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English lesson plan · 5th grade (Year 6 in England) · 45 minutes

Making inferences

Reading Comprehension

CCSS RL.5.1CCSS RI.5.1England: Y5/6 Reading (inference)England: KS2 SATs ReadingEngland: 11+ English

Objective and success criteria

Students will: Making inferences.

  • I can answer questions on today's skill on my own, without help.
  • I can explain each step and say why it works.
  • I can check my answer and spot a mistake.

Before and after

Needs first: Predicting and simple inference

Leads to: Citing textual evidence; Tone and mood; Implicit meaning and inference

Materials: A short text or extract (one copy each), Highlighters, Question cards, Mini whiteboards, A short model text on the board, Printed student sheet (below).

Warm-up · 5 min

  • Quick retrieval from earlier learning (Predicting and simple inference). Students answer on mini whiteboards.
  • Show answers together and note who needs support in the main task.
  1. Ben left his sandwich on the picnic blanket. A seagull circled overhead. What will probably happen next? (The sandwich will fly away by itself. / The seagull will grab the sandwich. / It will start to snow. / Ben will plant a tree.) → The seagull will grab the sandwich.Prompt: The answer is not written word for word. Look for clues.
  2. Theo yawned and rubbed his eyes. His book slipped onto the floor. What is probably happening? (Theo is very excited. / Theo is running a race. / Theo is hungry. / Theo is falling asleep.) → Theo is falling asleep.Prompt: The answer is not written word for word. Look for clues.
  3. The puppy sat by the door with its lead in its mouth and wagged its tail. What does the puppy want? (to have a bath / to sleep / to eat its lead / to go for a walk) → to go for a walkPrompt: The answer is not written word for word. Look for clues.

Hook · 5 min

  • Read the first lines of a short text aloud and ask what students predict will happen and why.
  • Share the objective: Making inferences. Read the success criteria together.

I do: model it · 10 min

  • Work through the example out loud, saying why you do each step, not just what you do.
  • Example: The house was silent. Dust covered the furniture, and cobwebs hung from every corner. What can you infer about the house?
  • Step 1: An inference combines clues in the text with what you know.
  • Step 2: So the answer is: Nobody has lived there for a long time.
  • Answer: Nobody has lived there for a long time.
  • Pause after each step and ask a student to say what comes next.

We do: guided practice · 10 min

  • Do these together. Students try each step on whiteboards before you reveal it.
  • Use the hints as prompts rather than giving the answer.
  1. Mr Patel glanced at the clock for the third time and tapped his foot. The bus was already twenty minutes late. How is Mr Patel feeling? (impatient / delighted / sleepy / relaxed) → impatientPrompt: The answer is not written word for word. Look for clues.
  2. Bea's eyes lit up when she unwrapped the paints. She had been asking for them since the summer. What can you infer? (Bea is disappointed. / Bea is pleased with her present. / Bea dislikes painting. / Bea bought the paints herself.) → Bea is pleased with her present.Prompt: The answer is not written word for word. Look for clues.

You do: independent practice · 10 min

  • Students work on the student sheet. Circulate and check the first two answers of every student early.
  • Students who finish: write a question of their own for a partner, with the answer.

The 8 questions are on the student sheet below, with answers in the key.

Exit ticket · 5 min

  • Two questions on their own. Sort answers into got it / nearly / not yet to plan the next lesson.

Watch out for

  • Answering from memory or opinion instead of evidence in the text.
  • Copying a long quote without explaining what it shows.

Support and stretch

Support

  • Review first: Predicting and simple inference.
  • Use concrete materials: a short text or extract (one copy each).
  • Give the first step of each question, or a partly worked example to finish.
  • Pair with a confident partner for the guided practice.

Stretch

  • Move on to: Citing textual evidence; Tone and mood; Implicit meaning and inference.
  • Explain a common mistake in writing and how to fix it.
  • Write a word problem that uses today's skill, then solve a partner's.

Homework and more practice

Free online practice with hints and printable worksheets for this skill: eurekami.com/english/grade-5.

