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English lesson plan · 4th grade (Year 5 in England) · 60 minutes

Text structure (cause–effect, compare, problem–solution)

Reading Comprehension

CCSS RI.4.5CCSS RI.5.5England: Y5/6 ReadingEngland: KS2 SATs Reading

Objective and success criteria

Students will: Text structure (cause–effect, compare, problem–solution).

  • I can answer questions on today's skill on my own, without help.
  • I can explain each step and say why it works.
  • I can check my answer and spot a mistake.

Before and after

Needs first: Order of events; Main idea and supporting details

Leads to: Analysing structure; Plot stages: exposition to resolution; Foreshadowing, flashback, cliffhanger and red herring

Materials: A short text or extract (one copy each), Highlighters, Question cards, Mini whiteboards, A short model text on the board, Printed student sheet (below).

Warm-up · 6 min

  • Quick retrieval from earlier learning (Order of events; Main idea and supporting details). Students answer on mini whiteboards.
  • Show answers together and note who needs support in the main task.
  1. First, Pia put on her socks. Next, she put on her shoes. Then she ran outside. What did Pia do first? (ate lunch / ran outside / put on her shoes / put on her socks) → put on her socksPrompt: Look for time words: first, then, next, after, finally.
  2. First, Pia put on her socks. Next, she put on her shoes. Then she ran outside. What did Pia do last? (ran outside / put on her socks / went to bed / put on her shoes) → ran outsidePrompt: Look for time words: first, then, next, after, finally.

Hook · 6 min

  • Read the first lines of a short text aloud and ask what students predict will happen and why.
  • Share the objective: Text structure (cause–effect, compare, problem–solution). Read the success criteria together.

I do: model it · 12 min

  • Work through the example out loud, saying why you do each step, not just what you do.
  • Example: The desert is hot and dry. Sand dunes stretch for miles, cacti stand tall, and lizards dart between the rocks. How is this text organised?
  • Step 1: Text structure is how a writer organises ideas.
  • Step 2: So the answer is: description
  • Answer: description
  • Pause after each step and ask a student to say what comes next.

We do: guided practice · 12 min

  • Do these together. Students try each step on whiteboards before you reveal it.
  • Use the hints as prompts rather than giving the answer.
  1. The playground was always full of litter. The pupils decided to put more bins around and take turns being litter monitors. Now it is clean. How is this text organised? (problem and solution / compare and contrast / description / cause and effect) → problem and solutionPrompt: How is the information organised?
  2. Because the river flooded, many roads were closed. As a result, the school buses could not run, so school was cancelled. How is this text organised? (compare and contrast / cause and effect / description / problem and solution) → cause and effectPrompt: How is the information organised?

You do: independent practice · 17 min

  • Students work on the student sheet. Circulate and check the first two answers of every student early.
  • Students who finish: write a question of their own for a partner, with the answer.

The 8 questions are on the student sheet below, with answers in the key.

Exit ticket · 7 min

  • Two questions on their own. Sort answers into got it / nearly / not yet to plan the next lesson.
  1. Because the river flooded, many roads were closed. As a result, the school buses could not run, so school was cancelled. How is this text organised? (problem and solution / compare and contrast / description / cause and effect) → cause and effectPrompt: How is the information organised?

Watch out for

  • Answering from memory or opinion instead of evidence in the text.
  • Copying a long quote without explaining what it shows.

Support and stretch

Support

  • Review first: Order of events.
  • Use concrete materials: a short text or extract (one copy each).
  • Give the first step of each question, or a partly worked example to finish.
  • Pair with a confident partner for the guided practice.

Stretch

  • Move on to: Analysing structure; Plot stages: exposition to resolution; Foreshadowing, flashback, cliffhanger and red herring.
  • Explain a common mistake in writing and how to fix it.
  • Write a word problem that uses today's skill, then solve a partner's.

Homework and more practice

Free online practice with hints and printable worksheets for this skill: eurekami.com/english/grade-4.

Free lesson plan from eurekami.com/lesson-plan-builder

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Text structure (cause–effect, compare, problem–solution)

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Date

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A Helicopter on Mars

In February 2021, NASA's Perseverance rover landed on Mars. Tucked underneath it was a passenger: a tiny helicopter called Ingenuity. It weighed only about 1.8 kilograms, a little less than a big bag of flour. Flying on Mars is much harder than flying on Earth. The air on Mars is extremely thin, about one hundredth as thick as the air we breathe. Helicopter blades push against the air to lift off, so with so little air, Ingenuity's blades had to spin very fast: about 2,400 times a minute. On 19 April 2021, Ingenuity rose about three metres into the Martian sky, hovered for about forty seconds and landed again. It was the first powered, controlled flight on another planet. Engineers on Earth cheered, even though the radio signals took several minutes to reach them. Ingenuity was only meant to make five test flights. Instead, it made 72. It scouted ahead for the rover, taking photos of rocks and slopes so that drivers on Earth could choose safe routes. In January 2024, one of Ingenuity's blades was damaged during a landing, and the mission ended. The little helicopter still sits on Mars today, and engineers are already using what they learned to design bigger flying machines for future missions.

