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English lesson plan · 4th grade (Year 5 in England) · 30 minutes

Text structure (cause–effect, compare, problem–solution)

Reading Comprehension

CCSS RI.4.5CCSS RI.5.5England: Y5/6 ReadingEngland: KS2 SATs Reading

Objective and success criteria

Students will: Text structure (cause–effect, compare, problem–solution).

  • I can answer questions on today's skill on my own, without help.
  • I can explain each step and say why it works.
  • I can check my answer and spot a mistake.

Before and after

Needs first: Order of events; Main idea and supporting details

Leads to: Analysing structure; Plot stages: exposition to resolution; Foreshadowing, flashback, cliffhanger and red herring

Materials: A short text or extract (one copy each), Highlighters, Question cards, Mini whiteboards, A short model text on the board, Printed student sheet (below).

Warm-up · 4 min

  • Quick retrieval from earlier learning (Order of events; Main idea and supporting details). Students answer on mini whiteboards.
  • Show answers together and note who needs support in the main task.
  1. The caterpillar ate and ate. Then it made a cocoon. At last, a butterfly came out. What happened last? (It laid an egg. / The caterpillar ate. / A butterfly came out. / It made a cocoon.) → A butterfly came out.Prompt: Look for time words: first, then, next, after, finally.
  2. Dad cracked two eggs into a bowl. He mixed them. Then he cooked them in a pan. What did Dad do after he mixed the eggs? (cracked the eggs / bought eggs / cooked them in a pan / washed the bowl) → cooked them in a panPrompt: Look for time words: first, then, next, after, finally.
  3. Lee dug a hole. He put in a seed. Then he covered it with soil and gave it water. What did Lee do before he put in the seed? (gave it water / covered it with soil / picked a flower / dug a hole) → dug a holePrompt: Look for time words: first, then, next, after, finally.

Hook · 3 min

  • Read the first lines of a short text aloud and ask what students predict will happen and why.
  • Share the objective: Text structure (cause–effect, compare, problem–solution). Read the success criteria together.

I do: model it · 7 min

  • Work through the example out loud, saying why you do each step, not just what you do.
  • Example: The desert is hot and dry. Sand dunes stretch for miles, cacti stand tall, and lizards dart between the rocks. How is this text organised?
  • Step 1: Text structure is how a writer organises ideas.
  • Step 2: So the answer is: description
  • Answer: description
  • Pause after each step and ask a student to say what comes next.

We do: guided practice · 6 min

  • Do these together. Students try each step on whiteboards before you reveal it.
  • Use the hints as prompts rather than giving the answer.
  1. Because the river flooded, many roads were closed. As a result, the school buses could not run, so school was cancelled. How is this text organised? (description / problem and solution / compare and contrast / cause and effect) → cause and effectPrompt: How is the information organised?
  2. The desert is hot and dry. Sand dunes stretch for miles, cacti stand tall, and lizards dart between the rocks. How is this text organised? (compare and contrast / sequence / problem and solution / description) → descriptionPrompt: How is the information organised?

You do: independent practice · 7 min

  • Students work on the student sheet. Circulate and check the first two answers of every student early.
  • Students who finish: write a question of their own for a partner, with the answer.

The 6 questions are on the student sheet below, with answers in the key.

Exit ticket · 3 min

  • Two questions on their own. Sort answers into got it / nearly / not yet to plan the next lesson.
  1. Frogs and toads are both amphibians. However, frogs have smooth, wet skin, while toads have dry, bumpy skin. How is this text organised? (problem and solution / sequence / cause and effect / compare and contrast) → compare and contrastPrompt: How is the information organised?

Watch out for

  • Answering from memory or opinion instead of evidence in the text.
  • Copying a long quote without explaining what it shows.

Support and stretch

Support

  • Review first: Order of events.
  • Use concrete materials: a short text or extract (one copy each).
  • Give the first step of each question, or a partly worked example to finish.
  • Pair with a confident partner for the guided practice.

Stretch

  • Move on to: Analysing structure; Plot stages: exposition to resolution; Foreshadowing, flashback, cliffhanger and red herring.
  • Explain a common mistake in writing and how to fix it.
  • Write a word problem that uses today's skill, then solve a partner's.

Homework and more practice

Free online practice with hints and printable worksheets for this skill: eurekami.com/english/grade-4.

