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English lesson plan · 5th grade (Year 6 in England) · 60 minutes

Making inferences

Reading Comprehension

CCSS RL.5.1CCSS RI.5.1England: Y5/6 Reading (inference)England: KS2 SATs ReadingEngland: 11+ English

Objective and success criteria

Students will: Making inferences.

  • I can answer questions on today's skill on my own, without help.
  • I can explain each step and say why it works.
  • I can check my answer and spot a mistake.

Before and after

Needs first: Predicting and simple inference

Leads to: Citing textual evidence; Tone and mood; Implicit meaning and inference

Materials: A short text or extract (one copy each), Highlighters, Question cards, Mini whiteboards, A short model text on the board, Printed student sheet (below).

Warm-up · 6 min

  • Quick retrieval from earlier learning (Predicting and simple inference). Students answer on mini whiteboards.
  • Show answers together and note who needs support in the main task.
  1. Kim stepped up to the high board. Her knees shook as she looked down at the water. How does Kim feel? (bored / sleepy / nervous / angry) → nervousPrompt: The answer is not written word for word. Look for clues.
  2. Theo yawned and rubbed his eyes. His book slipped onto the floor. What is probably happening? (Theo is hungry. / Theo is falling asleep. / Theo is very excited. / Theo is running a race.) → Theo is falling asleep.Prompt: The answer is not written word for word. Look for clues.
  3. The ice cream dripped down Lucy's arm. The sun beat down on the beach. What will probably happen to the ice cream? (It will melt. / It will freeze. / It will get colder. / It will grow.) → It will melt.Prompt: The answer is not written word for word. Look for clues.

Hook · 6 min

  • Read the first lines of a short text aloud and ask what students predict will happen and why.
  • Share the objective: Making inferences. Read the success criteria together.

I do: model it · 12 min

  • Work through the example out loud, saying why you do each step, not just what you do.
  • Example: The house was silent. Dust covered the furniture, and cobwebs hung from every corner. What can you infer about the house?
  • Step 1: An inference combines clues in the text with what you know.
  • Step 2: So the answer is: Nobody has lived there for a long time.
  • Answer: Nobody has lived there for a long time.
  • Pause after each step and ask a student to say what comes next.

We do: guided practice · 12 min

  • Do these together. Students try each step on whiteboards before you reveal it.
  • Use the hints as prompts rather than giving the answer.
  1. Bea's eyes lit up when she unwrapped the paints. She had been asking for them since the summer. What can you infer? (Bea dislikes painting. / Bea bought the paints herself. / Bea is pleased with her present. / Bea is disappointed.) → Bea is pleased with her present.Prompt: The answer is not written word for word. Look for clues.
  2. The house was silent. Dust covered the furniture, and cobwebs hung from every corner. What can you infer about the house? (Nobody has lived there for a long time. / It was cleaned this morning. / A party is happening. / It is brand new.) → Nobody has lived there for a long time.Prompt: The answer is not written word for word. Look for clues.

You do: independent practice · 17 min

  • Students work on the student sheet. Circulate and check the first two answers of every student early.
  • Students who finish: write a question of their own for a partner, with the answer.

The 8 questions are on the student sheet below, with answers in the key.

Exit ticket · 7 min

  • Two questions on their own. Sort answers into got it / nearly / not yet to plan the next lesson.
  1. When Grace walked in, her hair was dripping and her shoes squelched on the floor. What can you infer? (Grace has been asleep. / Grace has been reading. / It is a hot, sunny day. / It is raining outside.) → It is raining outside.Prompt: The answer is not written word for word. Look for clues.

Watch out for

  • Answering from memory or opinion instead of evidence in the text.
  • Copying a long quote without explaining what it shows.

Support and stretch

Support

  • Review first: Predicting and simple inference.
  • Use concrete materials: a short text or extract (one copy each).
  • Give the first step of each question, or a partly worked example to finish.
  • Pair with a confident partner for the guided practice.

Stretch

  • Move on to: Citing textual evidence; Tone and mood; Implicit meaning and inference.
  • Explain a common mistake in writing and how to fix it.
  • Write a word problem that uses today's skill, then solve a partner's.

Homework and more practice

Free online practice with hints and printable worksheets for this skill: eurekami.com/english/grade-5.

Free lesson plan from eurekami.com/lesson-plan-builder

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Making inferences

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Should Primary Schools Ban Homework?