  1. Question 1

    Read "A Helicopter on Mars". How is this text mainly organised?

    • A. as a list of opinions
    • B. as a problem with no solution
    • C. in time order, from landing to the end of the mission
    • D. as a comparison of two planets

The Moon's Night Walk (a poem)

The moon puts on her silver coat and tiptoes up the sky. She hums a tune to sleepy owls and winks at clouds nearby. She paints the rooftops pearly white, she lights the cat's way home, she peeps into the children's rooms to check they're not alone. She counts the stars like sleeping sheep, she sings the sea to rest, she hangs a lantern on the hill for travellers in the west. And when the sun yawns in the east and stretches out his rays, the moon slips off her silver coat and hides away for days. But look up on a quiet night when all the town's asleep: she's tiptoeing across the sky with promises to keep.

  1. Question 2

    Read "The Moon's Night Walk (a poem)". Which words rhyme in the first verse?

    • A. silver and sleepy
    • B. sky and nearby
    • C. moon and tune
    • D. coat and owls

Rethinking Screen Time

Few debates generate as much anxiety among parents as the question of screen time. Headlines warn that smartphones are "destroying a generation", while technology companies insist that their products connect and empower young people. The truth, as so often, is more complicated than either side admits. Part of the problem is that "screen time" is a crude measure. An hour spent video-calling a grandparent, coding a game or researching a school project is not the same as an hour spent scrolling through an endless feed of short videos. Researchers increasingly argue that what young people do on screens matters more than how long they spend on them. That said, quantity is not irrelevant. Several large studies have linked very heavy use – more than five or six hours a day of recreational screen time – to poorer sleep and lower wellbeing. Screens can displace other activities that support health: exercise, face-to-face friendship and, crucially, sleep. Light from devices and the stimulation of social media late at night can delay sleep for teenagers, whose body clocks already push them towards later bedtimes. It is worth noting, however, that most of these studies show correlation, not causation. Teenagers who are already unhappy may turn to their phones more, rather than their phones making them unhappy. Untangling cause and effect is notoriously difficult. What, then, should families do? Rather than fixating on a single number, experts suggest asking three questions. Is screen use getting in the way of sleep? Is it crowding out exercise and real-world relationships? And does the young person feel in control of it, or controlled by it? If the answers are reassuring, the exact number of minutes may matter less than we fear.

  1. Question 3

    Read "Rethinking Screen Time". What is the function of paragraph 4?

    • A. It introduces the topic for the first time.
    • B. It adds a caution about how to interpret the research in paragraph 3.
    • C. It gives the writer's final advice.
    • D. It describes a specific family.

How to Build a Junk Robot

Do you have a pile of empty boxes and bottle tops? Instead of throwing them away, turn them into a robot! This project takes about an hour. You will need: one cereal box, one smaller box (such as a toothpaste box), four cardboard tubes, bottle tops, glue, scissors and some tape. Step 1: Ask an adult to help you cut a hole in the top of the cereal box. This will be the robot's body. Step 2: Glue the smaller box on top of the body to make the head. Hold it in place for a minute while the glue sets. Step 3: Tape two cardboard tubes to the sides of the body for arms and two to the bottom for legs. Step 4: Glue bottle tops onto the head for eyes and onto the body for buttons and dials. Step 5: Leave your robot to dry overnight before you play with it. Top tip: Give your robot a name and write it on a label. Robots with names are much more fun!

  1. Question 4

    Read "How to Build a Junk Robot". Why are the steps numbered?

    • A. to show how many robots to make
    • B. to make the text longer
    • C. to show which step is most fun
    • D. so they are followed in the right order

The Margin

Zainab had read the library book three times before she noticed the handwriting. It was in the margin of page 112, so faint she had taken it for a smudge. In tiny, slanted letters, someone had written: "Don't trust the narrator." Underneath, in different ink and a rounder hand, someone else had replied: "Why not?" And beneath that, in the first writer's slant: "Read chapter 9 again." She read chapter 9 again. Then she read it a fourth time, and a fifth, and on the sixth she saw it – a single sentence where the narrator claimed to have been at home when, three chapters earlier, he had described himself on a train. A lie, hidden in plain sight. The whole story tilted, like a picture knocked crooked on a wall. Zainab sat back. She checked the date stamps on the card inside the front cover. The book had been borrowed forty-seven times since 1994. Somewhere among those forty-seven readers were two people who had held a conversation across years without ever meeting. She found a pencil. For a long time she hesitated over the page, feeling as if she were about to speak in a room full of strangers. Then, carefully, beneath the other two, she wrote: "Found it. Thank you." When she returned the book, the librarian frowned at the pencil marks. Zainab apologised. But as she walked home, she wondered who would be next to find them.

