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English lesson plan · 4th grade (Year 5 in England) · 45 minutes

Text structure (cause–effect, compare, problem–solution)

Reading Comprehension

CCSS RI.4.5CCSS RI.5.5England: Y5/6 ReadingEngland: KS2 SATs Reading

Objective and success criteria

Students will: Text structure (cause–effect, compare, problem–solution).

  • I can answer questions on today's skill on my own, without help.
  • I can explain each step and say why it works.
  • I can check my answer and spot a mistake.

Before and after

Needs first: Order of events; Main idea and supporting details

Leads to: Analysing structure; Plot stages: exposition to resolution; Foreshadowing, flashback, cliffhanger and red herring

Materials: A short text or extract (one copy each), Highlighters, Question cards, Mini whiteboards, A short model text on the board, Printed student sheet (below).

Warm-up · 5 min

  • Quick retrieval from earlier learning (Order of events; Main idea and supporting details). Students answer on mini whiteboards.
  • Show answers together and note who needs support in the main task.
  1. Dad cracked two eggs into a bowl. He mixed them. Then he cooked them in a pan. What did Dad do after he mixed the eggs? (cracked the eggs / washed the bowl / cooked them in a pan / bought eggs) → cooked them in a panPrompt: Look for time words: first, then, next, after, finally.
  2. The alarm rang. Amy got up and brushed her teeth. After that, she ate breakfast. What did Amy do right after she got up? (ate breakfast / went to bed / brushed her teeth / set the alarm) → brushed her teethPrompt: Look for time words: first, then, next, after, finally.
  3. First, Pia put on her socks. Next, she put on her shoes. Then she ran outside. What did Pia do last? (put on her socks / ran outside / went to bed / put on her shoes) → ran outsidePrompt: Look for time words: first, then, next, after, finally.

Hook · 5 min

  • Read the first lines of a short text aloud and ask what students predict will happen and why.
  • Share the objective: Text structure (cause–effect, compare, problem–solution). Read the success criteria together.

I do: model it · 10 min

  • Work through the example out loud, saying why you do each step, not just what you do.
  • Example: The desert is hot and dry. Sand dunes stretch for miles, cacti stand tall, and lizards dart between the rocks. How is this text organised?
  • Step 1: Text structure is how a writer organises ideas.
  • Step 2: So the answer is: description
  • Answer: description
  • Pause after each step and ask a student to say what comes next.

We do: guided practice · 10 min

  • Do these together. Students try each step on whiteboards before you reveal it.
  • Use the hints as prompts rather than giving the answer.
  1. The desert is hot and dry. Sand dunes stretch for miles, cacti stand tall, and lizards dart between the rocks. How is this text organised? (description / problem and solution / sequence / compare and contrast) → descriptionPrompt: How is the information organised?
  2. Frogs and toads are both amphibians. However, frogs have smooth, wet skin, while toads have dry, bumpy skin. How is this text organised? (cause and effect / compare and contrast / sequence / problem and solution) → compare and contrastPrompt: How is the information organised?

You do: independent practice · 10 min

  • Students work on the student sheet. Circulate and check the first two answers of every student early.
  • Students who finish: write a question of their own for a partner, with the answer.

The 8 questions are on the student sheet below, with answers in the key.

Exit ticket · 5 min

  • Two questions on their own. Sort answers into got it / nearly / not yet to plan the next lesson.
  1. The playground was always full of litter. The pupils decided to put more bins around and take turns being litter monitors. Now it is clean. How is this text organised? (cause and effect / description / problem and solution / compare and contrast) → problem and solutionPrompt: How is the information organised?

Watch out for

  • Answering from memory or opinion instead of evidence in the text.
  • Copying a long quote without explaining what it shows.

Support and stretch

Support

  • Review first: Order of events.
  • Use concrete materials: a short text or extract (one copy each).
  • Give the first step of each question, or a partly worked example to finish.
  • Pair with a confident partner for the guided practice.

Stretch

  • Move on to: Analysing structure; Plot stages: exposition to resolution; Foreshadowing, flashback, cliffhanger and red herring.
  • Explain a common mistake in writing and how to fix it.
  • Write a word problem that uses today's skill, then solve a partner's.

Homework and more practice

Free online practice with hints and printable worksheets for this skill: eurekami.com/english/grade-4.

