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English lesson plan · 4th grade (Year 5 in England) · 30 minutes

Text structure (cause–effect, compare, problem–solution)

Reading Comprehension

CCSS RI.4.5CCSS RI.5.5England: Y5/6 ReadingEngland: KS2 SATs Reading

Objective and success criteria

Students will: Text structure (cause–effect, compare, problem–solution).

  • I can answer questions on today's skill on my own, without help.
  • I can explain each step and say why it works.
  • I can check my answer and spot a mistake.

Before and after

Needs first: Order of events; Main idea and supporting details

Leads to: Analysing structure; Plot stages: exposition to resolution; Foreshadowing, flashback, cliffhanger and red herring

Materials: A short text or extract (one copy each), Highlighters, Question cards, Mini whiteboards, A short model text on the board, Printed student sheet (below).

Warm-up · 4 min

  • Quick retrieval from earlier learning (Order of events; Main idea and supporting details). Students answer on mini whiteboards.
  • Show answers together and note who needs support in the main task.
  1. The alarm rang. Amy got up and brushed her teeth. After that, she ate breakfast. What did Amy do right after she got up? (set the alarm / brushed her teeth / went to bed / ate breakfast) → brushed her teethPrompt: Look for time words: first, then, next, after, finally.
  2. First, Pia put on her socks. Next, she put on her shoes. Then she ran outside. What did Pia do first? (put on her socks / put on her shoes / ran outside / ate lunch) → put on her socksPrompt: Look for time words: first, then, next, after, finally.
  3. First, Pia put on her socks. Next, she put on her shoes. Then she ran outside. What did Pia do last? (put on her socks / ran outside / went to bed / put on her shoes) → ran outsidePrompt: Look for time words: first, then, next, after, finally.

Hook · 3 min

  • Read the first lines of a short text aloud and ask what students predict will happen and why.
  • Share the objective: Text structure (cause–effect, compare, problem–solution). Read the success criteria together.

I do: model it · 7 min

  • Work through the example out loud, saying why you do each step, not just what you do.
  • Example: The desert is hot and dry. Sand dunes stretch for miles, cacti stand tall, and lizards dart between the rocks. How is this text organised?
  • Step 1: Text structure is how a writer organises ideas.
  • Step 2: So the answer is: description
  • Answer: description
  • Pause after each step and ask a student to say what comes next.

We do: guided practice · 6 min

  • Do these together. Students try each step on whiteboards before you reveal it.
  • Use the hints as prompts rather than giving the answer.
  1. Because the river flooded, many roads were closed. As a result, the school buses could not run, so school was cancelled. How is this text organised? (problem and solution / description / cause and effect / compare and contrast) → cause and effectPrompt: How is the information organised?
  2. The playground was always full of litter. The pupils decided to put more bins around and take turns being litter monitors. Now it is clean. How is this text organised? (cause and effect / description / problem and solution / compare and contrast) → problem and solutionPrompt: How is the information organised?

You do: independent practice · 7 min

  • Students work on the student sheet. Circulate and check the first two answers of every student early.
  • Students who finish: write a question of their own for a partner, with the answer.

The 6 questions are on the student sheet below, with answers in the key.

Exit ticket · 3 min

  • Two questions on their own. Sort answers into got it / nearly / not yet to plan the next lesson.

Watch out for

  • Answering from memory or opinion instead of evidence in the text.
  • Copying a long quote without explaining what it shows.

Support and stretch

Support

  • Review first: Order of events.
  • Use concrete materials: a short text or extract (one copy each).
  • Give the first step of each question, or a partly worked example to finish.
  • Pair with a confident partner for the guided practice.

Stretch

  • Move on to: Analysing structure; Plot stages: exposition to resolution; Foreshadowing, flashback, cliffhanger and red herring.
  • Explain a common mistake in writing and how to fix it.
  • Write a word problem that uses today's skill, then solve a partner's.

Homework and more practice

Free online practice with hints and printable worksheets for this skill: eurekami.com/english/grade-4.