  1. Question 5

    Read "The Margin". What is the effect of the final sentence?

    • A. It reveals who the first writer was.
    • B. It shows Zainab regrets writing.
    • C. It suggests the chain of readers will continue.
    • D. It ends the story with a twist about the librarian.

Harbour at Dawn (GCSE-style extract)

The harbour did not so much wake as surrender to the morning. Fog lay over the water like a damp grey blanket that someone had forgotten to fold, and the fishing boats nodded at their moorings, half-asleep, their ropes creaking in complaint. Old Tomas was already there. He was always there. He sat on an upturned crate at the end of the quay, mending a net with fingers that had long ago stopped feeling the cold. His knife flashed, paused, flashed again. Every so often he lifted his head and sniffed the air, as if the sea had written him a letter only he could read. Behind him, the town stirred reluctantly. A shutter rattled up. A dog barked twice and thought better of it. Somewhere a kettle began its thin, rising whistle. The smell of bread drifted from the bakery on Water Lane and mixed with the older, deeper smells of salt, diesel and fish. Then the sun arrived. It did not rise so much as break through – one bright blade splitting the fog, then another, until the whole harbour was suddenly ablaze. The water turned from slate to copper. Gulls exploded upward from the harbour wall, screaming. The boats seemed to sit up straighter. Tomas did not look up. He tied off the last knot, tested it with a sharp tug, and laid the net across his knees like a sleeping cat. Only then did he raise his eyes to the brightening sea, and for a moment, just a moment, his face softened into something very close to a smile.

  1. Question 6

    Read "Harbour at Dawn (GCSE-style extract)". Why might the writer end with Tomas's near-smile?

    • A. to reveal a twist about his identity
    • B. to show he is angry about the weather
    • C. to introduce a new character
    • D. to end on a quiet, personal moment after the dramatic sunrise

The Lemonade Stand

Marcus wanted a new bike helmet, but it cost twenty dollars. He had only five. "Why not set up a lemonade stand?" suggested his grandmother. She helped him squeeze a big bowl of lemons and stir in sugar and cold water. Marcus painted a sign that said LEMONADE – 50 CENTS. On Saturday morning, Marcus put his table at the end of the driveway. For the first hour, nobody came. Cars zoomed past. Marcus began to think it was a silly idea. Then he noticed that people were walking to the park across the road for a football match. He picked up his sign and moved the table right next to the park gate. Within ten minutes, a line had formed. By lunchtime, the jug was empty. Marcus counted his coins. He had earned exactly fifteen dollars. With the five he already had, it was enough. "You did it!" said Grandma. "We did it," said Marcus. "And next time, I'll think about where the customers are before I start."

  1. Question 7

    Read "The Lemonade Stand". What problem did Marcus have during the first hour?

    • A. Nobody came to buy lemonade.
    • B. It started to rain.
    • C. The lemonade was too sour.
    • D. He lost his money.

Lady Montagu and the Smallpox Gamble

In the early eighteenth century, smallpox was one of the most feared diseases in Europe. It killed around three in every ten people it infected and left many survivors scarred or blind. Lady Mary Wortley Montagu knew its cruelty personally: the disease had killed her brother and marked her own face. In 1717, while living in Constantinople (now Istanbul), where her husband was the British ambassador, she observed a remarkable practice. Local women would take a small amount of material from a mild smallpox sore and scratch it into the skin of a healthy person. The person usually developed a mild illness and was then protected for life. This process was called variolation. Montagu was so impressed that she had her young son variolated. When she returned to England, she campaigned to spread the practice, despite fierce opposition. Some doctors resented being taught by a woman; others distrusted a practice from abroad. To win public confidence, Montagu had her daughter variolated in front of physicians from the royal court. Variolation was not without risk: a small number of patients developed severe smallpox, and they could infect others. Decades later, in 1796, Edward Jenner developed a safer method using cowpox, a related but much milder disease. His method, called vaccination after the Latin word for cow, gradually replaced variolation. Smallpox was declared eradicated worldwide in 1980. Jenner is often called the father of vaccination, but the story began with the courage of a woman who noticed what others had overlooked.

  1. Question 8

    Read "Lady Montagu and the Smallpox Gamble". How does paragraph 4 relate to paragraph 3?

    • A. It presents a limitation of variolation and the safer method that followed.
    • B. It repeats the same information.
    • C. It argues that Montagu was wrong.
    • D. It describes Montagu's childhood.

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Answer key: Text structure (cause–effect, compare, problem–solution)

  1. 1. C. in time order, from landing to the end of the mission

  2. 2. B. sky and nearby

  3. 3. B. It adds a caution about how to interpret the research in paragraph 3.

  4. 4. D. so they are followed in the right order

  5. 5. C. It suggests the chain of readers will continue.

  6. 6. D. to end on a quiet, personal moment after the dramatic sunrise

  7. 7. A. Nobody came to buy lemonade.

  8. 8. A. It presents a limitation of variolation and the safer method that followed.