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English lesson plan · 4th grade (Year 5 in England) · 45 minutes

Text structure (cause–effect, compare, problem–solution)

Reading Comprehension

CCSS RI.4.5CCSS RI.5.5England: Y5/6 ReadingEngland: KS2 SATs Reading

Objective and success criteria

Students will: Text structure (cause–effect, compare, problem–solution).

  • I can answer questions on today's skill on my own, without help.
  • I can explain each step and say why it works.
  • I can check my answer and spot a mistake.

Before and after

Needs first: Order of events; Main idea and supporting details

Leads to: Analysing structure; Plot stages: exposition to resolution; Foreshadowing, flashback, cliffhanger and red herring

Materials: A short text or extract (one copy each), Highlighters, Question cards, Mini whiteboards, A short model text on the board, Printed student sheet (below).

Warm-up · 5 min

  • Quick retrieval from earlier learning (Order of events; Main idea and supporting details). Students answer on mini whiteboards.
  • Show answers together and note who needs support in the main task.
  1. Lee dug a hole. He put in a seed. Then he covered it with soil and gave it water. What did Lee do before he put in the seed? (picked a flower / covered it with soil / dug a hole / gave it water) → dug a holePrompt: Look for time words: first, then, next, after, finally.
  2. Dad cracked two eggs into a bowl. He mixed them. Then he cooked them in a pan. What did Dad do after he mixed the eggs? (cracked the eggs / bought eggs / washed the bowl / cooked them in a pan) → cooked them in a panPrompt: Look for time words: first, then, next, after, finally.
  3. First, Pia put on her socks. Next, she put on her shoes. Then she ran outside. What did Pia do last? (ran outside / went to bed / put on her shoes / put on her socks) → ran outsidePrompt: Look for time words: first, then, next, after, finally.

Hook · 5 min

  • Read the first lines of a short text aloud and ask what students predict will happen and why.
  • Share the objective: Text structure (cause–effect, compare, problem–solution). Read the success criteria together.

I do: model it · 10 min

  • Work through the example out loud, saying why you do each step, not just what you do.
  • Example: The desert is hot and dry. Sand dunes stretch for miles, cacti stand tall, and lizards dart between the rocks. How is this text organised?
  • Step 1: Text structure is how a writer organises ideas.
  • Step 2: So the answer is: description
  • Answer: description
  • Pause after each step and ask a student to say what comes next.

We do: guided practice · 10 min

  • Do these together. Students try each step on whiteboards before you reveal it.
  • Use the hints as prompts rather than giving the answer.
  1. The playground was always full of litter. The pupils decided to put more bins around and take turns being litter monitors. Now it is clean. How is this text organised? (compare and contrast / description / cause and effect / problem and solution) → problem and solutionPrompt: How is the information organised?
  2. The desert is hot and dry. Sand dunes stretch for miles, cacti stand tall, and lizards dart between the rocks. How is this text organised? (compare and contrast / problem and solution / description / sequence) → descriptionPrompt: How is the information organised?

You do: independent practice · 10 min

  • Students work on the student sheet. Circulate and check the first two answers of every student early.
  • Students who finish: write a question of their own for a partner, with the answer.

The 8 questions are on the student sheet below, with answers in the key.

Exit ticket · 5 min

  • Two questions on their own. Sort answers into got it / nearly / not yet to plan the next lesson.
  1. Frogs and toads are both amphibians. However, frogs have smooth, wet skin, while toads have dry, bumpy skin. How is this text organised? (cause and effect / compare and contrast / sequence / problem and solution) → compare and contrastPrompt: How is the information organised?

Watch out for

  • Answering from memory or opinion instead of evidence in the text.
  • Copying a long quote without explaining what it shows.

Support and stretch

Support

  • Review first: Order of events.
  • Use concrete materials: a short text or extract (one copy each).
  • Give the first step of each question, or a partly worked example to finish.
  • Pair with a confident partner for the guided practice.

Stretch

  • Move on to: Analysing structure; Plot stages: exposition to resolution; Foreshadowing, flashback, cliffhanger and red herring.
  • Explain a common mistake in writing and how to fix it.
  • Write a word problem that uses today's skill, then solve a partner's.

Homework and more practice

Free online practice with hints and printable worksheets for this skill: eurekami.com/english/grade-4.

Free lesson plan from eurekami.com/lesson-plan-builder

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Text structure (cause–effect, compare, problem–solution)

Name

Date

Score/ 8

A Letter to the Council

Dear Councillors, I am writing to ask you not to close Elm Street Library. I am nine years old, and the library is one of the most important places in our town. First, the library helps children learn. Every Saturday, there is a story club where younger children listen to stories and older children like me read aloud. Many families cannot afford to buy lots of books, but at the library everyone can borrow them for free. Second, the library is not just for children. My neighbour, Mr Haddad, goes there every week to use the computers because he does not have one at home. He uses them to apply for jobs and to talk to his grandchildren in another country. Some people say that everything is online now, so we do not need libraries. However, not everyone has the internet at home, and a website cannot give you a quiet, warm place to study or a librarian who helps you find exactly the right book. Please keep our library open. It belongs to all of us. Yours faithfully, Priya Shah
  1. Question 1

    Read "A Letter to the Council". How does Priya organise her reasons?

