer? (Bea is disappointed. / Bea dislikes painting. / Bea bought the paints herself. / Bea is pleased with her present.) → Bea is pleased with her present.Prompt: The answer is not written word for word. Look for clues.

Watch out for

Answering from memory or opinion instead of evidence in the text.
Copying a long quote without explaining what it shows.

Support and stretch

Support

Review first: Predicting and simple inference.
Use concrete materials: a short text or extract (one copy each).
Give the first step of each question, or a partly worked example to finish.
Pair with a confident partner for the guided practice.

Stretch

Move on to: Citing textual evidence; Tone and mood; Implicit meaning and inference.
Explain a common mistake in writing and how to fix it.
Write a word problem that uses today's skill, then solve a partner's.

Homework and more practice

Free online practice with hints and printable worksheets for this skill: eurekami.com/english/grade-5.

Free lesson plan from eurekami.com/lesson-plan-builder

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Making inferences

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The Lighthouse Keeper's Daughter

The storm had been building all afternoon. By the time the sun set, waves as tall as houses were hurling themselves against the rocks below Gull Point Lighthouse, and the wind screamed around the tower like a wild animal. Nell pressed her face to the window of the little cottage. Her father had rowed to the mainland that morning to fetch the doctor for Mrs Penrose, and the sea had turned before he could return. Now, for the first time in her twelve years, Nell was alone at the lighthouse. She knew what that meant. Every night at dusk, the great lamp at the top of the tower had to be lit. Without it, ships would have no warning of the rocks. Nell grabbed the lantern and her father's oilskin coat, which hung down past her knees, and pushed open the door. The wind nearly knocked her flat. Bent double, she stumbled across the yard and into the tower. There were one hundred and twelve steps to the top. Nell had climbed them hundreds of times, but never in the dark, never with the whole tower trembling. Halfway up, her lantern flickered and almost went out. She stopped, cupped her hand around the flame and whispered, "Not now. Please, not now." At the top, her fingers were numb with cold. She trimmed the wick the way her father had shown her, filled the oil and struck a match. Nothing. A second match. Nothing. With the third, a tiny flame caught, grew and then blazed, and the great lens began to turn, sweeping its beam across the furious sea. Far out in the darkness, a ship's horn sounded twice. Nell did not know whose ship it was. But she knew that, tonight, it would find its way home.

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Question 1
Read "The Lighthouse Keeper's Daughter". Why did Nell whisper "Not now. Please, not now"?
- A. She was afraid the lantern would go out.
- B. She wanted the storm to stop.
- C. She had forgotten the matches.
- D. She was talking to her father.

The Climbing Wall

The climbing wall at the leisure centre was twelve metres high, and from the bottom it looked like a mountain covered in brightly coloured sweets. Jaya had watched her older cousin, Ravi, scramble to the top of it a dozen times. Today was her first turn. The instructor clipped the rope to her harness and checked the knot twice. "Remember," she said, "use your legs, not just your arms. And don't look down until you're ready." The first few holds were easy. Jaya climbed quickly, buoyed by Ravi's cheers. But halfway up, the holds grew smaller and farther apart. Her arms began to burn. She looked down – and immediately wished she hadn't. The floor seemed impossibly far away, and her legs began to tremble. "I want to come down," she called. "You can," the instructor answered calmly. "Or you can rest. Lean back into the harness. The rope's got you." Jaya didn't believe her. But slowly, she let her weight sink back. The rope held. Her breathing steadied. She looked at the wall in front of her, not at the floor, and noticed a small yellow hold to her right that she hadn't seen before. Ten minutes later, she slapped the top of the wall. The leisure centre erupted in cheers – or at least Ravi did, which felt like the same thing.

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Question 2
Read "The Climbing Wall". What is the tone of the final paragraph?
- A. angry
- B. frightening
- C. gloomy and regretful
- D. triumphant and lightly humorous

The Moon's Night Walk (a poem)

The moon puts on her silver coat and tiptoes up the sky. She hums a tune to sleepy owls and winks at clouds nearby. She paints the rooftops pearly white, she lights the cat's way home, she peeps into the children's rooms to check they're not alone. She counts the stars like sleeping sheep, she sings the sea to rest, she hangs a lantern on the hill for travellers in the west. And when the sun yawns in the east and stretches out his rays, the moon slips off her silver coat and hides away for days. But look up on a quiet night when all the town's asleep: she's tiptoeing across the sky with promises to keep.

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Question 3
Read "The Moon's Night Walk (a poem)". What is happening in the fourth verse?
- A. The moon is getting brighter.
- B. Morning is coming and the moon is disappearing.
- C. A storm is starting.
- D. The children are waking the moon.

The Long Wall

The Great Wall of China is not one wall at all. It is a network of walls, trenches and watchtowers built and rebuilt over more than two thousand years by different dynasties. If all its sections were laid end to end, they would stretch over 21,000 kilometres – more than half the distance around the Earth. The earliest walls were built from packed earth around the seventh century BCE, when rival Chinese states defended their borders from one another. In about 220 BCE, the first emperor of a united China, Qin Shi Huang, ordered many of these separate walls to be joined together to protect the north from raiding groups. The sections that most visitors see today are far younger. They were built during the Ming dynasty, between the fourteenth and seventeenth centuries. Ming builders used bricks and stone, which is why these sections have survived so well. Watchtowers were placed close enough together for soldiers to send signals using smoke by day and fire by night. The wall came at a terrible cost. Hundreds of thousands of soldiers, prisoners and farmers were forced to work on it, often in freezing mountains or burning deserts. Many died, and stories and songs about their suffering are still told. Did the wall work? Historians disagree. It slowed down small raids and helped control trade and travel, but determined armies could still break through or simply go around it. Today, its greatest power may be as a symbol – of human effort, of history and of a nation's identity.

