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English lesson plan · 4th grade (Year 5 in England) · 45 minutes

Text structure (cause–effect, compare, problem–solution)

Reading Comprehension

CCSS RI.4.5CCSS RI.5.5England: Y5/6 ReadingEngland: KS2 SATs Reading

Objective and success criteria

Students will: Text structure (cause–effect, compare, problem–solution).

  • I can answer questions on today's skill on my own, without help.
  • I can explain each step and say why it works.
  • I can check my answer and spot a mistake.

Before and after

Needs first: Order of events; Main idea and supporting details

Leads to: Analysing structure; Plot stages: exposition to resolution; Foreshadowing, flashback, cliffhanger and red herring

Materials: A short text or extract (one copy each), Highlighters, Question cards, Mini whiteboards, A short model text on the board, Printed student sheet (below).

Warm-up · 5 min

  • Quick retrieval from earlier learning (Order of events; Main idea and supporting details). Students answer on mini whiteboards.
  • Show answers together and note who needs support in the main task.
  1. Lee dug a hole. He put in a seed. Then he covered it with soil and gave it water. What did Lee do before he put in the seed? (gave it water / picked a flower / dug a hole / covered it with soil) → dug a holePrompt: Look for time words: first, then, next, after, finally.
  2. The alarm rang. Amy got up and brushed her teeth. After that, she ate breakfast. What did Amy do right after she got up? (set the alarm / went to bed / brushed her teeth / ate breakfast) → brushed her teethPrompt: Look for time words: first, then, next, after, finally.
  3. First, Pia put on her socks. Next, she put on her shoes. Then she ran outside. What did Pia do last? (put on her shoes / put on her socks / went to bed / ran outside) → ran outsidePrompt: Look for time words: first, then, next, after, finally.

Hook · 5 min

  • Read the first lines of a short text aloud and ask what students predict will happen and why.
  • Share the objective: Text structure (cause–effect, compare, problem–solution). Read the success criteria together.

I do: model it · 10 min

  • Work through the example out loud, saying why you do each step, not just what you do.
  • Example: The desert is hot and dry. Sand dunes stretch for miles, cacti stand tall, and lizards dart between the rocks. How is this text organised?
  • Step 1: Text structure is how a writer organises ideas.
  • Step 2: So the answer is: description
  • Answer: description
  • Pause after each step and ask a student to say what comes next.

We do: guided practice · 10 min

  • Do these together. Students try each step on whiteboards before you reveal it.
  • Use the hints as prompts rather than giving the answer.
  1. The playground was always full of litter. The pupils decided to put more bins around and take turns being litter monitors. Now it is clean. How is this text organised? (cause and effect / compare and contrast / description / problem and solution) → problem and solutionPrompt: How is the information organised?
  2. Because the river flooded, many roads were closed. As a result, the school buses could not run, so school was cancelled. How is this text organised? (description / cause and effect / compare and contrast / problem and solution) → cause and effectPrompt: How is the information organised?

You do: independent practice · 10 min

  • Students work on the student sheet. Circulate and check the first two answers of every student early.
  • Students who finish: write a question of their own for a partner, with the answer.

The 8 questions are on the student sheet below, with answers in the key.

Exit ticket · 5 min

  • Two questions on their own. Sort answers into got it / nearly / not yet to plan the next lesson.
  1. Frogs and toads are both amphibians. However, frogs have smooth, wet skin, while toads have dry, bumpy skin. How is this text organised? (compare and contrast / problem and solution / cause and effect / sequence) → compare and contrastPrompt: How is the information organised?

Watch out for

  • Answering from memory or opinion instead of evidence in the text.
  • Copying a long quote without explaining what it shows.

Support and stretch

Support

  • Review first: Order of events.
  • Use concrete materials: a short text or extract (one copy each).
  • Give the first step of each question, or a partly worked example to finish.
  • Pair with a confident partner for the guided practice.

Stretch

  • Move on to: Analysing structure; Plot stages: exposition to resolution; Foreshadowing, flashback, cliffhanger and red herring.
  • Explain a common mistake in writing and how to fix it.
  • Write a word problem that uses today's skill, then solve a partner's.

Homework and more practice

Free online practice with hints and printable worksheets for this skill: eurekami.com/english/grade-4.

