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English lesson plan · 5th grade (Year 6 in England) · 30 minutes

Making inferences

Reading Comprehension

CCSS RL.5.1CCSS RI.5.1England: Y5/6 Reading (inference)England: KS2 SATs ReadingEngland: 11+ English

Objective and success criteria

Students will: Making inferences.

  • I can answer questions on today's skill on my own, without help.
  • I can explain each step and say why it works.
  • I can check my answer and spot a mistake.

Before and after

Needs first: Predicting and simple inference

Leads to: Citing textual evidence; Tone and mood; Implicit meaning and inference

Materials: A short text or extract (one copy each), Highlighters, Question cards, Mini whiteboards, A short model text on the board, Printed student sheet (below).

Warm-up · 4 min

  • Quick retrieval from earlier learning (Predicting and simple inference). Students answer on mini whiteboards.
  • Show answers together and note who needs support in the main task.
  1. The puppy sat by the door with its lead in its mouth and wagged its tail. What does the puppy want? (to eat its lead / to sleep / to have a bath / to go for a walk) → to go for a walkPrompt: The answer is not written word for word. Look for clues.
  2. Ben left his sandwich on the picnic blanket. A seagull circled overhead. What will probably happen next? (The seagull will grab the sandwich. / The sandwich will fly away by itself. / It will start to snow. / Ben will plant a tree.) → The seagull will grab the sandwich.Prompt: The answer is not written word for word. Look for clues.
  3. Jada looked at the dark clouds. She grabbed her umbrella before leaving. Why did Jada take her umbrella? (She thought it would rain. / She was going swimming. / She lost her hat. / It was sunny.) → She thought it would rain.Prompt: The answer is not written word for word. Look for clues.

Hook · 3 min

  • Read the first lines of a short text aloud and ask what students predict will happen and why.
  • Share the objective: Making inferences. Read the success criteria together.

I do: model it · 7 min

  • Work through the example out loud, saying why you do each step, not just what you do.
  • Example: The house was silent. Dust covered the furniture, and cobwebs hung from every corner. What can you infer about the house?
  • Step 1: An inference combines clues in the text with what you know.
  • Step 2: So the answer is: Nobody has lived there for a long time.
  • Answer: Nobody has lived there for a long time.
  • Pause after each step and ask a student to say what comes next.

We do: guided practice · 6 min

  • Do these together. Students try each step on whiteboards before you reveal it.
  • Use the hints as prompts rather than giving the answer.
  1. Bea's eyes lit up when she unwrapped the paints. She had been asking for them since the summer. What can you infer? (Bea is pleased with her present. / Bea is disappointed. / Bea bought the paints herself. / Bea dislikes painting.) → Bea is pleased with her present.Prompt: The answer is not written word for word. Look for clues.
  2. Tariq stared at his test paper, then crumpled it up and pushed it to the bottom of his bag before his dad could see. What can you infer about the test? (Tariq's dad wrote the test. / The test was cancelled. / Tariq did not do well. / Tariq got full marks.) → Tariq did not do well.Prompt: The answer is not written word for word. Look for clues.

You do: independent practice · 7 min

  • Students work on the student sheet. Circulate and check the first two answers of every student early.
  • Students who finish: write a question of their own for a partner, with the answer.

The 6 questions are on the student sheet below, with answers in the key.

Exit ticket · 3 min

  • Two questions on their own. Sort answers into got it / nearly / not yet to plan the next lesson.
  1. Bea's eyes lit up when she unwrapped the paints. She had been asking for them since the summer. What can you infer? (Bea bought the paints herself. / Bea is pleased with her present. / Bea dislikes painting. / Bea is disappointed.) → Bea is pleased with her present.Prompt: The answer is not written word for word. Look for clues.

Watch out for

  • Answering from memory or opinion instead of evidence in the text.
  • Copying a long quote without explaining what it shows.

Support and stretch

Support

  • Review first: Predicting and simple inference.
  • Use concrete materials: a short text or extract (one copy each).
  • Give the first step of each question, or a partly worked example to finish.
  • Pair with a confident partner for the guided practice.