Free lesson plan from eurekami.com/lesson-plan-builder

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Text structure (cause–effect, compare, problem–solution)

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Date

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Harbour at Dawn (GCSE-style extract)

The harbour did not so much wake as surrender to the morning. Fog lay over the water like a damp grey blanket that someone had forgotten to fold, and the fishing boats nodded at their moorings, half-asleep, their ropes creaking in complaint. Old Tomas was already there. He was always there. He sat on an upturned crate at the end of the quay, mending a net with fingers that had long ago stopped feeling the cold. His knife flashed, paused, flashed again. Every so often he lifted his head and sniffed the air, as if the sea had written him a letter only he could read. Behind him, the town stirred reluctantly. A shutter rattled up. A dog barked twice and thought better of it. Somewhere a kettle began its thin, rising whistle. The smell of bread drifted from the bakery on Water Lane and mixed with the older, deeper smells of salt, diesel and fish. Then the sun arrived. It did not rise so much as break through – one bright blade splitting the fog, then another, until the whole harbour was suddenly ablaze. The water turned from slate to copper. Gulls exploded upward from the harbour wall, screaming. The boats seemed to sit up straighter. Tomas did not look up. He tied off the last knot, tested it with a sharp tug, and laid the net across his knees like a sleeping cat. Only then did he raise his eyes to the brightening sea, and for a moment, just a moment, his face softened into something very close to a smile.

  1. Question 1

    Read "Harbour at Dawn (GCSE-style extract)". How does the focus shift in paragraph 4 compared with paragraph 3?

    • A. from morning to night
    • B. from Tomas's thoughts to his past
    • C. from the harbour to a different town
    • D. from quiet, small sounds of the town to a sudden, dramatic burst of light

The Lemonade Stand

Marcus wanted a new bike helmet, but it cost twenty dollars. He had only five. "Why not set up a lemonade stand?" suggested his grandmother. She helped him squeeze a big bowl of lemons and stir in sugar and cold water. Marcus painted a sign that said LEMONADE – 50 CENTS. On Saturday morning, Marcus put his table at the end of the driveway. For the first hour, nobody came. Cars zoomed past. Marcus began to think it was a silly idea. Then he noticed that people were walking to the park across the road for a football match. He picked up his sign and moved the table right next to the park gate. Within ten minutes, a line had formed. By lunchtime, the jug was empty. Marcus counted his coins. He had earned exactly fifteen dollars. With the five he already had, it was enough. "You did it!" said Grandma. "We did it," said Marcus. "And next time, I'll think about where the customers are before I start."

  1. Question 2

    Read "The Lemonade Stand". What problem did Marcus have during the first hour?

    • A. Nobody came to buy lemonade.
    • B. He lost his money.
    • C. The lemonade was too sour.
    • D. It started to rain.

The Attic

The attic door had been painted shut for as long as Daniel could remember. His mother said there was nothing up there but dust and old suitcases. So when the decorators scraped away the paint on the first Saturday of the summer holidays, Daniel was the first one up the narrow stairs. The air was thick and warm and smelt of mothballs. Thin blades of light slid through gaps in the roof tiles and lay across the floorboards like fallen swords. In the far corner, beneath a sheet greyed with age, something waited. Daniel crossed the room slowly. Each board groaned beneath him as if complaining about being woken. He reached out, hesitated, then pulled the sheet away in one quick movement. It was a desk – small, battered, and covered in carvings. Initials. Dates. A crooked drawing of a sailing boat. And there, in the corner, carved more deeply than all the rest, were three letters he knew better than his own name: D.A.M. Daniel Adebayo Mensah. His grandfather. The grandfather who had died two years before Daniel was born, and whom his mother never spoke about. He ran his fingers over the letters. Downstairs, someone switched on a radio, and a burst of music floated up through the floor. Daniel did not move. For the first time, the silence in the attic did not feel empty. It felt like someone waiting to tell him a story.

  1. Question 3

    Read "The Attic". Why does the writer reveal the initials D.A.M. before explaining who they belong to?