Free lesson plan from eurekami.com/lesson-plan-builder

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Text structure (cause–effect, compare, problem–solution)

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How to Build a Junk Robot

Do you have a pile of empty boxes and bottle tops? Instead of throwing them away, turn them into a robot! This project takes about an hour. You will need: one cereal box, one smaller box (such as a toothpaste box), four cardboard tubes, bottle tops, glue, scissors and some tape. Step 1: Ask an adult to help you cut a hole in the top of the cereal box. This will be the robot's body. Step 2: Glue the smaller box on top of the body to make the head. Hold it in place for a minute while the glue sets. Step 3: Tape two cardboard tubes to the sides of the body for arms and two to the bottom for legs. Step 4: Glue bottle tops onto the head for eyes and onto the body for buttons and dials. Step 5: Leave your robot to dry overnight before you play with it. Top tip: Give your robot a name and write it on a label. Robots with names are much more fun!

  1. Question 1

    Read "How to Build a Junk Robot". Why are the steps numbered?

    • A. so they are followed in the right order
    • B. to show how many robots to make
    • C. to show which step is most fun
    • D. to make the text longer

The Margin

Zainab had read the library book three times before she noticed the handwriting. It was in the margin of page 112, so faint she had taken it for a smudge. In tiny, slanted letters, someone had written: "Don't trust the narrator." Underneath, in different ink and a rounder hand, someone else had replied: "Why not?" And beneath that, in the first writer's slant: "Read chapter 9 again." She read chapter 9 again. Then she read it a fourth time, and a fifth, and on the sixth she saw it – a single sentence where the narrator claimed to have been at home when, three chapters earlier, he had described himself on a train. A lie, hidden in plain sight. The whole story tilted, like a picture knocked crooked on a wall. Zainab sat back. She checked the date stamps on the card inside the front cover. The book had been borrowed forty-seven times since 1994. Somewhere among those forty-seven readers were two people who had held a conversation across years without ever meeting. She found a pencil. For a long time she hesitated over the page, feeling as if she were about to speak in a room full of strangers. Then, carefully, beneath the other two, she wrote: "Found it. Thank you." When she returned the book, the librarian frowned at the pencil marks. Zainab apologised. But as she walked home, she wondered who would be next to find them.

  1. Question 2

    Read "The Margin". What is the effect of the final sentence?

    • A. It ends the story with a twist about the librarian.
    • B. It shows Zainab regrets writing.
    • C. It reveals who the first writer was.
    • D. It suggests the chain of readers will continue.

Rethinking Screen Time

Few debates generate as much anxiety among parents as the question of screen time. Headlines warn that smartphones are "destroying a generation", while technology companies insist that their products connect and empower young people. The truth, as so often, is more complicated than either side admits. Part of the problem is that "screen time" is a crude measure. An hour spent video-calling a grandparent, coding a game or researching a school project is not the same as an hour spent scrolling through an endless feed of short videos. Researchers increasingly argue that what young people do on screens matters more than how long they spend on them. That said, quantity is not irrelevant. Several large studies have linked very heavy use – more than five or six hours a day of recreational screen time – to poorer sleep and lower wellbeing. Screens can displace other activities that support health: exercise, face-to-face friendship and, crucially, sleep. Light from devices and the stimulation of social media late at night can delay sleep for teenagers, whose body clocks already push them towards later bedtimes. It is worth noting, however, that most of these studies show correlation, not causation. Teenagers who are already unhappy may turn to their phones more, rather than their phones making them unhappy. Untangling cause and effect is notoriously difficult. What, then, should families do? Rather than fixating on a single number, experts suggest asking three questions. Is screen use getting in the way of sleep? Is it crowding out exercise and real-world relationships? And does the young person feel in control of it, or controlled by it? If the answers are reassuring, the exact number of minutes may matter less than we fear.

  1. Question 3

    Read "Rethinking Screen Time". What is the function of paragraph 4?

    • A. It describes a specific family.
    • B. It gives the writer's final advice.
    • C. It introduces the topic for the first time.
    • D. It adds a caution about how to interpret the research in paragraph 3.

