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English lesson plan · 5th grade (Year 6 in England) · 60 minutes

Making inferences

Reading Comprehension

CCSS RL.5.1CCSS RI.5.1England: Y5/6 Reading (inference)England: KS2 SATs ReadingEngland: 11+ English

Objective and success criteria

Students will: Making inferences.

  • I can answer questions on today's skill on my own, without help.
  • I can explain each step and say why it works.
  • I can check my answer and spot a mistake.

Before and after

Needs first: Predicting and simple inference

Leads to: Citing textual evidence; Tone and mood; Implicit meaning and inference

Materials: A short text or extract (one copy each), Highlighters, Question cards, Mini whiteboards, A short model text on the board, Printed student sheet (below).

Warm-up · 6 min

  • Quick retrieval from earlier learning (Predicting and simple inference). Students answer on mini whiteboards.
  • Show answers together and note who needs support in the main task.
  1. The ice cream dripped down Lucy's arm. The sun beat down on the beach. What will probably happen to the ice cream? (It will get colder. / It will grow. / It will freeze. / It will melt.) → It will melt.Prompt: The answer is not written word for word. Look for clues.
  2. Ben left his sandwich on the picnic blanket. A seagull circled overhead. What will probably happen next? (The seagull will grab the sandwich. / It will start to snow. / The sandwich will fly away by itself. / Ben will plant a tree.) → The seagull will grab the sandwich.Prompt: The answer is not written word for word. Look for clues.
  3. The puppy sat by the door with its lead in its mouth and wagged its tail. What does the puppy want? (to sleep / to go for a walk / to have a bath / to eat its lead) → to go for a walkPrompt: The answer is not written word for word. Look for clues.

Hook · 6 min

  • Read the first lines of a short text aloud and ask what students predict will happen and why.
  • Share the objective: Making inferences. Read the success criteria together.

I do: model it · 12 min

  • Work through the example out loud, saying why you do each step, not just what you do.
  • Example: The house was silent. Dust covered the furniture, and cobwebs hung from every corner. What can you infer about the house?
  • Step 1: An inference combines clues in the text with what you know.
  • Step 2: So the answer is: Nobody has lived there for a long time.
  • Answer: Nobody has lived there for a long time.
  • Pause after each step and ask a student to say what comes next.

We do: guided practice · 12 min

  • Do these together. Students try each step on whiteboards before you reveal it.
  • Use the hints as prompts rather than giving the answer.
  1. Tariq stared at his test paper, then crumpled it up and pushed it to the bottom of his bag before his dad could see. What can you infer about the test? (Tariq did not do well. / Tariq got full marks. / The test was cancelled. / Tariq's dad wrote the test.) → Tariq did not do well.Prompt: The answer is not written word for word. Look for clues.
  2. The house was silent. Dust covered the furniture, and cobwebs hung from every corner. What can you infer about the house? (It was cleaned this morning. / A party is happening. / It is brand new. / Nobody has lived there for a long time.) → Nobody has lived there for a long time.Prompt: The answer is not written word for word. Look for clues.

You do: independent practice · 17 min

  • Students work on the student sheet. Circulate and check the first two answers of every student early.
  • Students who finish: write a question of their own for a partner, with the answer.

The 8 questions are on the student sheet below, with answers in the key.

Exit ticket · 7 min

  • Two questions on their own. Sort answers into got it / nearly / not yet to plan the next lesson.
  1. The coach blew the whistle, and the players trudged off the field, heads down, while the other team cheered. What can you infer? (The players are going to start playing. / The players won. / The players lost the match. / The match was cancelled.) → The players lost the match.Prompt: The answer is not written word for word. Look for clues.

Watch out for

  • Answering from memory or opinion instead of evidence in the text.
  • Copying a long quote without explaining what it shows.

Support and stretch

Support

  • Review first: Predicting and simple inference.
  • Use concrete materials: a short text or extract (one copy each).
  • Give the first step of each question, or a partly worked example to finish.
  • Pair with a confident partner for the guided practice.

Stretch

  • Move on to: Citing textual evidence; Tone and mood; Implicit meaning and inference.
  • Explain a common mistake in writing and how to fix it.
  • Write a word problem that uses today's skill, then solve a partner's.

Homework and more practice

Free online practice with hints and printable worksheets for this skill: eurekami.com/english/grade-5.

Free lesson plan from eurekami.com/lesson-plan-builder

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Making inferences

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Should Primary Schools Ban Homework?