    • A. with the words First and Second
    • B. in alphabetical order
    • C. as a list of questions
    • D. as a poem

How to Build a Junk Robot

Do you have a pile of empty boxes and bottle tops? Instead of throwing them away, turn them into a robot! This project takes about an hour. You will need: one cereal box, one smaller box (such as a toothpaste box), four cardboard tubes, bottle tops, glue, scissors and some tape. Step 1: Ask an adult to help you cut a hole in the top of the cereal box. This will be the robot's body. Step 2: Glue the smaller box on top of the body to make the head. Hold it in place for a minute while the glue sets. Step 3: Tape two cardboard tubes to the sides of the body for arms and two to the bottom for legs. Step 4: Glue bottle tops onto the head for eyes and onto the body for buttons and dials. Step 5: Leave your robot to dry overnight before you play with it. Top tip: Give your robot a name and write it on a label. Robots with names are much more fun!
  1. Question 2

    Read "How to Build a Junk Robot". Why are the steps numbered?

    • A. to make the text longer
    • B. to show which step is most fun
    • C. to show how many robots to make
    • D. so they are followed in the right order

Rethinking Screen Time

Few debates generate as much anxiety among parents as the question of screen time. Headlines warn that smartphones are "destroying a generation", while technology companies insist that their products connect and empower young people. The truth, as so often, is more complicated than either side admits. Part of the problem is that "screen time" is a crude measure. An hour spent video-calling a grandparent, coding a game or researching a school project is not the same as an hour spent scrolling through an endless feed of short videos. Researchers increasingly argue that what young people do on screens matters more than how long they spend on them. That said, quantity is not irrelevant. Several large studies have linked very heavy use – more than five or six hours a day of recreational screen time – to poorer sleep and lower wellbeing. Screens can displace other activities that support health: exercise, face-to-face friendship and, crucially, sleep. Light from devices and the stimulation of social media late at night can delay sleep for teenagers, whose body clocks already push them towards later bedtimes. It is worth noting, however, that most of these studies show correlation, not causation. Teenagers who are already unhappy may turn to their phones more, rather than their phones making them unhappy. Untangling cause and effect is notoriously difficult. What, then, should families do? Rather than fixating on a single number, experts suggest asking three questions. Is screen use getting in the way of sleep? Is it crowding out exercise and real-world relationships? And does the young person feel in control of it, or controlled by it? If the answers are reassuring, the exact number of minutes may matter less than we fear.
  1. Question 3

    Read "Rethinking Screen Time". What is the function of paragraph 4?

    • A. It introduces the topic for the first time.
    • B. It adds a caution about how to interpret the research in paragraph 3.
    • C. It describes a specific family.
    • D. It gives the writer's final advice.

The Margin

Zainab had read the library book three times before she noticed the handwriting. It was in the margin of page 112, so faint she had taken it for a smudge. In tiny, slanted letters, someone had written: "Don't trust the narrator." Underneath, in different ink and a rounder hand, someone else had replied: "Why not?" And beneath that, in the first writer's slant: "Read chapter 9 again." She read chapter 9 again. Then she read it a fourth time, and a fifth, and on the sixth she saw it – a single sentence where the narrator claimed to have been at home when, three chapters earlier, he had described himself on a train. A lie, hidden in plain sight. The whole story tilted, like a picture knocked crooked on a wall. Zainab sat back. She checked the date stamps on the card inside the front cover. The book had been borrowed forty-seven times since 1994. Somewhere among those forty-seven readers were two people who had held a conversation across years without ever meeting. She found a pencil. For a long time she hesitated over the page, feeling as if she were about to speak in a room full of strangers. Then, carefully, beneath the other two, she wrote: "Found it. Thank you." When she returned the book, the librarian frowned at the pencil marks. Zainab apologised. But as she walked home, she wondered who would be next to find them.
  1. Question 4

    Read "The Margin". What is the effect of the final sentence?

    • A. It shows Zainab regrets writing.
    • B. It ends the story with a twist about the librarian.
    • C. It reveals who the first writer was.
    • D. It suggests the chain of readers will continue.

The Fennec Fox

The fennec fox is the smallest fox in the world. It weighs about as much as a bag of sugar. It lives in the Sahara Desert in North Africa, one of the hottest places on Earth. The first thing most people notice about the fennec fox is its enormous ears. They can be as long as 15 centimetres, which is huge for such a small animal. The ears do two important jobs. First, they let heat escape from the fox's body, helping it to stay cool. Second, they are so sensitive that the fox can hear insects moving under the sand. The fennec fox has other ways to survive in the desert, too. Thick fur on the bottoms of its feet protects it from the burning sand. During the hottest part of the day, it rests in a cool burrow underground. It comes out to hunt at night, when the air is cooler. Water is hard to find in the desert, but the fennec fox can go a long time without drinking. It gets most of the water it needs from the food it eats, such as insects, plants and small animals.
  1. Question 5

    Read "The Fennec Fox". How is paragraph 2 mainly organised?

