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English lesson plan · 4th grade (Year 5 in England) · 30 minutes

Text structure (cause–effect, compare, problem–solution)

Reading Comprehension

CCSS RI.4.5CCSS RI.5.5England: Y5/6 ReadingEngland: KS2 SATs Reading

Objective and success criteria

Students will: Text structure (cause–effect, compare, problem–solution).

  • I can answer questions on today's skill on my own, without help.
  • I can explain each step and say why it works.
  • I can check my answer and spot a mistake.

Before and after

Needs first: Order of events; Main idea and supporting details

Leads to: Analysing structure; Plot stages: exposition to resolution; Foreshadowing, flashback, cliffhanger and red herring

Materials: A short text or extract (one copy each), Highlighters, Question cards, Mini whiteboards, A short model text on the board, Printed student sheet (below).

Warm-up · 4 min

  • Quick retrieval from earlier learning (Order of events; Main idea and supporting details). Students answer on mini whiteboards.
  • Show answers together and note who needs support in the main task.
  1. The caterpillar ate and ate. Then it made a cocoon. At last, a butterfly came out. What happened last? (It made a cocoon. / A butterfly came out. / It laid an egg. / The caterpillar ate.) → A butterfly came out.Prompt: Look for time words: first, then, next, after, finally.
  2. Lee dug a hole. He put in a seed. Then he covered it with soil and gave it water. What did Lee do before he put in the seed? (dug a hole / gave it water / covered it with soil / picked a flower) → dug a holePrompt: Look for time words: first, then, next, after, finally.
  3. Dad cracked two eggs into a bowl. He mixed them. Then he cooked them in a pan. What did Dad do after he mixed the eggs? (cooked them in a pan / washed the bowl / cracked the eggs / bought eggs) → cooked them in a panPrompt: Look for time words: first, then, next, after, finally.

Hook · 3 min

  • Read the first lines of a short text aloud and ask what students predict will happen and why.
  • Share the objective: Text structure (cause–effect, compare, problem–solution). Read the success criteria together.

I do: model it · 7 min

  • Work through the example out loud, saying why you do each step, not just what you do.
  • Example: The desert is hot and dry. Sand dunes stretch for miles, cacti stand tall, and lizards dart between the rocks. How is this text organised?
  • Step 1: Text structure is how a writer organises ideas.
  • Step 2: So the answer is: description
  • Answer: description
  • Pause after each step and ask a student to say what comes next.

We do: guided practice · 6 min

  • Do these together. Students try each step on whiteboards before you reveal it.
  • Use the hints as prompts rather than giving the answer.
  1. First, the egg hatches into a caterpillar. Next, the caterpillar eats and grows. Then it forms a chrysalis. Finally, a butterfly emerges. How is this text organised? (chronological order (sequence) / problem and solution / cause and effect / compare and contrast) → chronological order (sequence)Prompt: How is the information organised?
  2. Frogs and toads are both amphibians. However, frogs have smooth, wet skin, while toads have dry, bumpy skin. How is this text organised? (problem and solution / cause and effect / compare and contrast / sequence) → compare and contrastPrompt: How is the information organised?

You do: independent practice · 7 min

  • Students work on the student sheet. Circulate and check the first two answers of every student early.
  • Students who finish: write a question of their own for a partner, with the answer.

The 6 questions are on the student sheet below, with answers in the key.

Exit ticket · 3 min

  • Two questions on their own. Sort answers into got it / nearly / not yet to plan the next lesson.

Watch out for

  • Answering from memory or opinion instead of evidence in the text.
  • Copying a long quote without explaining what it shows.

Support and stretch

Support

  • Review first: Order of events.
  • Use concrete materials: a short text or extract (one copy each).
  • Give the first step of each question, or a partly worked example to finish.
  • Pair with a confident partner for the guided practice.

Stretch

  • Move on to: Analysing structure; Plot stages: exposition to resolution; Foreshadowing, flashback, cliffhanger and red herring.
  • Explain a common mistake in writing and how to fix it.
  • Write a word problem that uses today's skill, then solve a partner's.