Stretch

  • Move on to: Citing textual evidence; Tone and mood; Implicit meaning and inference.
  • Explain a common mistake in writing and how to fix it.
  • Write a word problem that uses today's skill, then solve a partner's.

Homework and more practice

Free online practice with hints and printable worksheets for this skill: eurekami.com/english/grade-5.

Free lesson plan from eurekami.com/lesson-plan-builder

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Making inferences

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How to Build a Junk Robot

Do you have a pile of empty boxes and bottle tops? Instead of throwing them away, turn them into a robot! This project takes about an hour. You will need: one cereal box, one smaller box (such as a toothpaste box), four cardboard tubes, bottle tops, glue, scissors and some tape. Step 1: Ask an adult to help you cut a hole in the top of the cereal box. This will be the robot's body. Step 2: Glue the smaller box on top of the body to make the head. Hold it in place for a minute while the glue sets. Step 3: Tape two cardboard tubes to the sides of the body for arms and two to the bottom for legs. Step 4: Glue bottle tops onto the head for eyes and onto the body for buttons and dials. Step 5: Leave your robot to dry overnight before you play with it. Top tip: Give your robot a name and write it on a label. Robots with names are much more fun!
  1. Question 1

    Read "How to Build a Junk Robot". Why should you ask an adult to help with Step 1?

    • A. The box is too heavy.
    • B. Adults choose the robot's name.
    • C. Adults are better at gluing.
    • D. Cutting with scissors can be tricky or unsafe.

The Moon's Night Walk (a poem)

The moon puts on her silver coat and tiptoes up the sky. She hums a tune to sleepy owls and winks at clouds nearby. She paints the rooftops pearly white, she lights the cat's way home, she peeps into the children's rooms to check they're not alone. She counts the stars like sleeping sheep, she sings the sea to rest, she hangs a lantern on the hill for travellers in the west. And when the sun yawns in the east and stretches out his rays, the moon slips off her silver coat and hides away for days. But look up on a quiet night when all the town's asleep: she's tiptoeing across the sky with promises to keep.
  1. Question 2

    Read "The Moon's Night Walk (a poem)". What is happening in the fourth verse?

    • A. A storm is starting.
    • B. The children are waking the moon.
    • C. Morning is coming and the moon is disappearing.
    • D. The moon is getting brighter.

The Lighthouse Keeper's Daughter

The storm had been building all afternoon. By the time the sun set, waves as tall as houses were hurling themselves against the rocks below Gull Point Lighthouse, and the wind screamed around the tower like a wild animal. Nell pressed her face to the window of the little cottage. Her father had rowed to the mainland that morning to fetch the doctor for Mrs Penrose, and the sea had turned before he could return. Now, for the first time in her twelve years, Nell was alone at the lighthouse. She knew what that meant. Every night at dusk, the great lamp at the top of the tower had to be lit. Without it, ships would have no warning of the rocks. Nell grabbed the lantern and her father's oilskin coat, which hung down past her knees, and pushed open the door. The wind nearly knocked her flat. Bent double, she stumbled across the yard and into the tower. There were one hundred and twelve steps to the top. Nell had climbed them hundreds of times, but never in the dark, never with the whole tower trembling. Halfway up, her lantern flickered and almost went out. She stopped, cupped her hand around the flame and whispered, "Not now. Please, not now." At the top, her fingers were numb with cold. She trimmed the wick the way her father had shown her, filled the oil and struck a match. Nothing. A second match. Nothing. With the third, a tiny flame caught, grew and then blazed, and the great lens began to turn, sweeping its beam across the furious sea. Far out in the darkness, a ship's horn sounded twice. Nell did not know whose ship it was. But she knew that, tonight, it would find its way home.
  1. Question 3

    Read "The Lighthouse Keeper's Daughter". Why did Nell whisper "Not now. Please, not now"?

    • A. She wanted the storm to stop.
    • B. She was talking to her father.
    • C. She was afraid the lantern would go out.
    • D. She had forgotten the matches.