Free lesson plan from eurekami.com/lesson-plan-builder

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Text structure (cause–effect, compare, problem–solution)

Name

Date

Score/ 8

The Clever Octopus

If you wanted to design an intelligent animal from scratch, you probably would not start with a creature that has no bones, three hearts and blue blood. Yet the octopus is one of the most remarkable problem-solvers in the animal kingdom. In laboratories, octopuses have learned to unscrew jar lids to reach crabs inside. Some have escaped from their tanks at night, crept across the floor to a neighbouring tank to eat the fish, and then returned home before morning. In the wild, veined octopuses have been filmed collecting coconut shells, carrying them across the seabed and assembling them into a portable shelter – one of the few known examples of tool use by an invertebrate. What makes this intelligence so surprising is how different the octopus brain is from ours. About two-thirds of its roughly 500 million nerve cells are not in its head at all but in its eight arms. Each arm can taste, touch and even make simple decisions on its own. Scientists are still debating what it might feel like to be an animal whose thinking is spread throughout its body. The octopus's cleverness may be linked to its lifestyle. Without a shell for protection, it must outwit predators by hiding, changing colour in a fraction of a second, or squeezing through gaps no bigger than its beak. Survival depends on flexible thinking. Strangely, most octopuses live only one or two years. They have no parents to teach them and usually die soon after laying eggs. Every skill they show, they must largely work out for themselves.

  1. Question 1

    Read "The Clever Octopus". What is the relationship between paragraph 4 and the rest of the text?

    • A. It introduces a counterargument.
    • B. It tells a story about a single octopus.
    • C. It describes how to keep an octopus.
    • D. It suggests a cause for the octopus's intelligence.

The Moon's Night Walk (a poem)

The moon puts on her silver coat and tiptoes up the sky. She hums a tune to sleepy owls and winks at clouds nearby. She paints the rooftops pearly white, she lights the cat's way home, she peeps into the children's rooms to check they're not alone. She counts the stars like sleeping sheep, she sings the sea to rest, she hangs a lantern on the hill for travellers in the west. And when the sun yawns in the east and stretches out his rays, the moon slips off her silver coat and hides away for days. But look up on a quiet night when all the town's asleep: she's tiptoeing across the sky with promises to keep.

  1. Question 2

    Read "The Moon's Night Walk (a poem)". Which words rhyme in the first verse?

    • A. moon and tune
    • B. silver and sleepy
    • C. coat and owls
    • D. sky and nearby

Harbour at Dawn (GCSE-style extract)

The harbour did not so much wake as surrender to the morning. Fog lay over the water like a damp grey blanket that someone had forgotten to fold, and the fishing boats nodded at their moorings, half-asleep, their ropes creaking in complaint. Old Tomas was already there. He was always there. He sat on an upturned crate at the end of the quay, mending a net with fingers that had long ago stopped feeling the cold. His knife flashed, paused, flashed again. Every so often he lifted his head and sniffed the air, as if the sea had written him a letter only he could read. Behind him, the town stirred reluctantly. A shutter rattled up. A dog barked twice and thought better of it. Somewhere a kettle began its thin, rising whistle. The smell of bread drifted from the bakery on Water Lane and mixed with the older, deeper smells of salt, diesel and fish. Then the sun arrived. It did not rise so much as break through – one bright blade splitting the fog, then another, until the whole harbour was suddenly ablaze. The water turned from slate to copper. Gulls exploded upward from the harbour wall, screaming. The boats seemed to sit up straighter. Tomas did not look up. He tied off the last knot, tested it with a sharp tug, and laid the net across his knees like a sleeping cat. Only then did he raise his eyes to the brightening sea, and for a moment, just a moment, his face softened into something very close to a smile.

  1. Question 3

    Read "Harbour at Dawn (GCSE-style extract)". How does the focus shift in paragraph 4 compared with paragraph 3?

    • A. from morning to night
    • B. from Tomas's thoughts to his past
    • C. from quiet, small sounds of the town to a sudden, dramatic burst of light
    • D. from the harbour to a different town

  2. Question 4

    Read "Harbour at Dawn (GCSE-style extract)". Why might the writer end with Tomas's near-smile?

    • A. to reveal a twist about his identity
    • B. to end on a quiet, personal moment after the dramatic sunrise
    • C. to show he is angry about the weather
    • D. to introduce a new character

Speech: Our Beach, Our Responsibility

Good morning, everyone. Last Saturday, twenty-three pupils from this school spent three hours on Sandy Bay beach. We collected forty-one bags of rubbish. Forty-one. Bottles, crisp packets, fishing line, a shoe, and – I promise you this is true – an entire garden chair. Now, I know what some of you are thinking. "It's not my rubbish. Why should I pick it up?" And you're right: most of us didn't drop it. But here's the thing. The seal pup that gets tangled in that fishing line doesn't care whose fault it was. The toddler who cuts her foot on broken glass doesn't care either. That beach belongs to all of us. We swim there in summer. We walk our dogs there in winter. Some of us learned to ride our bikes on the promenade. If it belongs to all of us, then looking after it belongs to all of us too. So I'm asking you for just one thing. Not money. Not your whole weekend. Just two hours, on the first Saturday of next month. Bring gloves, bring a friend, bring your little brother if you have to. Because if twenty-three of us can fill forty-one bags, imagine what four hundred of us could do. Thank you.