Every evening, in homes across the country, the same battle takes place: tired children, frustrated parents and a worksheet that nobody wants to finish. It is time for primary schools to ban homework. The most important reason is that, for young children, the evidence for homework is weak. Several large reviews of research have found that homework has little measurable effect on the test results of pupils under eleven. Older students may benefit, but for younger children, the hours spent on worksheets do not seem to pay off. Second, children need time to play, rest and be with their families. Play is not a waste of time; it builds creativity, problem-solving and friendships. A child who has spent six hours concentrating at school deserves an evening to explore, read for pleasure or simply be bored – which is when imagination often kicks in. Some people argue that homework teaches responsibility. This is a fair point. However, children can learn responsibility in many other ways: feeding a pet, helping to cook dinner or practising an instrument they have chosen themselves. Finally, homework can be unfair. Some children have parents who can help them every night and a quiet desk to work at. Others share a small space with siblings or have parents who work late. Homework can widen the gap between these children instead of closing it. Schools should replace homework with something simple: read every day, for fun. That is one habit worth taking home.
  1. Question 1

    Read "Should Primary Schools Ban Homework?". What is the writer's tone?

    • A. humorous and silly
    • B. confident and reasonable
    • C. uncertain and confused
    • D. angry and insulting

The Phone-Free Lunch Experiment

For one month, students at Brookfield School tried something unusual: no phones at lunch. Phones stayed in lockers from twelve until one, and the dining hall filled with board games, sketchbooks and a lot more noise. The idea came from the student council. In a survey, 61 per cent of students said they spent most of lunch looking at a screen, and many said they wanted a break but found it hard to stop on their own. At first, not everyone was happy. "I thought it was a punishment," admitted Jaden, 12. "But after a week I'd learned to play chess, and now I actually look forward to lunch." Teachers noticed changes too. Ms Ortega, who supervises the hall, said there were fewer arguments and more students sitting in mixed groups. However, some students said they missed messaging family members during the day. The council will now vote on whether to keep the rule. One suggestion is a compromise: phone-free Mondays to Thursdays, with Fridays left free.
  1. Question 2

    Read "The Phone-Free Lunch Experiment". Why might the council consider the 'compromise'?

    • A. because teachers asked for longer lunches
    • B. because nobody liked the rule
    • C. because phones were broken
    • D. to keep the benefits while answering students who wanted to contact family

The Climbing Wall

The climbing wall at the leisure centre was twelve metres high, and from the bottom it looked like a mountain covered in brightly coloured sweets. Jaya had watched her older cousin, Ravi, scramble to the top of it a dozen times. Today was her first turn. The instructor clipped the rope to her harness and checked the knot twice. "Remember," she said, "use your legs, not just your arms. And don't look down until you're ready." The first few holds were easy. Jaya climbed quickly, buoyed by Ravi's cheers. But halfway up, the holds grew smaller and farther apart. Her arms began to burn. She looked down – and immediately wished she hadn't. The floor seemed impossibly far away, and her legs began to tremble. "I want to come down," she called. "You can," the instructor answered calmly. "Or you can rest. Lean back into the harness. The rope's got you." Jaya didn't believe her. But slowly, she let her weight sink back. The rope held. Her breathing steadied. She looked at the wall in front of her, not at the floor, and noticed a small yellow hold to her right that she hadn't seen before. Ten minutes later, she slapped the top of the wall. The leisure centre erupted in cheers – or at least Ravi did, which felt like the same thing.
  1. Question 3

    Read "The Climbing Wall". What is the tone of the final paragraph?

    • A. frightening
    • B. gloomy and regretful
    • C. triumphant and lightly humorous
    • D. angry

The Kite Festival

Amara had spent three weeks building her kite. She had bent the bamboo sticks, stretched the paper tight and painted a fierce golden dragon across the front. It was going to win the prize for best design at the town's kite festival. She was sure of it. On the morning of the festival, the field was crowded with families. Kites shaped like fish, birds and boats bobbed in the breeze. Amara's little brother, Kofi, trailed behind her, clutching a small diamond kite he had made from a plastic bag and two straws. "Mine's not very good," Kofi mumbled. Amara ran, and her dragon rose beautifully – until a sudden gust snapped one of the bamboo sticks. The kite twisted, spun and crashed into the grass. The paper ripped right through the dragon's face. Amara's eyes stung. Three weeks of work, ruined in three seconds. Kofi tugged her sleeve. "You can fly mine with me," he offered. At first Amara shook her head. Then she looked at Kofi's hopeful face and took the string. Together they ran, and the little plastic kite shot up higher than any other kite in the sky. People pointed and cheered. That afternoon, the judges gave Kofi a ribbon for "Highest Flyer". Amara clapped louder than anyone. She realised she was smiling more than she would have if she had won the prize herself.
  1. Question 4

    Read "The Kite Festival". Why did Amara's eyes sting?

    • A. She had paint in them.
    • B. The wind was full of dust.
    • C. The sun was too bright.
    • D. She was close to crying.

Should Our School Keep Bees?

