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English lesson plan · 4th grade (Year 5 in England) · 30 minutes

Text structure (cause–effect, compare, problem–solution)

Reading Comprehension

CCSS RI.4.5CCSS RI.5.5England: Y5/6 ReadingEngland: KS2 SATs Reading

Objective and success criteria

Students will: Text structure (cause–effect, compare, problem–solution).

  • I can answer questions on today's skill on my own, without help.
  • I can explain each step and say why it works.
  • I can check my answer and spot a mistake.

Before and after

Needs first: Order of events; Main idea and supporting details

Leads to: Analysing structure; Plot stages: exposition to resolution; Foreshadowing, flashback, cliffhanger and red herring

Materials: A short text or extract (one copy each), Highlighters, Question cards, Mini whiteboards, A short model text on the board, Printed student sheet (below).

Warm-up · 4 min

  • Quick retrieval from earlier learning (Order of events; Main idea and supporting details). Students answer on mini whiteboards.
  • Show answers together and note who needs support in the main task.
  1. The alarm rang. Amy got up and brushed her teeth. After that, she ate breakfast. What did Amy do right after she got up? (set the alarm / ate breakfast / brushed her teeth / went to bed) → brushed her teethPrompt: Look for time words: first, then, next, after, finally.
  2. First, Pia put on her socks. Next, she put on her shoes. Then she ran outside. What did Pia do last? (ran outside / went to bed / put on her socks / put on her shoes) → ran outsidePrompt: Look for time words: first, then, next, after, finally.
  3. The caterpillar ate and ate. Then it made a cocoon. At last, a butterfly came out. What happened last? (It laid an egg. / The caterpillar ate. / It made a cocoon. / A butterfly came out.) → A butterfly came out.Prompt: Look for time words: first, then, next, after, finally.

Hook · 3 min

  • Read the first lines of a short text aloud and ask what students predict will happen and why.
  • Share the objective: Text structure (cause–effect, compare, problem–solution). Read the success criteria together.

I do: model it · 7 min

  • Work through the example out loud, saying why you do each step, not just what you do.
  • Example: The desert is hot and dry. Sand dunes stretch for miles, cacti stand tall, and lizards dart between the rocks. How is this text organised?
  • Step 1: Text structure is how a writer organises ideas.
  • Step 2: So the answer is: description
  • Answer: description
  • Pause after each step and ask a student to say what comes next.

We do: guided practice · 6 min

  • Do these together. Students try each step on whiteboards before you reveal it.
  • Use the hints as prompts rather than giving the answer.
  1. The desert is hot and dry. Sand dunes stretch for miles, cacti stand tall, and lizards dart between the rocks. How is this text organised? (sequence / problem and solution / compare and contrast / description) → descriptionPrompt: How is the information organised?
  2. The playground was always full of litter. The pupils decided to put more bins around and take turns being litter monitors. Now it is clean. How is this text organised? (compare and contrast / problem and solution / cause and effect / description) → problem and solutionPrompt: How is the information organised?

You do: independent practice · 7 min

  • Students work on the student sheet. Circulate and check the first two answers of every student early.
  • Students who finish: write a question of their own for a partner, with the answer.

The 6 questions are on the student sheet below, with answers in the key.

Exit ticket · 3 min

  • Two questions on their own. Sort answers into got it / nearly / not yet to plan the next lesson.

Watch out for

  • Answering from memory or opinion instead of evidence in the text.
  • Copying a long quote without explaining what it shows.

Support and stretch

Support

  • Review first: Order of events.
  • Use concrete materials: a short text or extract (one copy each).
  • Give the first step of each question, or a partly worked example to finish.
  • Pair with a confident partner for the guided practice.

Stretch

  • Move on to: Analysing structure; Plot stages: exposition to resolution; Foreshadowing, flashback, cliffhanger and red herring.
  • Explain a common mistake in writing and how to fix it.
  • Write a word problem that uses today's skill, then solve a partner's.

Homework and more practice

Free online practice with hints and printable worksheets for this skill: eurekami.com/english/grade-4.

Free lesson plan from eurekami.com/lesson-plan-builder

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Text structure (cause–effect, compare, problem–solution)

Name

Date

Score/ 6

Why Do Leaves Change in Autumn?