  1. Question 5

    Read "Speech: Our Beach, Our Responsibility". How does the speaker make the ending powerful?

    • A. She tells a sad story.
    • B. She lists rules for the clean-up.
    • C. She uses the earlier numbers to imagine a much bigger result.
    • D. She introduces a new problem.

The Margin

Zainab had read the library book three times before she noticed the handwriting. It was in the margin of page 112, so faint she had taken it for a smudge. In tiny, slanted letters, someone had written: "Don't trust the narrator." Underneath, in different ink and a rounder hand, someone else had replied: "Why not?" And beneath that, in the first writer's slant: "Read chapter 9 again." She read chapter 9 again. Then she read it a fourth time, and a fifth, and on the sixth she saw it – a single sentence where the narrator claimed to have been at home when, three chapters earlier, he had described himself on a train. A lie, hidden in plain sight. The whole story tilted, like a picture knocked crooked on a wall. Zainab sat back. She checked the date stamps on the card inside the front cover. The book had been borrowed forty-seven times since 1994. Somewhere among those forty-seven readers were two people who had held a conversation across years without ever meeting. She found a pencil. For a long time she hesitated over the page, feeling as if she were about to speak in a room full of strangers. Then, carefully, beneath the other two, she wrote: "Found it. Thank you." When she returned the book, the librarian frowned at the pencil marks. Zainab apologised. But as she walked home, she wondered who would be next to find them.

  1. Question 6

    Read "The Margin". What is the effect of the final sentence?

    • A. It ends the story with a twist about the librarian.
    • B. It reveals who the first writer was.
    • C. It shows Zainab regrets writing.
    • D. It suggests the chain of readers will continue.

  1. Question 7

    The playground was always full of litter. The pupils decided to put more bins around and take turns being litter monitors. Now it is clean. How is this text organised?

    • A. compare and contrast
    • B. cause and effect
    • C. description
    • D. problem and solution

Rethinking Screen Time

Few debates generate as much anxiety among parents as the question of screen time. Headlines warn that smartphones are "destroying a generation", while technology companies insist that their products connect and empower young people. The truth, as so often, is more complicated than either side admits. Part of the problem is that "screen time" is a crude measure. An hour spent video-calling a grandparent, coding a game or researching a school project is not the same as an hour spent scrolling through an endless feed of short videos. Researchers increasingly argue that what young people do on screens matters more than how long they spend on them. That said, quantity is not irrelevant. Several large studies have linked very heavy use – more than five or six hours a day of recreational screen time – to poorer sleep and lower wellbeing. Screens can displace other activities that support health: exercise, face-to-face friendship and, crucially, sleep. Light from devices and the stimulation of social media late at night can delay sleep for teenagers, whose body clocks already push them towards later bedtimes. It is worth noting, however, that most of these studies show correlation, not causation. Teenagers who are already unhappy may turn to their phones more, rather than their phones making them unhappy. Untangling cause and effect is notoriously difficult. What, then, should families do? Rather than fixating on a single number, experts suggest asking three questions. Is screen use getting in the way of sleep? Is it crowding out exercise and real-world relationships? And does the young person feel in control of it, or controlled by it? If the answers are reassuring, the exact number of minutes may matter less than we fear.

  1. Question 8

    Read "Rethinking Screen Time". What is the function of paragraph 4?

    • A. It gives the writer's final advice.
    • B. It describes a specific family.
    • C. It adds a caution about how to interpret the research in paragraph 3.
    • D. It introduces the topic for the first time.

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Answer key: Text structure (cause–effect, compare, problem–solution)

  1. 1. D. It suggests a cause for the octopus's intelligence.

  2. 2. D. sky and nearby

  3. 3. C. from quiet, small sounds of the town to a sudden, dramatic burst of light

  4. 4. B. to end on a quiet, personal moment after the dramatic sunrise

  5. 5. C. She uses the earlier numbers to imagine a much bigger result.

  6. 6. D. It suggests the chain of readers will continue.

  7. 7. D. problem and solution

  8. 8. C. It adds a caution about how to interpret the research in paragraph 3.