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English lesson plan · 5th grade (Year 6 in England) · 45 minutes

Making inferences

Reading Comprehension

CCSS RL.5.1CCSS RI.5.1England: Y5/6 Reading (inference)England: KS2 SATs ReadingEngland: 11+ English

Objective and success criteria

Students will: Making inferences.

  • I can answer questions on today's skill on my own, without help.
  • I can explain each step and say why it works.
  • I can check my answer and spot a mistake.

Before and after

Needs first: Predicting and simple inference

Leads to: Citing textual evidence; Tone and mood; Implicit meaning and inference

Materials: A short text or extract (one copy each), Highlighters, Question cards, Mini whiteboards, A short model text on the board, Printed student sheet (below).

Warm-up · 5 min

  • Quick retrieval from earlier learning (Predicting and simple inference). Students answer on mini whiteboards.
  • Show answers together and note who needs support in the main task.
  1. Theo yawned and rubbed his eyes. His book slipped onto the floor. What is probably happening? (Theo is very excited. / Theo is falling asleep. / Theo is running a race. / Theo is hungry.) → Theo is falling asleep.Prompt: The answer is not written word for word. Look for clues.
  2. The ice cream dripped down Lucy's arm. The sun beat down on the beach. What will probably happen to the ice cream? (It will grow. / It will get colder. / It will melt. / It will freeze.) → It will melt.Prompt: The answer is not written word for word. Look for clues.
  3. Ben left his sandwich on the picnic blanket. A seagull circled overhead. What will probably happen next? (It will start to snow. / The sandwich will fly away by itself. / The seagull will grab the sandwich. / Ben will plant a tree.) → The seagull will grab the sandwich.Prompt: The answer is not written word for word. Look for clues.

Hook · 5 min

  • Read the first lines of a short text aloud and ask what students predict will happen and why.
  • Share the objective: Making inferences. Read the success criteria together.

I do: model it · 10 min

  • Work through the example out loud, saying why you do each step, not just what you do.
  • Example: The house was silent. Dust covered the furniture, and cobwebs hung from every corner. What can you infer about the house?
  • Step 1: An inference combines clues in the text with what you know.
  • Step 2: So the answer is: Nobody has lived there for a long time.
  • Answer: Nobody has lived there for a long time.
  • Pause after each step and ask a student to say what comes next.

We do: guided practice · 10 min

  • Do these together. Students try each step on whiteboards before you reveal it.
  • Use the hints as prompts rather than giving the answer.
  1. The house was silent. Dust covered the furniture, and cobwebs hung from every corner. What can you infer about the house? (A party is happening. / Nobody has lived there for a long time. / It is brand new. / It was cleaned this morning.) → Nobody has lived there for a long time.Prompt: The answer is not written word for word. Look for clues.
  2. Tariq stared at his test paper, then crumpled it up and pushed it to the bottom of his bag before his dad could see. What can you infer about the test? (The test was cancelled. / Tariq got full marks. / Tariq's dad wrote the test. / Tariq did not do well.) → Tariq did not do well.Prompt: The answer is not written word for word. Look for clues.

You do: independent practice · 10 min

  • Students work on the student sheet. Circulate and check the first two answers of every student early.
  • Students who finish: write a question of their own for a partner, with the answer.

The 8 questions are on the student sheet below, with answers in the key.

Exit ticket · 5 min

  • Two questions on their own. Sort answers into got it / nearly / not yet to plan the next lesson.

Watch out for

  • Answering from memory or opinion instead of evidence in the text.
  • Copying a long quote without explaining what it shows.

Support and stretch

Support

  • Review first: Predicting and simple inference.
  • Use concrete materials: a short text or extract (one copy each).
  • Give the first step of each question, or a partly worked example to finish.
  • Pair with a confident partner for the guided practice.

Stretch

  • Move on to: Citing textual evidence; Tone and mood; Implicit meaning and inference.
  • Explain a common mistake in writing and how to fix it.
  • Write a word problem that uses today's skill, then solve a partner's.

Homework and more practice

Free online practice with hints and printable worksheets for this skill: eurekami.com/english/grade-5.