Homework and more practice

Free online practice with hints and printable worksheets for this skill: eurekami.com/english/grade-4.

Free lesson plan from eurekami.com/lesson-plan-builder

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Text structure (cause–effect, compare, problem–solution)

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Rethinking Screen Time

Few debates generate as much anxiety among parents as the question of screen time. Headlines warn that smartphones are "destroying a generation", while technology companies insist that their products connect and empower young people. The truth, as so often, is more complicated than either side admits. Part of the problem is that "screen time" is a crude measure. An hour spent video-calling a grandparent, coding a game or researching a school project is not the same as an hour spent scrolling through an endless feed of short videos. Researchers increasingly argue that what young people do on screens matters more than how long they spend on them. That said, quantity is not irrelevant. Several large studies have linked very heavy use – more than five or six hours a day of recreational screen time – to poorer sleep and lower wellbeing. Screens can displace other activities that support health: exercise, face-to-face friendship and, crucially, sleep. Light from devices and the stimulation of social media late at night can delay sleep for teenagers, whose body clocks already push them towards later bedtimes. It is worth noting, however, that most of these studies show correlation, not causation. Teenagers who are already unhappy may turn to their phones more, rather than their phones making them unhappy. Untangling cause and effect is notoriously difficult. What, then, should families do? Rather than fixating on a single number, experts suggest asking three questions. Is screen use getting in the way of sleep? Is it crowding out exercise and real-world relationships? And does the young person feel in control of it, or controlled by it? If the answers are reassuring, the exact number of minutes may matter less than we fear.
  1. Question 1

    Read "Rethinking Screen Time". What is the function of paragraph 4?

    • A. It introduces the topic for the first time.
    • B. It describes a specific family.
    • C. It gives the writer's final advice.
    • D. It adds a caution about how to interpret the research in paragraph 3.

A Day at the Fire Station

Firefighters do much more than put out fires. At Station 9, the day begins at eight o'clock sharp with a check of every piece of equipment. The crew test the hoses, check the air tanks and make sure the ladders slide smoothly. "If something is broken, we need to know now, not when there's an emergency," says Captain Rivera. After the checks, the firefighters exercise for an hour. Their job is very physical. They must carry heavy hoses, climb ladders in thick protective suits and sometimes carry people to safety. In the afternoon, the crew often visit schools to teach children about fire safety. They show how to check smoke alarms and explain why you should never hide during a fire. "Get out, stay out, and call for help," Captain Rivera tells every class. When the alarm rings, everything changes. The crew pull on their gear, jump into the fire engine and are on their way in less than a minute. Calls might be for a house fire, a car accident or even a cat stuck up a tree. Whatever the emergency, the firefighters of Station 9 are ready.
  1. Question 2

    Read "A Day at the Fire Station". How is this text mostly organised?

    • A. as a list of fire facts
    • B. as a problem and solution
    • C. as a comparison of two stations
    • D. in the order things happen during the day

The Margin

Zainab had read the library book three times before she noticed the handwriting. It was in the margin of page 112, so faint she had taken it for a smudge. In tiny, slanted letters, someone had written: "Don't trust the narrator." Underneath, in different ink and a rounder hand, someone else had replied: "Why not?" And beneath that, in the first writer's slant: "Read chapter 9 again." She read chapter 9 again. Then she read it a fourth time, and a fifth, and on the sixth she saw it – a single sentence where the narrator claimed to have been at home when, three chapters earlier, he had described himself on a train. A lie, hidden in plain sight. The whole story tilted, like a picture knocked crooked on a wall. Zainab sat back. She checked the date stamps on the card inside the front cover. The book had been borrowed forty-seven times since 1994. Somewhere among those forty-seven readers were two people who had held a conversation across years without ever meeting. She found a pencil. For a long time she hesitated over the page, feeling as if she were about to speak in a room full of strangers. Then, carefully, beneath the other two, she wrote: "Found it. Thank you." When she returned the book, the librarian frowned at the pencil marks. Zainab apologised. But as she walked home, she wondered who would be next to find them.
  1. Question 3

    Read "The Margin". What is the effect of the final sentence?