In many parts of the world, autumn turns forests into blazes of yellow, orange and red. But where do these bright shades come from? The answer is hidden inside every leaf. During spring and summer, leaves are busy making food for the tree. To do this, they use sunlight, water and air. A green substance called chlorophyll captures the energy from sunlight. There is so much chlorophyll in a leaf that it hides all the other shades. As autumn arrives, the days grow shorter and there is less sunlight. Trees such as maples and oaks begin to get ready for winter. They stop making chlorophyll. As the green fades away, the yellows and oranges that were in the leaf all along begin to show. Some trees, such as certain maples, also make a brand-new red substance in autumn. This is why some leaves turn bright red or purple. Finally, the tree seals off each leaf where it joins the branch. The leaf dries out and falls. Without leaves, the tree uses less water during the cold winter months. In spring, new green leaves will grow, and the cycle will begin again.

  1. Question 1

    Read "Why Do Leaves Change in Autumn?". Which text structure is mainly used in paragraph 3?

    • A. compare and contrast
    • B. problem and solution
    • C. cause and effect
    • D. a personal story

How to Build a Junk Robot

Do you have a pile of empty boxes and bottle tops? Instead of throwing them away, turn them into a robot! This project takes about an hour. You will need: one cereal box, one smaller box (such as a toothpaste box), four cardboard tubes, bottle tops, glue, scissors and some tape. Step 1: Ask an adult to help you cut a hole in the top of the cereal box. This will be the robot's body. Step 2: Glue the smaller box on top of the body to make the head. Hold it in place for a minute while the glue sets. Step 3: Tape two cardboard tubes to the sides of the body for arms and two to the bottom for legs. Step 4: Glue bottle tops onto the head for eyes and onto the body for buttons and dials. Step 5: Leave your robot to dry overnight before you play with it. Top tip: Give your robot a name and write it on a label. Robots with names are much more fun!

  1. Question 2

    Read "How to Build a Junk Robot". What should you do just after gluing on the head?

    • A. Give it a name.
    • B. Hold it in place for a minute.
    • C. Cut a hole in the box.
    • D. Leave it to dry overnight.

The Lemonade Stand

Marcus wanted a new bike helmet, but it cost twenty dollars. He had only five. "Why not set up a lemonade stand?" suggested his grandmother. She helped him squeeze a big bowl of lemons and stir in sugar and cold water. Marcus painted a sign that said LEMONADE – 50 CENTS. On Saturday morning, Marcus put his table at the end of the driveway. For the first hour, nobody came. Cars zoomed past. Marcus began to think it was a silly idea. Then he noticed that people were walking to the park across the road for a football match. He picked up his sign and moved the table right next to the park gate. Within ten minutes, a line had formed. By lunchtime, the jug was empty. Marcus counted his coins. He had earned exactly fifteen dollars. With the five he already had, it was enough. "You did it!" said Grandma. "We did it," said Marcus. "And next time, I'll think about where the customers are before I start."

  1. Question 3

    Read "The Lemonade Stand". What problem did Marcus have during the first hour?

    • A. He lost his money.
    • B. The lemonade was too sour.
    • C. It started to rain.
    • D. Nobody came to buy lemonade.

The Margin

Zainab had read the library book three times before she noticed the handwriting. It was in the margin of page 112, so faint she had taken it for a smudge. In tiny, slanted letters, someone had written: "Don't trust the narrator." Underneath, in different ink and a rounder hand, someone else had replied: "Why not?" And beneath that, in the first writer's slant: "Read chapter 9 again." She read chapter 9 again. Then she read it a fourth time, and a fifth, and on the sixth she saw it – a single sentence where the narrator claimed to have been at home when, three chapters earlier, he had described himself on a train. A lie, hidden in plain sight. The whole story tilted, like a picture knocked crooked on a wall. Zainab sat back. She checked the date stamps on the card inside the front cover. The book had been borrowed forty-seven times since 1994. Somewhere among those forty-seven readers were two people who had held a conversation across years without ever meeting. She found a pencil. For a long time she hesitated over the page, feeling as if she were about to speak in a room full of strangers. Then, carefully, beneath the other two, she wrote: "Found it. Thank you." When she returned the book, the librarian frowned at the pencil marks. Zainab apologised. But as she walked home, she wondered who would be next to find them.