Free lesson plan from eurekami.com/lesson-plan-builder

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Text structure (cause–effect, compare, problem–solution)

Name

Date

Score/ 8

Lady Montagu and the Smallpox Gamble

In the early eighteenth century, smallpox was one of the most feared diseases in Europe. It killed around three in every ten people it infected and left many survivors scarred or blind. Lady Mary Wortley Montagu knew its cruelty personally: the disease had killed her brother and marked her own face. In 1717, while living in Constantinople (now Istanbul), where her husband was the British ambassador, she observed a remarkable practice. Local women would take a small amount of material from a mild smallpox sore and scratch it into the skin of a healthy person. The person usually developed a mild illness and was then protected for life. This process was called variolation. Montagu was so impressed that she had her young son variolated. When she returned to England, she campaigned to spread the practice, despite fierce opposition. Some doctors resented being taught by a woman; others distrusted a practice from abroad. To win public confidence, Montagu had her daughter variolated in front of physicians from the royal court. Variolation was not without risk: a small number of patients developed severe smallpox, and they could infect others. Decades later, in 1796, Edward Jenner developed a safer method using cowpox, a related but much milder disease. His method, called vaccination after the Latin word for cow, gradually replaced variolation. Smallpox was declared eradicated worldwide in 1980. Jenner is often called the father of vaccination, but the story began with the courage of a woman who noticed what others had overlooked.

  1. Question 1

    Read "Lady Montagu and the Smallpox Gamble". How does paragraph 4 relate to paragraph 3?

    • A. It argues that Montagu was wrong.
    • B. It presents a limitation of variolation and the safer method that followed.
    • C. It describes Montagu's childhood.
    • D. It repeats the same information.

How to Build a Junk Robot

Do you have a pile of empty boxes and bottle tops? Instead of throwing them away, turn them into a robot! This project takes about an hour. You will need: one cereal box, one smaller box (such as a toothpaste box), four cardboard tubes, bottle tops, glue, scissors and some tape. Step 1: Ask an adult to help you cut a hole in the top of the cereal box. This will be the robot's body. Step 2: Glue the smaller box on top of the body to make the head. Hold it in place for a minute while the glue sets. Step 3: Tape two cardboard tubes to the sides of the body for arms and two to the bottom for legs. Step 4: Glue bottle tops onto the head for eyes and onto the body for buttons and dials. Step 5: Leave your robot to dry overnight before you play with it. Top tip: Give your robot a name and write it on a label. Robots with names are much more fun!

  1. Question 2

    Read "How to Build a Junk Robot". Why are the steps numbered?

    • A. to make the text longer
    • B. to show how many robots to make
    • C. to show which step is most fun
    • D. so they are followed in the right order

The Attic

The attic door had been painted shut for as long as Daniel could remember. His mother said there was nothing up there but dust and old suitcases. So when the decorators scraped away the paint on the first Saturday of the summer holidays, Daniel was the first one up the narrow stairs. The air was thick and warm and smelt of mothballs. Thin blades of light slid through gaps in the roof tiles and lay across the floorboards like fallen swords. In the far corner, beneath a sheet greyed with age, something waited. Daniel crossed the room slowly. Each board groaned beneath him as if complaining about being woken. He reached out, hesitated, then pulled the sheet away in one quick movement. It was a desk – small, battered, and covered in carvings. Initials. Dates. A crooked drawing of a sailing boat. And there, in the corner, carved more deeply than all the rest, were three letters he knew better than his own name: D.A.M. Daniel Adebayo Mensah. His grandfather. The grandfather who had died two years before Daniel was born, and whom his mother never spoke about. He ran his fingers over the letters. Downstairs, someone switched on a radio, and a burst of music floated up through the floor. Daniel did not move. For the first time, the silence in the attic did not feel empty. It felt like someone waiting to tell him a story.

  1. Question 3

    Read "The Attic". Why does the writer reveal the initials D.A.M. before explaining who they belong to?

    • A. to create a moment of suspense before the discovery
    • B. to change the setting
    • C. to show Daniel cannot read
    • D. because the reader already knows

Speech: Our Beach, Our Responsibility

Good morning, everyone. Last Saturday, twenty-three pupils from this school spent three hours on Sandy Bay beach. We collected forty-one bags of rubbish. Forty-one. Bottles, crisp packets, fishing line, a shoe, and – I promise you this is true – an entire garden chair. Now, I know what some of you are thinking. "It's not my rubbish. Why should I pick it up?" And you're right: most of us didn't drop it. But here's the thing. The seal pup that gets tangled in that fishing line doesn't care whose fault it was. The toddler who cuts her foot on broken glass doesn't care either. That beach belongs to all of us. We swim there in summer. We walk our dogs there in winter. Some of us learned to ride our bikes on the promenade. If it belongs to all of us, then looking after it belongs to all of us too. So I'm asking you for just one thing. Not money. Not your whole weekend. Just two hours, on the first Saturday of next month. Bring gloves, bring a friend, bring your little brother if you have to. Because if twenty-three of us can fill forty-one bags, imagine what four hundred of us could do. Thank you.

  1. Question 4

    Read "Speech: Our Beach, Our Responsibility". How does the speaker make the ending powerful?

    • A. She introduces a new problem.
    • B. She tells a sad story.
    • C. She uses the earlier numbers to imagine a much bigger result.
    • D. She lists rules for the clean-up.