Free lesson plan from eurekami.com/lesson-plan-builder

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Making inferences

Name

Date

Score/ 8

Pepper's First Week: A Diary

Saturday. Today we collected Pepper from the rescue centre. She is a skinny brown dog with one floppy ear and one ear that stands straight up. In the car, she shook the whole way home, and I held her blanket so she could smell it. I felt nervous too. Sunday. Pepper hid behind the sofa all day. Mum says rescue dogs sometimes need time to trust people because they do not know what is going to happen next. I lay on the floor and read my comic out loud so she could get used to my voice. Tuesday. A breakthrough! When I got back from school, Pepper crept out and sniffed my shoes. Then she licked my hand. I stayed completely still, although I wanted to cheer. Thursday. We went to the park on her lead. A bicycle rang its bell, and Pepper jumped behind my legs. I knelt down and talked to her calmly until her tail started wagging again. Friday. Tonight Pepper fell asleep with her head on my foot. I didn't move for an hour, even though my foot went numb. I think she has decided she lives here now.

  1. Question 1

    Read "Pepper's First Week: A Diary". Why did Pepper jump behind the writer's legs in the park?

    • A. She wanted to play hide-and-seek.
    • B. The bicycle bell frightened her.
    • C. She saw another dog.
    • D. She was tired.

Lady Montagu and the Smallpox Gamble

In the early eighteenth century, smallpox was one of the most feared diseases in Europe. It killed around three in every ten people it infected and left many survivors scarred or blind. Lady Mary Wortley Montagu knew its cruelty personally: the disease had killed her brother and marked her own face. In 1717, while living in Constantinople (now Istanbul), where her husband was the British ambassador, she observed a remarkable practice. Local women would take a small amount of material from a mild smallpox sore and scratch it into the skin of a healthy person. The person usually developed a mild illness and was then protected for life. This process was called variolation. Montagu was so impressed that she had her young son variolated. When she returned to England, she campaigned to spread the practice, despite fierce opposition. Some doctors resented being taught by a woman; others distrusted a practice from abroad. To win public confidence, Montagu had her daughter variolated in front of physicians from the royal court. Variolation was not without risk: a small number of patients developed severe smallpox, and they could infect others. Decades later, in 1796, Edward Jenner developed a safer method using cowpox, a related but much milder disease. His method, called vaccination after the Latin word for cow, gradually replaced variolation. Smallpox was declared eradicated worldwide in 1980. Jenner is often called the father of vaccination, but the story began with the courage of a woman who noticed what others had overlooked.

  1. Question 2

    Read "Lady Montagu and the Smallpox Gamble". Why did Montagu have her daughter variolated in front of royal physicians?

    • A. to test Jenner's vaccine
    • B. to prove the method was safe and gain trust
    • C. because her daughter was ill
    • D. because the law required it

The Climbing Wall

The climbing wall at the leisure centre was twelve metres high, and from the bottom it looked like a mountain covered in brightly coloured sweets. Jaya had watched her older cousin, Ravi, scramble to the top of it a dozen times. Today was her first turn. The instructor clipped the rope to her harness and checked the knot twice. "Remember," she said, "use your legs, not just your arms. And don't look down until you're ready." The first few holds were easy. Jaya climbed quickly, buoyed by Ravi's cheers. But halfway up, the holds grew smaller and farther apart. Her arms began to burn. She looked down – and immediately wished she hadn't. The floor seemed impossibly far away, and her legs began to tremble. "I want to come down," she called. "You can," the instructor answered calmly. "Or you can rest. Lean back into the harness. The rope's got you." Jaya didn't believe her. But slowly, she let her weight sink back. The rope held. Her breathing steadied. She looked at the wall in front of her, not at the floor, and noticed a small yellow hold to her right that she hadn't seen before. Ten minutes later, she slapped the top of the wall. The leisure centre erupted in cheers – or at least Ravi did, which felt like the same thing.

  1. Question 3

    Read "The Climbing Wall". Why did Jaya's legs begin to tremble?

    • A. She looked down and became frightened.
    • B. The rope broke.
    • C. She was excited to reach the top.
    • D. She was cold.

A Day at the Fire Station

Firefighters do much more than put out fires. At Station 9, the day begins at eight o'clock sharp with a check of every piece of equipment. The crew test the hoses, check the air tanks and make sure the ladders slide smoothly. "If something is broken, we need to know now, not when there's an emergency," says Captain Rivera. After the checks, the firefighters exercise for an hour. Their job is very physical. They must carry heavy hoses, climb ladders in thick protective suits and sometimes carry people to safety. In the afternoon, the crew often visit schools to teach children about fire safety. They show how to check smoke alarms and explain why you should never hide during a fire. "Get out, stay out, and call for help," Captain Rivera tells every class. When the alarm rings, everything changes. The crew pull on their gear, jump into the fire engine and are on their way in less than a minute. Calls might be for a house fire, a car accident or even a cat stuck up a tree. Whatever the emergency, the firefighters of Station 9 are ready.

  1. Question 4

    Read "A Day at the Fire Station". Why do the firefighters need to exercise?