  1. Question 4

    Read "The Margin". What is the effect of the final sentence?

    • A. It ends the story with a twist about the librarian.
    • B. It shows Zainab regrets writing.
    • C. It reveals who the first writer was.
    • D. It suggests the chain of readers will continue.

The Lighthouse Keeper's Daughter

The storm had been building all afternoon. By the time the sun set, waves as tall as houses were hurling themselves against the rocks below Gull Point Lighthouse, and the wind screamed around the tower like a wild animal. Nell pressed her face to the window of the little cottage. Her father had rowed to the mainland that morning to fetch the doctor for Mrs Penrose, and the sea had turned before he could return. Now, for the first time in her twelve years, Nell was alone at the lighthouse. She knew what that meant. Every night at dusk, the great lamp at the top of the tower had to be lit. Without it, ships would have no warning of the rocks. Nell grabbed the lantern and her father's oilskin coat, which hung down past her knees, and pushed open the door. The wind nearly knocked her flat. Bent double, she stumbled across the yard and into the tower. There were one hundred and twelve steps to the top. Nell had climbed them hundreds of times, but never in the dark, never with the whole tower trembling. Halfway up, her lantern flickered and almost went out. She stopped, cupped her hand around the flame and whispered, "Not now. Please, not now." At the top, her fingers were numb with cold. She trimmed the wick the way her father had shown her, filled the oil and struck a match. Nothing. A second match. Nothing. With the third, a tiny flame caught, grew and then blazed, and the great lens began to turn, sweeping its beam across the furious sea. Far out in the darkness, a ship's horn sounded twice. Nell did not know whose ship it was. But she knew that, tonight, it would find its way home.

  1. Question 5

    Read "The Lighthouse Keeper's Daughter". How does the writer build tension in paragraph 6?

    • A. Nell falls down the stairs.
    • B. The father arrives home.
    • C. The ship crashes.
    • D. The first two matches fail before the third one lights.

Rethinking Screen Time

Few debates generate as much anxiety among parents as the question of screen time. Headlines warn that smartphones are "destroying a generation", while technology companies insist that their products connect and empower young people. The truth, as so often, is more complicated than either side admits. Part of the problem is that "screen time" is a crude measure. An hour spent video-calling a grandparent, coding a game or researching a school project is not the same as an hour spent scrolling through an endless feed of short videos. Researchers increasingly argue that what young people do on screens matters more than how long they spend on them. That said, quantity is not irrelevant. Several large studies have linked very heavy use – more than five or six hours a day of recreational screen time – to poorer sleep and lower wellbeing. Screens can displace other activities that support health: exercise, face-to-face friendship and, crucially, sleep. Light from devices and the stimulation of social media late at night can delay sleep for teenagers, whose body clocks already push them towards later bedtimes. It is worth noting, however, that most of these studies show correlation, not causation. Teenagers who are already unhappy may turn to their phones more, rather than their phones making them unhappy. Untangling cause and effect is notoriously difficult. What, then, should families do? Rather than fixating on a single number, experts suggest asking three questions. Is screen use getting in the way of sleep? Is it crowding out exercise and real-world relationships? And does the young person feel in control of it, or controlled by it? If the answers are reassuring, the exact number of minutes may matter less than we fear.

  1. Question 6

    Read "Rethinking Screen Time". What is the function of paragraph 4?

    • A. It introduces the topic for the first time.
    • B. It adds a caution about how to interpret the research in paragraph 3.
    • C. It describes a specific family.
    • D. It gives the writer's final advice.

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Answer key: Text structure (cause–effect, compare, problem–solution)

  1. 1. C. cause and effect

  2. 2. B. Hold it in place for a minute.

  3. 3. D. Nobody came to buy lemonade.

  4. 4. D. It suggests the chain of readers will continue.

  5. 5. D. The first two matches fail before the third one lights.

  6. 6. B. It adds a caution about how to interpret the research in paragraph 3.