    • A. to show Daniel cannot read
    • B. to change the setting
    • C. to create a moment of suspense before the discovery
    • D. because the reader already knows

Lady Montagu and the Smallpox Gamble

In the early eighteenth century, smallpox was one of the most feared diseases in Europe. It killed around three in every ten people it infected and left many survivors scarred or blind. Lady Mary Wortley Montagu knew its cruelty personally: the disease had killed her brother and marked her own face. In 1717, while living in Constantinople (now Istanbul), where her husband was the British ambassador, she observed a remarkable practice. Local women would take a small amount of material from a mild smallpox sore and scratch it into the skin of a healthy person. The person usually developed a mild illness and was then protected for life. This process was called variolation. Montagu was so impressed that she had her young son variolated. When she returned to England, she campaigned to spread the practice, despite fierce opposition. Some doctors resented being taught by a woman; others distrusted a practice from abroad. To win public confidence, Montagu had her daughter variolated in front of physicians from the royal court. Variolation was not without risk: a small number of patients developed severe smallpox, and they could infect others. Decades later, in 1796, Edward Jenner developed a safer method using cowpox, a related but much milder disease. His method, called vaccination after the Latin word for cow, gradually replaced variolation. Smallpox was declared eradicated worldwide in 1980. Jenner is often called the father of vaccination, but the story began with the courage of a woman who noticed what others had overlooked.

  1. Question 4

    Read "Lady Montagu and the Smallpox Gamble". How does paragraph 4 relate to paragraph 3?

    • A. It describes Montagu's childhood.
    • B. It argues that Montagu was wrong.
    • C. It repeats the same information.
    • D. It presents a limitation of variolation and the safer method that followed.

The Lighthouse Keeper's Daughter

The storm had been building all afternoon. By the time the sun set, waves as tall as houses were hurling themselves against the rocks below Gull Point Lighthouse, and the wind screamed around the tower like a wild animal. Nell pressed her face to the window of the little cottage. Her father had rowed to the mainland that morning to fetch the doctor for Mrs Penrose, and the sea had turned before he could return. Now, for the first time in her twelve years, Nell was alone at the lighthouse. She knew what that meant. Every night at dusk, the great lamp at the top of the tower had to be lit. Without it, ships would have no warning of the rocks. Nell grabbed the lantern and her father's oilskin coat, which hung down past her knees, and pushed open the door. The wind nearly knocked her flat. Bent double, she stumbled across the yard and into the tower. There were one hundred and twelve steps to the top. Nell had climbed them hundreds of times, but never in the dark, never with the whole tower trembling. Halfway up, her lantern flickered and almost went out. She stopped, cupped her hand around the flame and whispered, "Not now. Please, not now." At the top, her fingers were numb with cold. She trimmed the wick the way her father had shown her, filled the oil and struck a match. Nothing. A second match. Nothing. With the third, a tiny flame caught, grew and then blazed, and the great lens began to turn, sweeping its beam across the furious sea. Far out in the darkness, a ship's horn sounded twice. Nell did not know whose ship it was. But she knew that, tonight, it would find its way home.

  1. Question 5

    Read "The Lighthouse Keeper's Daughter". How does the writer build tension in paragraph 6?

    • A. The ship crashes.
    • B. The father arrives home.
    • C. Nell falls down the stairs.
    • D. The first two matches fail before the third one lights.

How to Build a Junk Robot

Do you have a pile of empty boxes and bottle tops? Instead of throwing them away, turn them into a robot! This project takes about an hour. You will need: one cereal box, one smaller box (such as a toothpaste box), four cardboard tubes, bottle tops, glue, scissors and some tape. Step 1: Ask an adult to help you cut a hole in the top of the cereal box. This will be the robot's body. Step 2: Glue the smaller box on top of the body to make the head. Hold it in place for a minute while the glue sets. Step 3: Tape two cardboard tubes to the sides of the body for arms and two to the bottom for legs. Step 4: Glue bottle tops onto the head for eyes and onto the body for buttons and dials. Step 5: Leave your robot to dry overnight before you play with it. Top tip: Give your robot a name and write it on a label. Robots with names are much more fun!

  1. Question 6

    Read "How to Build a Junk Robot". What should you do just after gluing on the head?

    • A. Leave it to dry overnight.
    • B. Cut a hole in the box.
    • C. Hold it in place for a minute.
    • D. Give it a name.

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Answer key: Text structure (cause–effect, compare, problem–solution)

  1. 1. D. from quiet, small sounds of the town to a sudden, dramatic burst of light

  2. 2. A. Nobody came to buy lemonade.

  3. 3. C. to create a moment of suspense before the discovery

  4. 4. D. It presents a limitation of variolation and the safer method that followed.

  5. 5. D. The first two matches fail before the third one lights.

  6. 6. C. Hold it in place for a minute.