Speech: Our Beach, Our Responsibility

Good morning, everyone. Last Saturday, twenty-three pupils from this school spent three hours on Sandy Bay beach. We collected forty-one bags of rubbish. Forty-one. Bottles, crisp packets, fishing line, a shoe, and – I promise you this is true – an entire garden chair. Now, I know what some of you are thinking. "It's not my rubbish. Why should I pick it up?" And you're right: most of us didn't drop it. But here's the thing. The seal pup that gets tangled in that fishing line doesn't care whose fault it was. The toddler who cuts her foot on broken glass doesn't care either. That beach belongs to all of us. We swim there in summer. We walk our dogs there in winter. Some of us learned to ride our bikes on the promenade. If it belongs to all of us, then looking after it belongs to all of us too. So I'm asking you for just one thing. Not money. Not your whole weekend. Just two hours, on the first Saturday of next month. Bring gloves, bring a friend, bring your little brother if you have to. Because if twenty-three of us can fill forty-one bags, imagine what four hundred of us could do. Thank you.

  1. Question 4

    Read "Speech: Our Beach, Our Responsibility". How does the speaker make the ending powerful?

    • A. She lists rules for the clean-up.
    • B. She uses the earlier numbers to imagine a much bigger result.
    • C. She introduces a new problem.
    • D. She tells a sad story.

Inside a Volcano

Deep beneath our feet, the Earth is extremely hot – hot enough to melt rock. This melted rock is called magma. Because magma is lighter than the solid rock around it, it slowly rises upward. Sometimes it collects in a huge underground pool called a magma chamber. A volcano forms where magma finds a way to the surface. When the pressure in the magma chamber becomes too great, the magma bursts out through cracks or vents. Once it reaches the surface, it is called lava. Over time, layers of cooled lava and ash can build up to form a mountain. Most volcanoes are found near the edges of tectonic plates, the giant slabs of rock that make up the Earth's outer layer. More than half of the world's active volcanoes surround the Pacific Ocean, in a horseshoe-shaped zone known as the Ring of Fire. Scientists sort volcanoes into three groups. Active volcanoes have erupted recently and could erupt again. Dormant volcanoes have not erupted for a very long time but might wake up in the future. Extinct volcanoes are not expected to erupt ever again. Although eruptions can be deadly, volcanoes also bring benefits. Volcanic ash breaks down into rich soil, which is why many farms are found on the slopes of old volcanoes. In some countries, such as Iceland, the heat from underground is used to warm homes and produce electricity.

  1. Question 5

    Read "Inside a Volcano". How is paragraph 4 organised?

    • A. It tells events in time order.
    • B. It argues for one opinion.
    • C. It classifies volcanoes into groups.
    • D. It describes a problem and its solution.

Harbour at Dawn (GCSE-style extract)

The harbour did not so much wake as surrender to the morning. Fog lay over the water like a damp grey blanket that someone had forgotten to fold, and the fishing boats nodded at their moorings, half-asleep, their ropes creaking in complaint. Old Tomas was already there. He was always there. He sat on an upturned crate at the end of the quay, mending a net with fingers that had long ago stopped feeling the cold. His knife flashed, paused, flashed again. Every so often he lifted his head and sniffed the air, as if the sea had written him a letter only he could read. Behind him, the town stirred reluctantly. A shutter rattled up. A dog barked twice and thought better of it. Somewhere a kettle began its thin, rising whistle. The smell of bread drifted from the bakery on Water Lane and mixed with the older, deeper smells of salt, diesel and fish. Then the sun arrived. It did not rise so much as break through – one bright blade splitting the fog, then another, until the whole harbour was suddenly ablaze. The water turned from slate to copper. Gulls exploded upward from the harbour wall, screaming. The boats seemed to sit up straighter. Tomas did not look up. He tied off the last knot, tested it with a sharp tug, and laid the net across his knees like a sleeping cat. Only then did he raise his eyes to the brightening sea, and for a moment, just a moment, his face softened into something very close to a smile.

  1. Question 6

    Read "Harbour at Dawn (GCSE-style extract)". How does the focus shift in paragraph 4 compared with paragraph 3?

    • A. from morning to night
    • B. from quiet, small sounds of the town to a sudden, dramatic burst of light
    • C. from Tomas's thoughts to his past
    • D. from the harbour to a different town

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Answer key: Text structure (cause–effect, compare, problem–solution)

  1. 1. A. so they are followed in the right order

  2. 2. D. It suggests the chain of readers will continue.

  3. 3. D. It adds a caution about how to interpret the research in paragraph 3.

  4. 4. B. She uses the earlier numbers to imagine a much bigger result.

  5. 5. C. It classifies volcanoes into groups.

  6. 6. B. from quiet, small sounds of the town to a sudden, dramatic burst of light