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Question 4
Read "The Long Wall". Why were watchtowers placed close together?
- A. so soldiers could sleep in them
- B. to make the wall look taller
- C. to save bricks
- D. so signals could be seen from one tower to the next

Should Primary Schools Ban Homework?

Every evening, in homes across the country, the same battle takes place: tired children, frustrated parents and a worksheet that nobody wants to finish. It is time for primary schools to ban homework. The most important reason is that, for young children, the evidence for homework is weak. Several large reviews of research have found that homework has little measurable effect on the test results of pupils under eleven. Older students may benefit, but for younger children, the hours spent on worksheets do not seem to pay off. Second, children need time to play, rest and be with their families. Play is not a waste of time; it builds creativity, problem-solving and friendships. A child who has spent six hours concentrating at school deserves an evening to explore, read for pleasure or simply be bored – which is when imagination often kicks in. Some people argue that homework teaches responsibility. This is a fair point. However, children can learn responsibility in many other ways: feeding a pet, helping to cook dinner or practising an instrument they have chosen themselves. Finally, homework can be unfair. Some children have parents who can help them every night and a quiet desk to work at. Others share a small space with siblings or have parents who work late. Homework can widen the gap between these children instead of closing it. Schools should replace homework with something simple: read every day, for fun. That is one habit worth taking home.

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Question 5
Read "Should Primary Schools Ban Homework?". What is the writer's tone?
- A. humorous and silly
- B. uncertain and confused
- C. confident and reasonable
- D. angry and insulting

The Mapmaker's Apprentice

Ines had worked in Master Corvo's shop for three years, and in all that time he had never let her draw a single line on a real map. She ground his inks, stretched his parchment and swept up the shavings from his quills. When she asked why she could not draw, he only said, "A mapmaker must first learn to see." So Ines watched. She watched sailors come in, sunburnt and impatient, to buy charts of the southern coast. She watched merchants argue over which mountain pass was fastest. Most of all, she watched Master Corvo, who spent far longer listening to travellers than he did holding his pen. One winter morning, a fisherman stumbled into the shop, soaked and shaking. A storm had pushed his boat far north, past the edge of every chart in the city. He had found a narrow channel between two islands that no map showed, and it had saved his life. Master Corvo was in bed with a fever. The fisherman was leaving on the evening tide. Ines hesitated only for a moment. Then she sat the fisherman by the fire and asked him questions — not just where the channel was, but how the water changed colour near the rocks, where the gulls gathered, how long it took to row from one island to the other. She wrote down every answer. Only when she had heard everything did she pick up a pen. When Master Corvo recovered, she laid the new chart in front of him. He studied it for a long time without speaking. Then he took his own pen, signed his name in the corner, and beneath it, for the first time, he wrote hers.

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Question 6
Read "The Mapmaker's Apprentice". Why did Ines have to act quickly?
- A. The shop was about to close forever.
- B. A storm was coming to the city.
- C. Merchants were waiting for the map.
- D. The fisherman was leaving that evening and Master Corvo was ill.

The Margin

Zainab had read the library book three times before she noticed the handwriting. It was in the margin of page 112, so faint she had taken it for a smudge. In tiny, slanted letters, someone had written: "Don't trust the narrator." Underneath, in different ink and a rounder hand, someone else had replied: "Why not?" And beneath that, in the first writer's slant: "Read chapter 9 again." She read chapter 9 again. Then she read it a fourth time, and a fifth, and on the sixth she saw it – a single sentence where the narrator claimed to have been at home when, three chapters earlier, he had described himself on a train. A lie, hidden in plain sight. The whole story tilted, like a picture knocked crooked on a wall. Zainab sat back. She checked the date stamps on the card inside the front cover. The book had been borrowed forty-seven times since 1994. Somewhere among those forty-seven readers were two people who had held a conversation across years without ever meeting. She found a pencil. For a long time she hesitated over the page, feeling as if she were about to speak in a room full of strangers. Then, carefully, beneath the other two, she wrote: "Found it. Thank you." When she returned the book, the librarian frowned at the pencil marks. Zainab apologised. But as she walked home, she wondered who would be next to find them.

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Question 7
Read "The Margin". What did Zainab discover in chapter 9?
- A. Another note in the margin.
- B. The name of the first writer.
- C. A missing page.
- D. The narrator had told a lie that contradicted an earlier chapter.

Message in a Bottle (a poem)

I am a bottle, empty and light, tossed from a boat on a bright summer night. No note inside me, no secret to tell, just plastic and air and a sea-salty smell. The ocean is patient, the ocean is wide; it rocks me and rolls me from tide to tide. A turtle swims near me and stares at my shine. I am not a jellyfish. Please, don't you dine! I'll drift for a lifetime, I'll drift for a few, I'll crumble to pieces too tiny for you. But somebody somewhere could carry me back, a hand on the beach and a bin in a sack. So here is my message, though no one wrote it: the sea keeps whatever we throw. Don't forget it.

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Question 8
Read "Message in a Bottle (a poem)". Why does the bottle say, "I am not a jellyfish. Please, don't you dine!"?
- A. The bottle wants to be eaten.
- B. Jellyfish live inside bottles.
- C. Turtles are afraid of bottles.
- D. Turtles can mistake shiny plastic for jellyfish and eat it.

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Answer key: Making inferences

1. A. She was afraid the lantern would go out.
2. D. triumphant and lightly humorous
3. B. Morning is coming and the moon is disappearing.
4. D. so signals could be seen from one tower to the next
5. C. confident and reasonable
6. D. The fisherman was leaving that evening and Master Corvo was ill.
7. D. The narrator had told a lie that contradicted an earlier chapter.
8. D. Turtles can mistake shiny plastic for jellyfish and eat it.