Every evening, in homes across the country, the same battle takes place: tired children, frustrated parents and a worksheet that nobody wants to finish. It is time for primary schools to ban homework. The most important reason is that, for young children, the evidence for homework is weak. Several large reviews of research have found that homework has little measurable effect on the test results of pupils under eleven. Older students may benefit, but for younger children, the hours spent on worksheets do not seem to pay off. Second, children need time to play, rest and be with their families. Play is not a waste of time; it builds creativity, problem-solving and friendships. A child who has spent six hours concentrating at school deserves an evening to explore, read for pleasure or simply be bored – which is when imagination often kicks in. Some people argue that homework teaches responsibility. This is a fair point. However, children can learn responsibility in many other ways: feeding a pet, helping to cook dinner or practising an instrument they have chosen themselves. Finally, homework can be unfair. Some children have parents who can help them every night and a quiet desk to work at. Others share a small space with siblings or have parents who work late. Homework can widen the gap between these children instead of closing it. Schools should replace homework with something simple: read every day, for fun. That is one habit worth taking home.

  1. Question 1

    Read "Should Primary Schools Ban Homework?". What is the writer's tone?

    • A. uncertain and confused
    • B. confident and reasonable
    • C. angry and insulting
    • D. humorous and silly

The Lighthouse Keeper's Daughter

The storm had been building all afternoon. By the time the sun set, waves as tall as houses were hurling themselves against the rocks below Gull Point Lighthouse, and the wind screamed around the tower like a wild animal. Nell pressed her face to the window of the little cottage. Her father had rowed to the mainland that morning to fetch the doctor for Mrs Penrose, and the sea had turned before he could return. Now, for the first time in her twelve years, Nell was alone at the lighthouse. She knew what that meant. Every night at dusk, the great lamp at the top of the tower had to be lit. Without it, ships would have no warning of the rocks. Nell grabbed the lantern and her father's oilskin coat, which hung down past her knees, and pushed open the door. The wind nearly knocked her flat. Bent double, she stumbled across the yard and into the tower. There were one hundred and twelve steps to the top. Nell had climbed them hundreds of times, but never in the dark, never with the whole tower trembling. Halfway up, her lantern flickered and almost went out. She stopped, cupped her hand around the flame and whispered, "Not now. Please, not now." At the top, her fingers were numb with cold. She trimmed the wick the way her father had shown her, filled the oil and struck a match. Nothing. A second match. Nothing. With the third, a tiny flame caught, grew and then blazed, and the great lens began to turn, sweeping its beam across the furious sea. Far out in the darkness, a ship's horn sounded twice. Nell did not know whose ship it was. But she knew that, tonight, it would find its way home.

  1. Question 2

    Read "The Lighthouse Keeper's Daughter". Why did Nell whisper "Not now. Please, not now"?

    • A. She was afraid the lantern would go out.
    • B. She was talking to her father.
    • C. She had forgotten the matches.
    • D. She wanted the storm to stop.

The Moon's Night Walk (a poem)

The moon puts on her silver coat and tiptoes up the sky. She hums a tune to sleepy owls and winks at clouds nearby. She paints the rooftops pearly white, she lights the cat's way home, she peeps into the children's rooms to check they're not alone. She counts the stars like sleeping sheep, she sings the sea to rest, she hangs a lantern on the hill for travellers in the west. And when the sun yawns in the east and stretches out his rays, the moon slips off her silver coat and hides away for days. But look up on a quiet night when all the town's asleep: she's tiptoeing across the sky with promises to keep.

  1. Question 3

    Read "The Moon's Night Walk (a poem)". What is the mood of the poem?

    • A. gentle and peaceful
    • B. sad and lonely
    • C. frightening
    • D. angry and noisy

My Grandmother's Hands

My grandmother's hands are brown and wrinkled, like a map of rivers that have been flowing for eighty years. When I was small, I used to trace the lines with my finger and ask her where each one went. "This one," she would say, pointing to a deep crease across her palm, "goes back to the farm where I grew up, where I picked cotton until my fingers bled." Then she would point to a thin white scar on her thumb. "And this one leads to the night I learned to cook for eight brothers and sisters." Her hands have kneaded thousands of loaves of bread. They have stitched every quilt in our house and plaited my hair before every first day of school. They once caught my baby brother when he slipped from the top of the slide, faster than anyone thought an old woman could move. These days her hands shake a little when she holds her teacup. Sometimes she drops a stitch and has to start a row again. But when she takes my hands in hers, they are still the strongest hands I know.

  1. Question 4

    Read "My Grandmother's Hands". What does the story about the slide show about Grandmother?

    • A. She did not like the baby.
    • B. She was quick and protective when it mattered.
    • C. She was always slow.
    • D. She was frightened of slides.

  1. Question 5

    Bea's eyes lit up when she unwrapped the paints. She had been asking for them since the summer. What can you infer?