Letter A: Yes to bees! Our school should put two beehives on the flat roof above the library. Bees pollinate fruit, vegetables and wildflowers, and in many places their numbers have fallen. A school hive would give local bees a safe home. It would also turn our roof into a living science lesson: we could study how a colony works, measure how much honey it makes, and plant bee-friendly flowers in the playground. Several schools near us already keep bees, and the beekeepers say pupils are never near the hives, because the roof is locked. Letter B: Not so fast. I agree that bees are important, but I do not think hives are right for our school yet. Some pupils and staff are allergic to bee stings, and even a locked roof is close to open windows. Hives also need an expert to check them every week, and no one at school has that training. Instead, we could help bees in safer ways: plant a wildflower strip by the fence, build a bug hotel, and invite a beekeeper to visit with an observation hive behind glass. If, after a year, we find a trained volunteer, we could think about hives again.
  1. Question 5

    Read "Should Our School Keep Bees?". What would most likely change the writer of Letter B's mind?

    • A. moving the library
    • B. seeing a picture of a bee
    • C. finding a trained volunteer to look after the hives
    • D. being given a jar of honey

The Mapmaker's Apprentice

Ines had worked in Master Corvo's shop for three years, and in all that time he had never let her draw a single line on a real map. She ground his inks, stretched his parchment and swept up the shavings from his quills. When she asked why she could not draw, he only said, "A mapmaker must first learn to see." So Ines watched. She watched sailors come in, sunburnt and impatient, to buy charts of the southern coast. She watched merchants argue over which mountain pass was fastest. Most of all, she watched Master Corvo, who spent far longer listening to travellers than he did holding his pen. One winter morning, a fisherman stumbled into the shop, soaked and shaking. A storm had pushed his boat far north, past the edge of every chart in the city. He had found a narrow channel between two islands that no map showed, and it had saved his life. Master Corvo was in bed with a fever. The fisherman was leaving on the evening tide. Ines hesitated only for a moment. Then she sat the fisherman by the fire and asked him questions — not just where the channel was, but how the water changed colour near the rocks, where the gulls gathered, how long it took to row from one island to the other. She wrote down every answer. Only when she had heard everything did she pick up a pen. When Master Corvo recovered, she laid the new chart in front of him. He studied it for a long time without speaking. Then he took his own pen, signed his name in the corner, and beneath it, for the first time, he wrote hers.
  1. Question 6

    Read "The Mapmaker's Apprentice". Why did Ines have to act quickly?

    • A. The shop was about to close forever.
    • B. A storm was coming to the city.
    • C. Merchants were waiting for the map.
    • D. The fisherman was leaving that evening and Master Corvo was ill.

The Moon's Night Walk (a poem)

The moon puts on her silver coat and tiptoes up the sky. She hums a tune to sleepy owls and winks at clouds nearby. She paints the rooftops pearly white, she lights the cat's way home, she peeps into the children's rooms to check they're not alone. She counts the stars like sleeping sheep, she sings the sea to rest, she hangs a lantern on the hill for travellers in the west. And when the sun yawns in the east and stretches out his rays, the moon slips off her silver coat and hides away for days. But look up on a quiet night when all the town's asleep: she's tiptoeing across the sky with promises to keep.
  1. Question 7

    Read "The Moon's Night Walk (a poem)". What is the mood of the poem?

    • A. angry and noisy
    • B. frightening
    • C. sad and lonely
    • D. gentle and peaceful

The Long Wall

The Great Wall of China is not one wall at all. It is a network of walls, trenches and watchtowers built and rebuilt over more than two thousand years by different dynasties. If all its sections were laid end to end, they would stretch over 21,000 kilometres – more than half the distance around the Earth. The earliest walls were built from packed earth around the seventh century BCE, when rival Chinese states defended their borders from one another. In about 220 BCE, the first emperor of a united China, Qin Shi Huang, ordered many of these separate walls to be joined together to protect the north from raiding groups. The sections that most visitors see today are far younger. They were built during the Ming dynasty, between the fourteenth and seventeenth centuries. Ming builders used bricks and stone, which is why these sections have survived so well. Watchtowers were placed close enough together for soldiers to send signals using smoke by day and fire by night. The wall came at a terrible cost. Hundreds of thousands of soldiers, prisoners and farmers were forced to work on it, often in freezing mountains or burning deserts. Many died, and stories and songs about their suffering are still told. Did the wall work? Historians disagree. It slowed down small raids and helped control trade and travel, but determined armies could still break through or simply go around it. Today, its greatest power may be as a symbol – of human effort, of history and of a nation's identity.
  1. Question 8

    Read "The Long Wall". Why were watchtowers placed close together?

    • A. to save bricks
    • B. so signals could be seen from one tower to the next
    • C. to make the wall look taller
    • D. so soldiers could sleep in them

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Answer key: Making inferences

  1. 1. B. confident and reasonable

  2. 2. D. to keep the benefits while answering students who wanted to contact family

  3. 3. C. triumphant and lightly humorous

  4. 4. D. She was close to crying.

  5. 5. C. finding a trained volunteer to look after the hives

  6. 6. D. The fisherman was leaving that evening and Master Corvo was ill.

  7. 7. D. gentle and peaceful

  8. 8. B. so signals could be seen from one tower to the next