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English lesson plan · 5th grade (Year 6 in England) · 45 minutes

Making inferences

Reading Comprehension

CCSS RL.5.1CCSS RI.5.1England: Y5/6 Reading (inference)England: KS2 SATs ReadingEngland: 11+ English

Objective and success criteria

Students will: Making inferences.

  • I can answer questions on today's skill on my own, without help.
  • I can explain each step and say why it works.
  • I can check my answer and spot a mistake.

Before and after

Needs first: Predicting and simple inference

Leads to: Citing textual evidence; Tone and mood; Implicit meaning and inference

Materials: A short text or extract (one copy each), Highlighters, Question cards, Mini whiteboards, A short model text on the board, Printed student sheet (below).

Warm-up · 5 min

  • Quick retrieval from earlier learning (Predicting and simple inference). Students answer on mini whiteboards.
  • Show answers together and note who needs support in the main task.
  1. The puppy sat by the door with its lead in its mouth and wagged its tail. What does the puppy want? (to sleep / to go for a walk / to eat its lead / to have a bath) → to go for a walkPrompt: The answer is not written word for word. Look for clues.
  2. Theo yawned and rubbed his eyes. His book slipped onto the floor. What is probably happening? (Theo is hungry. / Theo is very excited. / Theo is running a race. / Theo is falling asleep.) → Theo is falling asleep.Prompt: The answer is not written word for word. Look for clues.
  3. Jada looked at the dark clouds. She grabbed her umbrella before leaving. Why did Jada take her umbrella? (She lost her hat. / It was sunny. / She thought it would rain. / She was going swimming.) → She thought it would rain.Prompt: The answer is not written word for word. Look for clues.

Hook · 5 min

  • Read the first lines of a short text aloud and ask what students predict will happen and why.
  • Share the objective: Making inferences. Read the success criteria together.

I do: model it · 10 min

  • Work through the example out loud, saying why you do each step, not just what you do.
  • Example: The house was silent. Dust covered the furniture, and cobwebs hung from every corner. What can you infer about the house?
  • Step 1: An inference combines clues in the text with what you know.
  • Step 2: So the answer is: Nobody has lived there for a long time.
  • Answer: Nobody has lived there for a long time.
  • Pause after each step and ask a student to say what comes next.

We do: guided practice · 10 min

  • Do these together. Students try each step on whiteboards before you reveal it.
  • Use the hints as prompts rather than giving the answer.
  1. Tariq stared at his test paper, then crumpled it up and pushed it to the bottom of his bag before his dad could see. What can you infer about the test? (The test was cancelled. / Tariq's dad wrote the test. / Tariq got full marks. / Tariq did not do well.) → Tariq did not do well.Prompt: The answer is not written word for word. Look for clues.
  2. Bea's eyes lit up when she unwrapped the paints. She had been asking for them since the summer. What can you infer? (Bea is disappointed. / Bea is pleased with her present. / Bea bought the paints herself. / Bea dislikes painting.) → Bea is pleased with her present.Prompt: The answer is not written word for word. Look for clues.

You do: independent practice · 10 min

  • Students work on the student sheet. Circulate and check the first two answers of every student early.
  • Students who finish: write a question of their own for a partner, with the answer.

The 8 questions are on the student sheet below, with answers in the key.

Exit ticket · 5 min

  • Two questions on their own. Sort answers into got it / nearly / not yet to plan the next lesson.
  1. When Grace walked in, her hair was dripping and her shoes squelched on the floor. What can you infer? (Grace has been asleep. / Grace has been reading. / It is raining outside. / It is a hot, sunny day.) → It is raining outside.Prompt: The answer is not written word for word. Look for clues.

Watch out for

  • Answering from memory or opinion instead of evidence in the text.
  • Copying a long quote without explaining what it shows.

Support and stretch

Support

  • Review first: Predicting and simple inference.
  • Use concrete materials: a short text or extract (one copy each).
  • Give the first step of each question, or a partly worked example to finish.
  • Pair with a confident partner for the guided practice.

Stretch

  • Move on to: Citing textual evidence; Tone and mood; Implicit meaning and inference.
  • Explain a common mistake in writing and how to fix it.
  • Write a word problem that uses today's skill, then solve a partner's.

Homework and more practice

Free online practice with hints and printable worksheets for this skill: eurekami.com/english/grade-5.

Free lesson plan from eurekami.com/lesson-plan-builder

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Making inferences

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Message in a Bottle (a poem)

I am a bottle, empty and light, tossed from a boat on a bright summer night. No note inside me, no secret to tell, just plastic and air and a sea-salty smell. The ocean is patient, the ocean is wide; it rocks me and rolls me from tide to tide. A turtle swims near me and stares at my shine. I am not a jellyfish. Please, don't you dine! I'll drift for a lifetime, I'll drift for a few, I'll crumble to pieces too tiny for you. But somebody somewhere could carry me back, a hand on the beach and a bin in a sack. So here is my message, though no one wrote it: the sea keeps whatever we throw. Don't forget it.

