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English lesson plan · 5th grade (Year 6 in England) · 60 minutes

Making inferences

Reading Comprehension

CCSS RL.5.1CCSS RI.5.1England: Y5/6 Reading (inference)England: KS2 SATs ReadingEngland: 11+ English

Objective and success criteria

Students will: Making inferences.

  • I can answer questions on today's skill on my own, without help.
  • I can explain each step and say why it works.
  • I can check my answer and spot a mistake.

Before and after

Needs first: Predicting and simple inference

Leads to: Citing textual evidence; Tone and mood; Implicit meaning and inference

Materials: A short text or extract (one copy each), Highlighters, Question cards, Mini whiteboards, A short model text on the board, Printed student sheet (below).

Warm-up · 6 min

  • Quick retrieval from earlier learning (Predicting and simple inference). Students answer on mini whiteboards.
  • Show answers together and note who needs support in the main task.
  1. Jada looked at the dark clouds. She grabbed her umbrella before leaving. Why did Jada take her umbrella? (She lost her hat. / She was going swimming. / She thought it would rain. / It was sunny.) → She thought it would rain.Prompt: The answer is not written word for word. Look for clues.
  2. Omar's mum put a cake with seven candles on the table. Everyone began to sing. What is probably happening? (The family is moving house. / Omar is ill. / It is Omar's birthday. / It is a school day.) → It is Omar's birthday.Prompt: The answer is not written word for word. Look for clues.
  3. Kim stepped up to the high board. Her knees shook as she looked down at the water. How does Kim feel? (sleepy / angry / nervous / bored) → nervousPrompt: The answer is not written word for word. Look for clues.

Hook · 6 min

  • Read the first lines of a short text aloud and ask what students predict will happen and why.
  • Share the objective: Making inferences. Read the success criteria together.

I do: model it · 12 min

  • Work through the example out loud, saying why you do each step, not just what you do.
  • Example: The house was silent. Dust covered the furniture, and cobwebs hung from every corner. What can you infer about the house?
  • Step 1: An inference combines clues in the text with what you know.
  • Step 2: So the answer is: Nobody has lived there for a long time.
  • Answer: Nobody has lived there for a long time.
  • Pause after each step and ask a student to say what comes next.

We do: guided practice · 12 min

  • Do these together. Students try each step on whiteboards before you reveal it.
  • Use the hints as prompts rather than giving the answer.
  1. The coach blew the whistle, and the players trudged off the field, heads down, while the other team cheered. What can you infer? (The match was cancelled. / The players lost the match. / The players are going to start playing. / The players won.) → The players lost the match.Prompt: The answer is not written word for word. Look for clues.
  2. Bea's eyes lit up when she unwrapped the paints. She had been asking for them since the summer. What can you infer? (Bea dislikes painting. / Bea is pleased with her present. / Bea is disappointed. / Bea bought the paints herself.) → Bea is pleased with her present.Prompt: The answer is not written word for word. Look for clues.

You do: independent practice · 17 min

  • Students work on the student sheet. Circulate and check the first two answers of every student early.
  • Students who finish: write a question of their own for a partner, with the answer.

The 8 questions are on the student sheet below, with answers in the key.

Exit ticket · 7 min

  • Two questions on their own. Sort answers into got it / nearly / not yet to plan the next lesson.

Watch out for

  • Answering from memory or opinion instead of evidence in the text.
  • Copying a long quote without explaining what it shows.

Support and stretch

Support

  • Review first: Predicting and simple inference.
  • Use concrete materials: a short text or extract (one copy each).
  • Give the first step of each question, or a partly worked example to finish.
  • Pair with a confident partner for the guided practice.

Stretch

  • Move on to: Citing textual evidence; Tone and mood; Implicit meaning and inference.
  • Explain a common mistake in writing and how to fix it.
  • Write a word problem that uses today's skill, then solve a partner's.

Homework and more practice

Free online practice with hints and printable worksheets for this skill: eurekami.com/english/grade-5.

Free lesson plan from eurekami.com/lesson-plan-builder

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Making inferences

Name

Date

Score/ 8

The Attic

The attic door had been painted shut for as long as Daniel could remember. His mother said there was nothing up there but dust and old suitcases. So when the decorators scraped away the paint on the first Saturday of the summer holidays, Daniel was the first one up the narrow stairs. The air was thick and warm and smelt of mothballs. Thin blades of light slid through gaps in the roof tiles and lay across the floorboards like fallen swords. In the far corner, beneath a sheet greyed with age, something waited. Daniel crossed the room slowly. Each board groaned beneath him as if complaining about being woken. He reached out, hesitated, then pulled the sheet away in one quick movement. It was a desk – small, battered, and covered in carvings. Initials. Dates. A crooked drawing of a sailing boat. And there, in the corner, carved more deeply than all the rest, were three letters he knew better than his own name: D.A.M. Daniel Adebayo Mensah. His grandfather. The grandfather who had died two years before Daniel was born, and whom his mother never spoke about. He ran his fingers over the letters. Downstairs, someone switched on a radio, and a burst of music floated up through the floor. Daniel did not move. For the first time, the silence in the attic did not feel empty. It felt like someone waiting to tell him a story.
  1. Question 1

    Read "The Attic". What can we infer about Daniel's mother's feelings towards his grandfather?