Free lesson plan from eurekami.com/lesson-plan-builder

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Making inferences

Name

Date

Score/ 8

Lady Montagu and the Smallpox Gamble

In the early eighteenth century, smallpox was one of the most feared diseases in Europe. It killed around three in every ten people it infected and left many survivors scarred or blind. Lady Mary Wortley Montagu knew its cruelty personally: the disease had killed her brother and marked her own face. In 1717, while living in Constantinople (now Istanbul), where her husband was the British ambassador, she observed a remarkable practice. Local women would take a small amount of material from a mild smallpox sore and scratch it into the skin of a healthy person. The person usually developed a mild illness and was then protected for life. This process was called variolation. Montagu was so impressed that she had her young son variolated. When she returned to England, she campaigned to spread the practice, despite fierce opposition. Some doctors resented being taught by a woman; others distrusted a practice from abroad. To win public confidence, Montagu had her daughter variolated in front of physicians from the royal court. Variolation was not without risk: a small number of patients developed severe smallpox, and they could infect others. Decades later, in 1796, Edward Jenner developed a safer method using cowpox, a related but much milder disease. His method, called vaccination after the Latin word for cow, gradually replaced variolation. Smallpox was declared eradicated worldwide in 1980. Jenner is often called the father of vaccination, but the story began with the courage of a woman who noticed what others had overlooked.

  1. Question 1

    Read "Lady Montagu and the Smallpox Gamble". Why did Montagu have her daughter variolated in front of royal physicians?

    • A. because her daughter was ill
    • B. to test Jenner's vaccine
    • C. because the law required it
    • D. to prove the method was safe and gain trust

The Mapmaker's Apprentice

Ines had worked in Master Corvo's shop for three years, and in all that time he had never let her draw a single line on a real map. She ground his inks, stretched his parchment and swept up the shavings from his quills. When she asked why she could not draw, he only said, "A mapmaker must first learn to see." So Ines watched. She watched sailors come in, sunburnt and impatient, to buy charts of the southern coast. She watched merchants argue over which mountain pass was fastest. Most of all, she watched Master Corvo, who spent far longer listening to travellers than he did holding his pen. One winter morning, a fisherman stumbled into the shop, soaked and shaking. A storm had pushed his boat far north, past the edge of every chart in the city. He had found a narrow channel between two islands that no map showed, and it had saved his life. Master Corvo was in bed with a fever. The fisherman was leaving on the evening tide. Ines hesitated only for a moment. Then she sat the fisherman by the fire and asked him questions — not just where the channel was, but how the water changed colour near the rocks, where the gulls gathered, how long it took to row from one island to the other. She wrote down every answer. Only when she had heard everything did she pick up a pen. When Master Corvo recovered, she laid the new chart in front of him. He studied it for a long time without speaking. Then he took his own pen, signed his name in the corner, and beneath it, for the first time, he wrote hers.

  1. Question 2

    Read "The Mapmaker's Apprentice". Why did Ines have to act quickly?

    • A. Merchants were waiting for the map.
    • B. A storm was coming to the city.
    • C. The shop was about to close forever.
    • D. The fisherman was leaving that evening and Master Corvo was ill.

The Climbing Wall

The climbing wall at the leisure centre was twelve metres high, and from the bottom it looked like a mountain covered in brightly coloured sweets. Jaya had watched her older cousin, Ravi, scramble to the top of it a dozen times. Today was her first turn. The instructor clipped the rope to her harness and checked the knot twice. "Remember," she said, "use your legs, not just your arms. And don't look down until you're ready." The first few holds were easy. Jaya climbed quickly, buoyed by Ravi's cheers. But halfway up, the holds grew smaller and farther apart. Her arms began to burn. She looked down – and immediately wished she hadn't. The floor seemed impossibly far away, and her legs began to tremble. "I want to come down," she called. "You can," the instructor answered calmly. "Or you can rest. Lean back into the harness. The rope's got you." Jaya didn't believe her. But slowly, she let her weight sink back. The rope held. Her breathing steadied. She looked at the wall in front of her, not at the floor, and noticed a small yellow hold to her right that she hadn't seen before. Ten minutes later, she slapped the top of the wall. The leisure centre erupted in cheers – or at least Ravi did, which felt like the same thing.

  1. Question 3

    Read "The Climbing Wall". What is the tone of the final paragraph?

    • A. triumphant and lightly humorous
    • B. gloomy and regretful
    • C. frightening
    • D. angry

The Moon's Night Walk (a poem)

The moon puts on her silver coat and tiptoes up the sky. She hums a tune to sleepy owls and winks at clouds nearby. She paints the rooftops pearly white, she lights the cat's way home, she peeps into the children's rooms to check they're not alone. She counts the stars like sleeping sheep, she sings the sea to rest, she hangs a lantern on the hill for travellers in the west. And when the sun yawns in the east and stretches out his rays, the moon slips off her silver coat and hides away for days. But look up on a quiet night when all the town's asleep: she's tiptoeing across the sky with promises to keep.

  1. Question 4

    Read "The Moon's Night Walk (a poem)". What is happening in the fourth verse?