  1. Question 5

    Frogs and toads are both amphibians. However, frogs have smooth, wet skin, while toads have dry, bumpy skin. How is this text organised?

    • A. sequence
    • B. compare and contrast
    • C. cause and effect
    • D. problem and solution

Harbour at Dawn (GCSE-style extract)

The harbour did not so much wake as surrender to the morning. Fog lay over the water like a damp grey blanket that someone had forgotten to fold, and the fishing boats nodded at their moorings, half-asleep, their ropes creaking in complaint. Old Tomas was already there. He was always there. He sat on an upturned crate at the end of the quay, mending a net with fingers that had long ago stopped feeling the cold. His knife flashed, paused, flashed again. Every so often he lifted his head and sniffed the air, as if the sea had written him a letter only he could read. Behind him, the town stirred reluctantly. A shutter rattled up. A dog barked twice and thought better of it. Somewhere a kettle began its thin, rising whistle. The smell of bread drifted from the bakery on Water Lane and mixed with the older, deeper smells of salt, diesel and fish. Then the sun arrived. It did not rise so much as break through – one bright blade splitting the fog, then another, until the whole harbour was suddenly ablaze. The water turned from slate to copper. Gulls exploded upward from the harbour wall, screaming. The boats seemed to sit up straighter. Tomas did not look up. He tied off the last knot, tested it with a sharp tug, and laid the net across his knees like a sleeping cat. Only then did he raise his eyes to the brightening sea, and for a moment, just a moment, his face softened into something very close to a smile.

  1. Question 6

    Read "Harbour at Dawn (GCSE-style extract)". How does the focus shift in paragraph 4 compared with paragraph 3?

    • A. from morning to night
    • B. from Tomas's thoughts to his past
    • C. from quiet, small sounds of the town to a sudden, dramatic burst of light
    • D. from the harbour to a different town

Why Do Leaves Change in Autumn?

In many parts of the world, autumn turns forests into blazes of yellow, orange and red. But where do these bright shades come from? The answer is hidden inside every leaf. During spring and summer, leaves are busy making food for the tree. To do this, they use sunlight, water and air. A green substance called chlorophyll captures the energy from sunlight. There is so much chlorophyll in a leaf that it hides all the other shades. As autumn arrives, the days grow shorter and there is less sunlight. Trees such as maples and oaks begin to get ready for winter. They stop making chlorophyll. As the green fades away, the yellows and oranges that were in the leaf all along begin to show. Some trees, such as certain maples, also make a brand-new red substance in autumn. This is why some leaves turn bright red or purple. Finally, the tree seals off each leaf where it joins the branch. The leaf dries out and falls. Without leaves, the tree uses less water during the cold winter months. In spring, new green leaves will grow, and the cycle will begin again.

  1. Question 7

    Read "Why Do Leaves Change in Autumn?". Which text structure is mainly used in paragraph 3?

    • A. a personal story
    • B. problem and solution
    • C. compare and contrast
    • D. cause and effect

The Shark on the Motorway

During a storm last spring, a photo exploded across social media. It showed a large shark swimming beside cars on a flooded motorway. Within hours it had been shared more than 80,000 times, often with captions such as "Stay indoors — sharks in the streets!" Fourteen-year-old Amira Haddad saw the photo in her family group chat. Something felt wrong. "The shark looked too sharp compared with the blurry water," she said. "So I decided to check." First, Amira ran a reverse image search. She found the same shark in a wildlife photo published years earlier, on a website about ocean animals. Next, she checked two local news sites. Neither mentioned sharks; both reported flooding and road closures. Finally, she found an article from a fact-checking organisation explaining that the image had been edited and had appeared during several different storms in different countries. Amira posted the fact-check in the group chat. "My uncle had already shared the photo," she laughed. "He was embarrassed, but he thanked me." Fact-checkers say edited images spread fastest when they are shocking and arrive during real emergencies, when people are anxious and want to warn others. Their advice is simple: pause before you share, look for the original source, and check whether reliable outlets are reporting the same thing.

  1. Question 8

    Read "The Shark on the Motorway". How is paragraph 3 mainly organised?

    • A. as a problem with no solution
    • B. as a comparison of two sharks
    • C. as a list of opinions
    • D. as a sequence of steps (first, next, finally)

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Answer key: Text structure (cause–effect, compare, problem–solution)

  1. 1. B. It presents a limitation of variolation and the safer method that followed.

  2. 2. D. so they are followed in the right order

  3. 3. A. to create a moment of suspense before the discovery

  4. 4. C. She uses the earlier numbers to imagine a much bigger result.

  5. 5. B. compare and contrast

  6. 6. C. from quiet, small sounds of the town to a sudden, dramatic burst of light

  7. 7. D. cause and effect

  8. 8. D. as a sequence of steps (first, next, finally)