  1. Question 1

    Read "Message in a Bottle (a poem)". Why does the bottle say, "I am not a jellyfish. Please, don't you dine!"?

    • A. Jellyfish live inside bottles.
    • B. Turtles can mistake shiny plastic for jellyfish and eat it.
    • C. The bottle wants to be eaten.
    • D. Turtles are afraid of bottles.

Should Primary Schools Ban Homework?

Every evening, in homes across the country, the same battle takes place: tired children, frustrated parents and a worksheet that nobody wants to finish. It is time for primary schools to ban homework. The most important reason is that, for young children, the evidence for homework is weak. Several large reviews of research have found that homework has little measurable effect on the test results of pupils under eleven. Older students may benefit, but for younger children, the hours spent on worksheets do not seem to pay off. Second, children need time to play, rest and be with their families. Play is not a waste of time; it builds creativity, problem-solving and friendships. A child who has spent six hours concentrating at school deserves an evening to explore, read for pleasure or simply be bored – which is when imagination often kicks in. Some people argue that homework teaches responsibility. This is a fair point. However, children can learn responsibility in many other ways: feeding a pet, helping to cook dinner or practising an instrument they have chosen themselves. Finally, homework can be unfair. Some children have parents who can help them every night and a quiet desk to work at. Others share a small space with siblings or have parents who work late. Homework can widen the gap between these children instead of closing it. Schools should replace homework with something simple: read every day, for fun. That is one habit worth taking home.

  1. Question 2

    Read "Should Primary Schools Ban Homework?". What is the writer's tone?

    • A. angry and insulting
    • B. humorous and silly
    • C. uncertain and confused
    • D. confident and reasonable

The Moon's Night Walk (a poem)

The moon puts on her silver coat and tiptoes up the sky. She hums a tune to sleepy owls and winks at clouds nearby. She paints the rooftops pearly white, she lights the cat's way home, she peeps into the children's rooms to check they're not alone. She counts the stars like sleeping sheep, she sings the sea to rest, she hangs a lantern on the hill for travellers in the west. And when the sun yawns in the east and stretches out his rays, the moon slips off her silver coat and hides away for days. But look up on a quiet night when all the town's asleep: she's tiptoeing across the sky with promises to keep.

  1. Question 3

    Read "The Moon's Night Walk (a poem)". What is the mood of the poem?

    • A. angry and noisy
    • B. frightening
    • C. gentle and peaceful
    • D. sad and lonely

The Mapmaker's Apprentice

Ines had worked in Master Corvo's shop for three years, and in all that time he had never let her draw a single line on a real map. She ground his inks, stretched his parchment and swept up the shavings from his quills. When she asked why she could not draw, he only said, "A mapmaker must first learn to see." So Ines watched. She watched sailors come in, sunburnt and impatient, to buy charts of the southern coast. She watched merchants argue over which mountain pass was fastest. Most of all, she watched Master Corvo, who spent far longer listening to travellers than he did holding his pen. One winter morning, a fisherman stumbled into the shop, soaked and shaking. A storm had pushed his boat far north, past the edge of every chart in the city. He had found a narrow channel between two islands that no map showed, and it had saved his life. Master Corvo was in bed with a fever. The fisherman was leaving on the evening tide. Ines hesitated only for a moment. Then she sat the fisherman by the fire and asked him questions — not just where the channel was, but how the water changed colour near the rocks, where the gulls gathered, how long it took to row from one island to the other. She wrote down every answer. Only when she had heard everything did she pick up a pen. When Master Corvo recovered, she laid the new chart in front of him. He studied it for a long time without speaking. Then he took his own pen, signed his name in the corner, and beneath it, for the first time, he wrote hers.

  1. Question 4

    Read "The Mapmaker's Apprentice". Why did Ines have to act quickly?

    • A. The fisherman was leaving that evening and Master Corvo was ill.
    • B. Merchants were waiting for the map.
    • C. The shop was about to close forever.
    • D. A storm was coming to the city.

Bugs in the Code

Theo had been looking forward to Coding Club all week. Ms Rivera had promised they would make their own animated story on the classroom tablets. Theo chose a cartoon cat and wrote the code: when the green flag is clicked, move ten steps, then turn and wave. He clicked the flag. The cat spun round and round like a washing machine and never stopped. "It's broken!" Theo groaned, and he pushed the tablet away. Ms Rivera sat down beside him. "It's not broken," she said. "It's got a bug. Every coder gets bugs. The trick is to be a detective." Together they read the code one block at a time. Theo had put the turn block inside a forever loop by mistake, so the cat kept turning for ever. Theo dragged the block out of the loop and clicked the flag again. The cat walked ten steps, turned and waved. Theo cheered so loudly that the whole club looked up. The next week, a younger girl called Ivy was close to tears because her rocket would not take off. Theo pulled up a chair. "It's not broken," he told her. "It's got a bug. Let's be detectives."