    • A. The children are waking the moon.
    • B. Morning is coming and the moon is disappearing.
    • C. The moon is getting brighter.
    • D. A storm is starting.

A Day at the Fire Station

Firefighters do much more than put out fires. At Station 9, the day begins at eight o'clock sharp with a check of every piece of equipment. The crew test the hoses, check the air tanks and make sure the ladders slide smoothly. "If something is broken, we need to know now, not when there's an emergency," says Captain Rivera. After the checks, the firefighters exercise for an hour. Their job is very physical. They must carry heavy hoses, climb ladders in thick protective suits and sometimes carry people to safety. In the afternoon, the crew often visit schools to teach children about fire safety. They show how to check smoke alarms and explain why you should never hide during a fire. "Get out, stay out, and call for help," Captain Rivera tells every class. When the alarm rings, everything changes. The crew pull on their gear, jump into the fire engine and are on their way in less than a minute. Calls might be for a house fire, a car accident or even a cat stuck up a tree. Whatever the emergency, the firefighters of Station 9 are ready.

  1. Question 5

    Read "A Day at the Fire Station". Why do the firefighters need to exercise?

    • A. It is the rule at every job.
    • B. They are training for a race.
    • C. Their job needs strength and fitness.
    • D. They have nothing else to do.

The Vault at the Top of the World

On a frozen island in the Arctic Ocean, between Norway and the North Pole, a narrow concrete doorway sticks out of the side of a mountain. Behind it, a tunnel leads deep into the rock. This is the Svalbard Global Seed Vault, and it holds more than a million packets of seeds from almost every country on Earth. Why keep seeds in a mountain? Farmers all over the world depend on many different varieties of crops, such as types of rice that survive floods or kinds of wheat that resist disease. If a variety disappears because of war, natural disaster or simple accident, it may be lost for ever. The vault is a back-up copy, like saving a precious file in two places. The location was chosen with care. The vault is high enough above sea level to stay dry even if ice caps melt. Inside, the seeds are kept at about minus 18 degrees Celsius, cold enough to keep many of them alive for decades or even centuries. The surrounding rock is permanently frozen, so even if the power failed, the seeds would stay cold. The vault opened in 2008. In 2015, it was used for the first time: scientists who had lost access to their own seed bank during a war in Syria withdrew samples, grew new plants and later sent fresh seeds back to the vault. The back-up had worked. No one hopes the vault will be needed often. But like a fire extinguisher in a school corridor, it is reassuring to know it is there.

  1. Question 6

    Read "The Vault at the Top of the World". Why does the writer compare the vault to a fire extinguisher?

    • A. Both are red and heavy.
    • B. Both are found in schools.
    • C. Both are kept ready for an emergency, and we hope not to need them often.
    • D. Both are used every day.

  1. Question 7

    The coach blew the whistle, and the players trudged off the field, heads down, while the other team cheered. What can you infer?

    • A. The players are going to start playing.
    • B. The match was cancelled.
    • C. The players lost the match.
    • D. The players won.

Message in a Bottle (a poem)

I am a bottle, empty and light, tossed from a boat on a bright summer night. No note inside me, no secret to tell, just plastic and air and a sea-salty smell. The ocean is patient, the ocean is wide; it rocks me and rolls me from tide to tide. A turtle swims near me and stares at my shine. I am not a jellyfish. Please, don't you dine! I'll drift for a lifetime, I'll drift for a few, I'll crumble to pieces too tiny for you. But somebody somewhere could carry me back, a hand on the beach and a bin in a sack. So here is my message, though no one wrote it: the sea keeps whatever we throw. Don't forget it.

  1. Question 8

    Read "Message in a Bottle (a poem)". Why does the bottle say, "I am not a jellyfish. Please, don't you dine!"?

    • A. Turtles can mistake shiny plastic for jellyfish and eat it.
    • B. The bottle wants to be eaten.
    • C. Jellyfish live inside bottles.
    • D. Turtles are afraid of bottles.

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Answer key: Making inferences

  1. 1. D. to prove the method was safe and gain trust

  2. 2. D. The fisherman was leaving that evening and Master Corvo was ill.

  3. 3. A. triumphant and lightly humorous

  4. 4. B. Morning is coming and the moon is disappearing.

  5. 5. C. Their job needs strength and fitness.

  6. 6. C. Both are kept ready for an emergency, and we hope not to need them often.

  7. 7. C. The players lost the match.

  8. 8. A. Turtles can mistake shiny plastic for jellyfish and eat it.