    • A. It gives instructions.
    • B. It describes a feature and then explains its uses.
    • C. It tells a story in time order.
    • D. It compares two kinds of fox.

Harbour at Dawn (GCSE-style extract)

The harbour did not so much wake as surrender to the morning. Fog lay over the water like a damp grey blanket that someone had forgotten to fold, and the fishing boats nodded at their moorings, half-asleep, their ropes creaking in complaint. Old Tomas was already there. He was always there. He sat on an upturned crate at the end of the quay, mending a net with fingers that had long ago stopped feeling the cold. His knife flashed, paused, flashed again. Every so often he lifted his head and sniffed the air, as if the sea had written him a letter only he could read. Behind him, the town stirred reluctantly. A shutter rattled up. A dog barked twice and thought better of it. Somewhere a kettle began its thin, rising whistle. The smell of bread drifted from the bakery on Water Lane and mixed with the older, deeper smells of salt, diesel and fish. Then the sun arrived. It did not rise so much as break through – one bright blade splitting the fog, then another, until the whole harbour was suddenly ablaze. The water turned from slate to copper. Gulls exploded upward from the harbour wall, screaming. The boats seemed to sit up straighter. Tomas did not look up. He tied off the last knot, tested it with a sharp tug, and laid the net across his knees like a sleeping cat. Only then did he raise his eyes to the brightening sea, and for a moment, just a moment, his face softened into something very close to a smile.
  1. Question 6

    Read "Harbour at Dawn (GCSE-style extract)". How does the focus shift in paragraph 4 compared with paragraph 3?

    • A. from quiet, small sounds of the town to a sudden, dramatic burst of light
    • B. from the harbour to a different town
    • C. from morning to night
    • D. from Tomas's thoughts to his past

The Lighthouse Keeper's Daughter

The storm had been building all afternoon. By the time the sun set, waves as tall as houses were hurling themselves against the rocks below Gull Point Lighthouse, and the wind screamed around the tower like a wild animal. Nell pressed her face to the window of the little cottage. Her father had rowed to the mainland that morning to fetch the doctor for Mrs Penrose, and the sea had turned before he could return. Now, for the first time in her twelve years, Nell was alone at the lighthouse. She knew what that meant. Every night at dusk, the great lamp at the top of the tower had to be lit. Without it, ships would have no warning of the rocks. Nell grabbed the lantern and her father's oilskin coat, which hung down past her knees, and pushed open the door. The wind nearly knocked her flat. Bent double, she stumbled across the yard and into the tower. There were one hundred and twelve steps to the top. Nell had climbed them hundreds of times, but never in the dark, never with the whole tower trembling. Halfway up, her lantern flickered and almost went out. She stopped, cupped her hand around the flame and whispered, "Not now. Please, not now." At the top, her fingers were numb with cold. She trimmed the wick the way her father had shown her, filled the oil and struck a match. Nothing. A second match. Nothing. With the third, a tiny flame caught, grew and then blazed, and the great lens began to turn, sweeping its beam across the furious sea. Far out in the darkness, a ship's horn sounded twice. Nell did not know whose ship it was. But she knew that, tonight, it would find its way home.
  1. Question 7

    Read "The Lighthouse Keeper's Daughter". How does the writer build tension in paragraph 6?

    • A. The ship crashes.
    • B. The first two matches fail before the third one lights.
    • C. The father arrives home.
    • D. Nell falls down the stairs.

A Day at the Fire Station

Firefighters do much more than put out fires. At Station 9, the day begins at eight o'clock sharp with a check of every piece of equipment. The crew test the hoses, check the air tanks and make sure the ladders slide smoothly. "If something is broken, we need to know now, not when there's an emergency," says Captain Rivera. After the checks, the firefighters exercise for an hour. Their job is very physical. They must carry heavy hoses, climb ladders in thick protective suits and sometimes carry people to safety. In the afternoon, the crew often visit schools to teach children about fire safety. They show how to check smoke alarms and explain why you should never hide during a fire. "Get out, stay out, and call for help," Captain Rivera tells every class. When the alarm rings, everything changes. The crew pull on their gear, jump into the fire engine and are on their way in less than a minute. Calls might be for a house fire, a car accident or even a cat stuck up a tree. Whatever the emergency, the firefighters of Station 9 are ready.
  1. Question 8

    Read "A Day at the Fire Station". How is this text mostly organised?

    • A. as a list of fire facts
    • B. as a problem and solution
    • C. in the order things happen during the day
    • D. as a comparison of two stations

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Answer key: Text structure (cause–effect, compare, problem–solution)

  1. 1. A. with the words First and Second

  2. 2. D. so they are followed in the right order

  3. 3. B. It adds a caution about how to interpret the research in paragraph 3.

  4. 4. D. It suggests the chain of readers will continue.

  5. 5. B. It describes a feature and then explains its uses.

  6. 6. A. from quiet, small sounds of the town to a sudden, dramatic burst of light

  7. 7. B. The first two matches fail before the third one lights.

  8. 8. C. in the order things happen during the day