    • A. Their job needs strength and fitness.
    • B. They are training for a race.
    • C. They have nothing else to do.
    • D. It is the rule at every job.

Inside a Volcano

Deep beneath our feet, the Earth is extremely hot – hot enough to melt rock. This melted rock is called magma. Because magma is lighter than the solid rock around it, it slowly rises upward. Sometimes it collects in a huge underground pool called a magma chamber. A volcano forms where magma finds a way to the surface. When the pressure in the magma chamber becomes too great, the magma bursts out through cracks or vents. Once it reaches the surface, it is called lava. Over time, layers of cooled lava and ash can build up to form a mountain. Most volcanoes are found near the edges of tectonic plates, the giant slabs of rock that make up the Earth's outer layer. More than half of the world's active volcanoes surround the Pacific Ocean, in a horseshoe-shaped zone known as the Ring of Fire. Scientists sort volcanoes into three groups. Active volcanoes have erupted recently and could erupt again. Dormant volcanoes have not erupted for a very long time but might wake up in the future. Extinct volcanoes are not expected to erupt ever again. Although eruptions can be deadly, volcanoes also bring benefits. Volcanic ash breaks down into rich soil, which is why many farms are found on the slopes of old volcanoes. In some countries, such as Iceland, the heat from underground is used to warm homes and produce electricity.

  1. Question 5

    Read "Inside a Volcano". Why are many farms found on old volcanoes?

    • A. There are no other places to farm.
    • B. Volcanic ash makes rich soil.
    • C. Lava waters the crops.
    • D. The land is always warm.

  1. Question 6

    Bea's eyes lit up when she unwrapped the paints. She had been asking for them since the summer. What can you infer?

    • A. Bea dislikes painting.
    • B. Bea bought the paints herself.
    • C. Bea is disappointed.
    • D. Bea is pleased with her present.

The Kite Festival

Amara had spent three weeks building her kite. She had bent the bamboo sticks, stretched the paper tight and painted a fierce golden dragon across the front. It was going to win the prize for best design at the town's kite festival. She was sure of it. On the morning of the festival, the field was crowded with families. Kites shaped like fish, birds and boats bobbed in the breeze. Amara's little brother, Kofi, trailed behind her, clutching a small diamond kite he had made from a plastic bag and two straws. "Mine's not very good," Kofi mumbled. Amara ran, and her dragon rose beautifully – until a sudden gust snapped one of the bamboo sticks. The kite twisted, spun and crashed into the grass. The paper ripped right through the dragon's face. Amara's eyes stung. Three weeks of work, ruined in three seconds. Kofi tugged her sleeve. "You can fly mine with me," he offered. At first Amara shook her head. Then she looked at Kofi's hopeful face and took the string. Together they ran, and the little plastic kite shot up higher than any other kite in the sky. People pointed and cheered. That afternoon, the judges gave Kofi a ribbon for "Highest Flyer". Amara clapped louder than anyone. She realised she was smiling more than she would have if she had won the prize herself.

  1. Question 7

    Read "The Kite Festival". Why did Amara's eyes sting?

    • A. The sun was too bright.
    • B. She had paint in them.
    • C. The wind was full of dust.
    • D. She was close to crying.

Message in a Bottle (a poem)

I am a bottle, empty and light, tossed from a boat on a bright summer night. No note inside me, no secret to tell, just plastic and air and a sea-salty smell. The ocean is patient, the ocean is wide; it rocks me and rolls me from tide to tide. A turtle swims near me and stares at my shine. I am not a jellyfish. Please, don't you dine! I'll drift for a lifetime, I'll drift for a few, I'll crumble to pieces too tiny for you. But somebody somewhere could carry me back, a hand on the beach and a bin in a sack. So here is my message, though no one wrote it: the sea keeps whatever we throw. Don't forget it.

  1. Question 8

    Read "Message in a Bottle (a poem)". Why does the bottle say, "I am not a jellyfish. Please, don't you dine!"?

    • A. Turtles can mistake shiny plastic for jellyfish and eat it.
    • B. The bottle wants to be eaten.
    • C. Turtles are afraid of bottles.
    • D. Jellyfish live inside bottles.

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Answer key: Making inferences

  1. 1. B. The bicycle bell frightened her.

  2. 2. B. to prove the method was safe and gain trust

  3. 3. A. She looked down and became frightened.

  4. 4. A. Their job needs strength and fitness.

  5. 5. B. Volcanic ash makes rich soil.

  6. 6. D. Bea is pleased with her present.

  7. 7. D. She was close to crying.

  8. 8. A. Turtles can mistake shiny plastic for jellyfish and eat it.