The Climbing Wall

The climbing wall at the leisure centre was twelve metres high, and from the bottom it looked like a mountain covered in brightly coloured sweets. Jaya had watched her older cousin, Ravi, scramble to the top of it a dozen times. Today was her first turn. The instructor clipped the rope to her harness and checked the knot twice. "Remember," she said, "use your legs, not just your arms. And don't look down until you're ready." The first few holds were easy. Jaya climbed quickly, buoyed by Ravi's cheers. But halfway up, the holds grew smaller and farther apart. Her arms began to burn. She looked down – and immediately wished she hadn't. The floor seemed impossibly far away, and her legs began to tremble. "I want to come down," she called. "You can," the instructor answered calmly. "Or you can rest. Lean back into the harness. The rope's got you." Jaya didn't believe her. But slowly, she let her weight sink back. The rope held. Her breathing steadied. She looked at the wall in front of her, not at the floor, and noticed a small yellow hold to her right that she hadn't seen before. Ten minutes later, she slapped the top of the wall. The leisure centre erupted in cheers – or at least Ravi did, which felt like the same thing.
  1. Question 4

    Read "The Climbing Wall". What is the tone of the final paragraph?

    • A. triumphant and lightly humorous
    • B. gloomy and regretful
    • C. angry
    • D. frightening

The Margin

Zainab had read the library book three times before she noticed the handwriting. It was in the margin of page 112, so faint she had taken it for a smudge. In tiny, slanted letters, someone had written: "Don't trust the narrator." Underneath, in different ink and a rounder hand, someone else had replied: "Why not?" And beneath that, in the first writer's slant: "Read chapter 9 again." She read chapter 9 again. Then she read it a fourth time, and a fifth, and on the sixth she saw it – a single sentence where the narrator claimed to have been at home when, three chapters earlier, he had described himself on a train. A lie, hidden in plain sight. The whole story tilted, like a picture knocked crooked on a wall. Zainab sat back. She checked the date stamps on the card inside the front cover. The book had been borrowed forty-seven times since 1994. Somewhere among those forty-seven readers were two people who had held a conversation across years without ever meeting. She found a pencil. For a long time she hesitated over the page, feeling as if she were about to speak in a room full of strangers. Then, carefully, beneath the other two, she wrote: "Found it. Thank you." When she returned the book, the librarian frowned at the pencil marks. Zainab apologised. But as she walked home, she wondered who would be next to find them.
  1. Question 5

    Read "The Margin". What did Zainab discover in chapter 9?

    • A. A missing page.
    • B. Another note in the margin.
    • C. The narrator had told a lie that contradicted an earlier chapter.
    • D. The name of the first writer.

The Phone-Free Lunch Experiment

For one month, students at Brookfield School tried something unusual: no phones at lunch. Phones stayed in lockers from twelve until one, and the dining hall filled with board games, sketchbooks and a lot more noise. The idea came from the student council. In a survey, 61 per cent of students said they spent most of lunch looking at a screen, and many said they wanted a break but found it hard to stop on their own. At first, not everyone was happy. "I thought it was a punishment," admitted Jaden, 12. "But after a week I'd learned to play chess, and now I actually look forward to lunch." Teachers noticed changes too. Ms Ortega, who supervises the hall, said there were fewer arguments and more students sitting in mixed groups. However, some students said they missed messaging family members during the day. The council will now vote on whether to keep the rule. One suggestion is a compromise: phone-free Mondays to Thursdays, with Fridays left free.
  1. Question 6

    Read "The Phone-Free Lunch Experiment". Why might the council consider the 'compromise'?

    • A. to keep the benefits while answering students who wanted to contact family
    • B. because phones were broken
    • C. because teachers asked for longer lunches
    • D. because nobody liked the rule

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Answer key: Making inferences

  1. 1. D. Cutting with scissors can be tricky or unsafe.

  2. 2. C. Morning is coming and the moon is disappearing.

  3. 3. C. She was afraid the lantern would go out.

  4. 4. A. triumphant and lightly humorous

  5. 5. C. The narrator had told a lie that contradicted an earlier chapter.

  6. 6. A. to keep the benefits while answering students who wanted to contact family