    • A. It reveals who the first writer was.
    • B. It shows Zainab regrets writing.
    • C. It suggests the chain of readers will continue.
    • D. It ends the story with a twist about the librarian.

The Attic

The attic door had been painted shut for as long as Daniel could remember. His mother said there was nothing up there but dust and old suitcases. So when the decorators scraped away the paint on the first Saturday of the summer holidays, Daniel was the first one up the narrow stairs. The air was thick and warm and smelt of mothballs. Thin blades of light slid through gaps in the roof tiles and lay across the floorboards like fallen swords. In the far corner, beneath a sheet greyed with age, something waited. Daniel crossed the room slowly. Each board groaned beneath him as if complaining about being woken. He reached out, hesitated, then pulled the sheet away in one quick movement. It was a desk – small, battered, and covered in carvings. Initials. Dates. A crooked drawing of a sailing boat. And there, in the corner, carved more deeply than all the rest, were three letters he knew better than his own name: D.A.M. Daniel Adebayo Mensah. His grandfather. The grandfather who had died two years before Daniel was born, and whom his mother never spoke about. He ran his fingers over the letters. Downstairs, someone switched on a radio, and a burst of music floated up through the floor. Daniel did not move. For the first time, the silence in the attic did not feel empty. It felt like someone waiting to tell him a story.
  1. Question 4

    Read "The Attic". Why does the writer reveal the initials D.A.M. before explaining who they belong to?

    • A. to show Daniel cannot read
    • B. because the reader already knows
    • C. to change the setting
    • D. to create a moment of suspense before the discovery

How to Build a Junk Robot

Do you have a pile of empty boxes and bottle tops? Instead of throwing them away, turn them into a robot! This project takes about an hour. You will need: one cereal box, one smaller box (such as a toothpaste box), four cardboard tubes, bottle tops, glue, scissors and some tape. Step 1: Ask an adult to help you cut a hole in the top of the cereal box. This will be the robot's body. Step 2: Glue the smaller box on top of the body to make the head. Hold it in place for a minute while the glue sets. Step 3: Tape two cardboard tubes to the sides of the body for arms and two to the bottom for legs. Step 4: Glue bottle tops onto the head for eyes and onto the body for buttons and dials. Step 5: Leave your robot to dry overnight before you play with it. Top tip: Give your robot a name and write it on a label. Robots with names are much more fun!
  1. Question 5

    Read "How to Build a Junk Robot". What should you do just after gluing on the head?

    • A. Leave it to dry overnight.
    • B. Cut a hole in the box.
    • C. Hold it in place for a minute.
    • D. Give it a name.

The Fennec Fox

The fennec fox is the smallest fox in the world. It weighs about as much as a bag of sugar. It lives in the Sahara Desert in North Africa, one of the hottest places on Earth. The first thing most people notice about the fennec fox is its enormous ears. They can be as long as 15 centimetres, which is huge for such a small animal. The ears do two important jobs. First, they let heat escape from the fox's body, helping it to stay cool. Second, they are so sensitive that the fox can hear insects moving under the sand. The fennec fox has other ways to survive in the desert, too. Thick fur on the bottoms of its feet protects it from the burning sand. During the hottest part of the day, it rests in a cool burrow underground. It comes out to hunt at night, when the air is cooler. Water is hard to find in the desert, but the fennec fox can go a long time without drinking. It gets most of the water it needs from the food it eats, such as insects, plants and small animals.
  1. Question 6

    Read "The Fennec Fox". How is paragraph 2 mainly organised?

    • A. It gives instructions.
    • B. It compares two kinds of fox.
    • C. It tells a story in time order.
    • D. It describes a feature and then explains its uses.

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Answer key: Text structure (cause–effect, compare, problem–solution)

  1. 1. D. It adds a caution about how to interpret the research in paragraph 3.

  2. 2. D. in the order things happen during the day

  3. 3. C. It suggests the chain of readers will continue.

  4. 4. D. to create a moment of suspense before the discovery

  5. 5. C. Hold it in place for a minute.

  6. 6. D. It describes a feature and then explains its uses.