  1. Question 5

    Read "Bugs in the Code". Why does Theo say the same words to Ivy that Ms Rivera said to him?

    • A. He has forgotten what to say.
    • B. He wants to show off.
    • C. He thinks Ivy's tablet is broken.
    • D. He wants to help her the way he was helped.

The Lighthouse Keeper's Daughter

The storm had been building all afternoon. By the time the sun set, waves as tall as houses were hurling themselves against the rocks below Gull Point Lighthouse, and the wind screamed around the tower like a wild animal. Nell pressed her face to the window of the little cottage. Her father had rowed to the mainland that morning to fetch the doctor for Mrs Penrose, and the sea had turned before he could return. Now, for the first time in her twelve years, Nell was alone at the lighthouse. She knew what that meant. Every night at dusk, the great lamp at the top of the tower had to be lit. Without it, ships would have no warning of the rocks. Nell grabbed the lantern and her father's oilskin coat, which hung down past her knees, and pushed open the door. The wind nearly knocked her flat. Bent double, she stumbled across the yard and into the tower. There were one hundred and twelve steps to the top. Nell had climbed them hundreds of times, but never in the dark, never with the whole tower trembling. Halfway up, her lantern flickered and almost went out. She stopped, cupped her hand around the flame and whispered, "Not now. Please, not now." At the top, her fingers were numb with cold. She trimmed the wick the way her father had shown her, filled the oil and struck a match. Nothing. A second match. Nothing. With the third, a tiny flame caught, grew and then blazed, and the great lens began to turn, sweeping its beam across the furious sea. Far out in the darkness, a ship's horn sounded twice. Nell did not know whose ship it was. But she knew that, tonight, it would find its way home.

  1. Question 6

    Read "The Lighthouse Keeper's Daughter". Why did Nell whisper "Not now. Please, not now"?

    • A. She had forgotten the matches.
    • B. She was afraid the lantern would go out.
    • C. She wanted the storm to stop.
    • D. She was talking to her father.

The Kite Festival

Amara had spent three weeks building her kite. She had bent the bamboo sticks, stretched the paper tight and painted a fierce golden dragon across the front. It was going to win the prize for best design at the town's kite festival. She was sure of it. On the morning of the festival, the field was crowded with families. Kites shaped like fish, birds and boats bobbed in the breeze. Amara's little brother, Kofi, trailed behind her, clutching a small diamond kite he had made from a plastic bag and two straws. "Mine's not very good," Kofi mumbled. Amara ran, and her dragon rose beautifully – until a sudden gust snapped one of the bamboo sticks. The kite twisted, spun and crashed into the grass. The paper ripped right through the dragon's face. Amara's eyes stung. Three weeks of work, ruined in three seconds. Kofi tugged her sleeve. "You can fly mine with me," he offered. At first Amara shook her head. Then she looked at Kofi's hopeful face and took the string. Together they ran, and the little plastic kite shot up higher than any other kite in the sky. People pointed and cheered. That afternoon, the judges gave Kofi a ribbon for "Highest Flyer". Amara clapped louder than anyone. She realised she was smiling more than she would have if she had won the prize herself.

  1. Question 7

    Read "The Kite Festival". Why did Amara's eyes sting?

    • A. The sun was too bright.
    • B. The wind was full of dust.
    • C. She was close to crying.
    • D. She had paint in them.

My Grandmother's Hands

My grandmother's hands are brown and wrinkled, like a map of rivers that have been flowing for eighty years. When I was small, I used to trace the lines with my finger and ask her where each one went. "This one," she would say, pointing to a deep crease across her palm, "goes back to the farm where I grew up, where I picked cotton until my fingers bled." Then she would point to a thin white scar on her thumb. "And this one leads to the night I learned to cook for eight brothers and sisters." Her hands have kneaded thousands of loaves of bread. They have stitched every quilt in our house and plaited my hair before every first day of school. They once caught my baby brother when he slipped from the top of the slide, faster than anyone thought an old woman could move. These days her hands shake a little when she holds her teacup. Sometimes she drops a stitch and has to start a row again. But when she takes my hands in hers, they are still the strongest hands I know.

  1. Question 8

    Read "My Grandmother's Hands". What does the story about the slide show about Grandmother?

    • A. She was frightened of slides.
    • B. She did not like the baby.
    • C. She was quick and protective when it mattered.
    • D. She was always slow.

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Answer key: Making inferences

  1. 1. B. Turtles can mistake shiny plastic for jellyfish and eat it.

  2. 2. D. confident and reasonable

  3. 3. C. gentle and peaceful

  4. 4. A. The fisherman was leaving that evening and Master Corvo was ill.

  5. 5. D. He wants to help her the way he was helped.

  6. 6. B. She was afraid the lantern would go out.

  7. 7. C. She was close to crying.

  8. 8. C. She was quick and protective when it mattered.