    • A. Bea bought the paints herself.
    • B. Bea is pleased with her present.
    • C. Bea dislikes painting.
    • D. Bea is disappointed.

Lady Montagu and the Smallpox Gamble

In the early eighteenth century, smallpox was one of the most feared diseases in Europe. It killed around three in every ten people it infected and left many survivors scarred or blind. Lady Mary Wortley Montagu knew its cruelty personally: the disease had killed her brother and marked her own face. In 1717, while living in Constantinople (now Istanbul), where her husband was the British ambassador, she observed a remarkable practice. Local women would take a small amount of material from a mild smallpox sore and scratch it into the skin of a healthy person. The person usually developed a mild illness and was then protected for life. This process was called variolation. Montagu was so impressed that she had her young son variolated. When she returned to England, she campaigned to spread the practice, despite fierce opposition. Some doctors resented being taught by a woman; others distrusted a practice from abroad. To win public confidence, Montagu had her daughter variolated in front of physicians from the royal court. Variolation was not without risk: a small number of patients developed severe smallpox, and they could infect others. Decades later, in 1796, Edward Jenner developed a safer method using cowpox, a related but much milder disease. His method, called vaccination after the Latin word for cow, gradually replaced variolation. Smallpox was declared eradicated worldwide in 1980. Jenner is often called the father of vaccination, but the story began with the courage of a woman who noticed what others had overlooked.

  1. Question 6

    Read "Lady Montagu and the Smallpox Gamble". Why did Montagu have her daughter variolated in front of royal physicians?

    • A. because the law required it
    • B. to prove the method was safe and gain trust
    • C. to test Jenner's vaccine
    • D. because her daughter was ill

The Climbing Wall

The climbing wall at the leisure centre was twelve metres high, and from the bottom it looked like a mountain covered in brightly coloured sweets. Jaya had watched her older cousin, Ravi, scramble to the top of it a dozen times. Today was her first turn. The instructor clipped the rope to her harness and checked the knot twice. "Remember," she said, "use your legs, not just your arms. And don't look down until you're ready." The first few holds were easy. Jaya climbed quickly, buoyed by Ravi's cheers. But halfway up, the holds grew smaller and farther apart. Her arms began to burn. She looked down – and immediately wished she hadn't. The floor seemed impossibly far away, and her legs began to tremble. "I want to come down," she called. "You can," the instructor answered calmly. "Or you can rest. Lean back into the harness. The rope's got you." Jaya didn't believe her. But slowly, she let her weight sink back. The rope held. Her breathing steadied. She looked at the wall in front of her, not at the floor, and noticed a small yellow hold to her right that she hadn't seen before. Ten minutes later, she slapped the top of the wall. The leisure centre erupted in cheers – or at least Ravi did, which felt like the same thing.

  1. Question 7

    Read "The Climbing Wall". What is the tone of the final paragraph?

    • A. triumphant and lightly humorous
    • B. gloomy and regretful
    • C. frightening
    • D. angry

The Kite Festival

Amara had spent three weeks building her kite. She had bent the bamboo sticks, stretched the paper tight and painted a fierce golden dragon across the front. It was going to win the prize for best design at the town's kite festival. She was sure of it. On the morning of the festival, the field was crowded with families. Kites shaped like fish, birds and boats bobbed in the breeze. Amara's little brother, Kofi, trailed behind her, clutching a small diamond kite he had made from a plastic bag and two straws. "Mine's not very good," Kofi mumbled. Amara ran, and her dragon rose beautifully – until a sudden gust snapped one of the bamboo sticks. The kite twisted, spun and crashed into the grass. The paper ripped right through the dragon's face. Amara's eyes stung. Three weeks of work, ruined in three seconds. Kofi tugged her sleeve. "You can fly mine with me," he offered. At first Amara shook her head. Then she looked at Kofi's hopeful face and took the string. Together they ran, and the little plastic kite shot up higher than any other kite in the sky. People pointed and cheered. That afternoon, the judges gave Kofi a ribbon for "Highest Flyer". Amara clapped louder than anyone. She realised she was smiling more than she would have if she had won the prize herself.

  1. Question 8

    Read "The Kite Festival". Why did Amara's eyes sting?

    • A. She had paint in them.
    • B. The sun was too bright.
    • C. She was close to crying.
    • D. The wind was full of dust.

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Answer key: Making inferences

  1. 1. B. confident and reasonable

  2. 2. A. She was afraid the lantern would go out.

  3. 3. A. gentle and peaceful

  4. 4. B. She was quick and protective when it mattered.

  5. 5. B. Bea is pleased with her present.

  6. 6. B. to prove the method was safe and gain trust

  7. 7. A. triumphant and lightly humorous

  8. 8. C. She was close to crying.