    • A. She never met him.
    • B. She hid the desk because it was valuable.
    • C. She is excited to talk about him.
    • D. The subject is painful or difficult for her.

Should Primary Schools Ban Homework?

Every evening, in homes across the country, the same battle takes place: tired children, frustrated parents and a worksheet that nobody wants to finish. It is time for primary schools to ban homework. The most important reason is that, for young children, the evidence for homework is weak. Several large reviews of research have found that homework has little measurable effect on the test results of pupils under eleven. Older students may benefit, but for younger children, the hours spent on worksheets do not seem to pay off. Second, children need time to play, rest and be with their families. Play is not a waste of time; it builds creativity, problem-solving and friendships. A child who has spent six hours concentrating at school deserves an evening to explore, read for pleasure or simply be bored – which is when imagination often kicks in. Some people argue that homework teaches responsibility. This is a fair point. However, children can learn responsibility in many other ways: feeding a pet, helping to cook dinner or practising an instrument they have chosen themselves. Finally, homework can be unfair. Some children have parents who can help them every night and a quiet desk to work at. Others share a small space with siblings or have parents who work late. Homework can widen the gap between these children instead of closing it. Schools should replace homework with something simple: read every day, for fun. That is one habit worth taking home.
  1. Question 2

    Read "Should Primary Schools Ban Homework?". What is the writer's tone?

    • A. humorous and silly
    • B. uncertain and confused
    • C. confident and reasonable
    • D. angry and insulting

The Kite Festival

Amara had spent three weeks building her kite. She had bent the bamboo sticks, stretched the paper tight and painted a fierce golden dragon across the front. It was going to win the prize for best design at the town's kite festival. She was sure of it. On the morning of the festival, the field was crowded with families. Kites shaped like fish, birds and boats bobbed in the breeze. Amara's little brother, Kofi, trailed behind her, clutching a small diamond kite he had made from a plastic bag and two straws. "Mine's not very good," Kofi mumbled. Amara ran, and her dragon rose beautifully – until a sudden gust snapped one of the bamboo sticks. The kite twisted, spun and crashed into the grass. The paper ripped right through the dragon's face. Amara's eyes stung. Three weeks of work, ruined in three seconds. Kofi tugged her sleeve. "You can fly mine with me," he offered. At first Amara shook her head. Then she looked at Kofi's hopeful face and took the string. Together they ran, and the little plastic kite shot up higher than any other kite in the sky. People pointed and cheered. That afternoon, the judges gave Kofi a ribbon for "Highest Flyer". Amara clapped louder than anyone. She realised she was smiling more than she would have if she had won the prize herself.
  1. Question 3

    Read "The Kite Festival". Why did Amara's eyes sting?

    • A. The sun was too bright.
    • B. The wind was full of dust.
    • C. She was close to crying.
    • D. She had paint in them.

The Moon's Night Walk (a poem)

The moon puts on her silver coat and tiptoes up the sky. She hums a tune to sleepy owls and winks at clouds nearby. She paints the rooftops pearly white, she lights the cat's way home, she peeps into the children's rooms to check they're not alone. She counts the stars like sleeping sheep, she sings the sea to rest, she hangs a lantern on the hill for travellers in the west. And when the sun yawns in the east and stretches out his rays, the moon slips off her silver coat and hides away for days. But look up on a quiet night when all the town's asleep: she's tiptoeing across the sky with promises to keep.
  1. Question 4

    Read "The Moon's Night Walk (a poem)". What is happening in the fourth verse?

    • A. The moon is getting brighter.
    • B. A storm is starting.
    • C. The children are waking the moon.
    • D. Morning is coming and the moon is disappearing.

The Lemonade Stand

Marcus wanted a new bike helmet, but it cost twenty dollars. He had only five. "Why not set up a lemonade stand?" suggested his grandmother. She helped him squeeze a big bowl of lemons and stir in sugar and cold water. Marcus painted a sign that said LEMONADE – 50 CENTS. On Saturday morning, Marcus put his table at the end of the driveway. For the first hour, nobody came. Cars zoomed past. Marcus began to think it was a silly idea. Then he noticed that people were walking to the park across the road for a football match. He picked up his sign and moved the table right next to the park gate. Within ten minutes, a line had formed. By lunchtime, the jug was empty. Marcus counted his coins. He had earned exactly fifteen dollars. With the five he already had, it was enough. "You did it!" said Grandma. "We did it," said Marcus. "And next time, I'll think about where the customers are before I start."
  1. Question 5

    Read "The Lemonade Stand". Why did moving the table work?

    • A. His grandmother bought it all.
    • B. The park had shade.
    • C. Many people were walking past the park gate.
    • D. He lowered the price.

The Mapmaker's Apprentice

Ines had worked in Master Corvo's shop for three years, and in all that time he had never let her draw a single line on a real map. She ground his inks, stretched his parchment and swept up the shavings from his quills. When she asked why she could not draw, he only said, "A mapmaker must first learn to see." So Ines watched. She watched sailors come in, sunburnt and impatient, to buy charts of the southern coast. She watched merchants argue over which mountain pass was fastest. Most of all, she watched Master Corvo, who spent far longer listening to travellers than he did holding his pen. One winter morning, a fisherman stumbled into the shop, soaked and shaking. A storm had pushed his boat far north, past the edge of every chart in the city. He had found a narrow channel between two islands that no map showed, and it had saved his life. Master Corvo was in bed with a fever. The fisherman was leaving on the evening tide. Ines hesitated only for a moment. Then she sat the fisherman by the fire and asked him questions — not just where the channel was, but how the water changed colour near the rocks, where the gulls gathered, how long it took to row from one island to the other. She wrote down every answer. Only when she had heard everything did she pick up a pen. When Master Corvo recovered, she laid the new chart in front of him. He studied it for a long time without speaking. Then he took his own pen, signed his name in the corner, and beneath it, for the first time, he wrote hers.
  1. Question 6

    Read "The Mapmaker's Apprentice". Why did Ines have to act quickly?

    • A. A storm was coming to the city.
    • B. Merchants were waiting for the map.
    • C. The shop was about to close forever.
    • D. The fisherman was leaving that evening and Master Corvo was ill.

Lady Montagu and the Smallpox Gamble

In the early eighteenth century, smallpox was one of the most feared diseases in Europe. It killed around three in every ten people it infected and left many survivors scarred or blind. Lady Mary Wortley Montagu knew its cruelty personally: the disease had killed her brother and marked her own face. In 1717, while living in Constantinople (now Istanbul), where her husband was the British ambassador, she observed a remarkable practice. Local women would take a small amount of material from a mild smallpox sore and scratch it into the skin of a healthy person. The person usually developed a mild illness and was then protected for life. This process was called variolation. Montagu was so impressed that she had her young son variolated. When she returned to England, she campaigned to spread the practice, despite fierce opposition. Some doctors resented being taught by a woman; others distrusted a practice from abroad. To win public confidence, Montagu had her daughter variolated in front of physicians from the royal court. Variolation was not without risk: a small number of patients developed severe smallpox, and they could infect others. Decades later, in 1796, Edward Jenner developed a safer method using cowpox, a related but much milder disease. His method, called vaccination after the Latin word for cow, gradually replaced variolation. Smallpox was declared eradicated worldwide in 1980. Jenner is often called the father of vaccination, but the story began with the courage of a woman who noticed what others had overlooked.
  1. Question 7

    Read "Lady Montagu and the Smallpox Gamble". Why did Montagu have her daughter variolated in front of royal physicians?

    • A. to test Jenner's vaccine
    • B. to prove the method was safe and gain trust
    • C. because the law required it
    • D. because her daughter was ill

The Clever Octopus

If you wanted to design an intelligent animal from scratch, you probably would not start with a creature that has no bones, three hearts and blue blood. Yet the octopus is one of the most remarkable problem-solvers in the animal kingdom. In laboratories, octopuses have learned to unscrew jar lids to reach crabs inside. Some have escaped from their tanks at night, crept across the floor to a neighbouring tank to eat the fish, and then returned home before morning. In the wild, veined octopuses have been filmed collecting coconut shells, carrying them across the seabed and assembling them into a portable shelter – one of the few known examples of tool use by an invertebrate. What makes this intelligence so surprising is how different the octopus brain is from ours. About two-thirds of its roughly 500 million nerve cells are not in its head at all but in its eight arms. Each arm can taste, touch and even make simple decisions on its own. Scientists are still debating what it might feel like to be an animal whose thinking is spread throughout its body. The octopus's cleverness may be linked to its lifestyle. Without a shell for protection, it must outwit predators by hiding, changing colour in a fraction of a second, or squeezing through gaps no bigger than its beak. Survival depends on flexible thinking. Strangely, most octopuses live only one or two years. They have no parents to teach them and usually die soon after laying eggs. Every skill they show, they must largely work out for themselves.
  1. Question 8

    Read "The Clever Octopus". What does the final paragraph suggest about octopus intelligence?

    • A. It is especially impressive because octopuses learn without being taught.
    • B. Octopuses live longer than most animals.
    • C. Octopuses learn everything from their parents.
    • D. Octopuses are not really intelligent.

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Answer key: Making inferences

  1. 1. D. The subject is painful or difficult for her.

  2. 2. C. confident and reasonable

  3. 3. C. She was close to crying.

  4. 4. D. Morning is coming and the moon is disappearing.

  5. 5. C. Many people were walking past the park gate.

  6. 6. D. The fisherman was leaving that evening and Master Corvo was ill.

  7. 7. B. to prove the method was safe and gain trust

  8. 8. A. It is especially impressive because octopuses learn without being taught.