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English lesson plan · 4th grade (Year 5 in England) · 30 minutes

Text structure (cause–effect, compare, problem–solution)

Reading Comprehension

CCSS RI.4.5CCSS RI.5.5England: Y5/6 ReadingEngland: KS2 SATs Reading

Objective and success criteria

Students will: Text structure (cause–effect, compare, problem–solution).

  • I can answer questions on today's skill on my own, without help.
  • I can explain each step and say why it works.
  • I can check my answer and spot a mistake.

Before and after

Needs first: Order of events; Main idea and supporting details

Leads to: Analysing structure; Plot stages: exposition to resolution; Foreshadowing, flashback, cliffhanger and red herring

Materials: A short text or extract (one copy each), Highlighters, Question cards, Mini whiteboards, A short model text on the board, Printed student sheet (below).

Warm-up · 4 min

  • Quick retrieval from earlier learning (Order of events; Main idea and supporting details). Students answer on mini whiteboards.
  • Show answers together and note who needs support in the main task.
  1. The alarm rang. Amy got up and brushed her teeth. After that, she ate breakfast. What did Amy do right after she got up? (went to bed / brushed her teeth / ate breakfast / set the alarm) → brushed her teethPrompt: Look for time words: first, then, next, after, finally.
  2. Lee dug a hole. He put in a seed. Then he covered it with soil and gave it water. What did Lee do before he put in the seed? (dug a hole / gave it water / picked a flower / covered it with soil) → dug a holePrompt: Look for time words: first, then, next, after, finally.
  3. The caterpillar ate and ate. Then it made a cocoon. At last, a butterfly came out. What happened last? (A butterfly came out. / It made a cocoon. / It laid an egg. / The caterpillar ate.) → A butterfly came out.Prompt: Look for time words: first, then, next, after, finally.

Hook · 3 min

  • Read the first lines of a short text aloud and ask what students predict will happen and why.
  • Share the objective: Text structure (cause–effect, compare, problem–solution). Read the success criteria together.

I do: model it · 7 min

  • Work through the example out loud, saying why you do each step, not just what you do.
  • Example: The desert is hot and dry. Sand dunes stretch for miles, cacti stand tall, and lizards dart between the rocks. How is this text organised?
  • Step 1: Text structure is how a writer organises ideas.
  • Step 2: So the answer is: description
  • Answer: description
  • Pause after each step and ask a student to say what comes next.

We do: guided practice · 6 min

  • Do these together. Students try each step on whiteboards before you reveal it.
  • Use the hints as prompts rather than giving the answer.
  1. First, the egg hatches into a caterpillar. Next, the caterpillar eats and grows. Then it forms a chrysalis. Finally, a butterfly emerges. How is this text organised? (problem and solution / cause and effect / compare and contrast / chronological order (sequence)) → chronological order (sequence)Prompt: How is the information organised?
  2. The desert is hot and dry. Sand dunes stretch for miles, cacti stand tall, and lizards dart between the rocks. How is this text organised? (sequence / description / problem and solution / compare and contrast) → descriptionPrompt: How is the information organised?

You do: independent practice · 7 min

  • Students work on the student sheet. Circulate and check the first two answers of every student early.
  • Students who finish: write a question of their own for a partner, with the answer.

The 6 questions are on the student sheet below, with answers in the key.

Exit ticket · 3 min

  • Two questions on their own. Sort answers into got it / nearly / not yet to plan the next lesson.
  1. Because the river flooded, many roads were closed. As a result, the school buses could not run, so school was cancelled. How is this text organised? (cause and effect / compare and contrast / description / problem and solution) → cause and effectPrompt: How is the information organised?

Watch out for

  • Answering from memory or opinion instead of evidence in the text.
  • Copying a long quote without explaining what it shows.

Support and stretch

Support

  • Review first: Order of events.
  • Use concrete materials: a short text or extract (one copy each).
  • Give the first step of each question, or a partly worked example to finish.
  • Pair with a confident partner for the guided practice.

Stretch

  • Move on to: Analysing structure; Plot stages: exposition to resolution; Foreshadowing, flashback, cliffhanger and red herring.
  • Explain a common mistake in writing and how to fix it.
  • Write a word problem that uses today's skill, then solve a partner's.

Homework and more practice

Free online practice with hints and printable worksheets for this skill: eurekami.com/english/grade-4.

Free lesson plan from eurekami.com/lesson-plan-builder

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Text structure (cause–effect, compare, problem–solution)

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Harbour at Dawn (GCSE-style extract)

The harbour did not so much wake as surrender to the morning. Fog lay over the water like a damp grey blanket that someone had forgotten to fold, and the fishing boats nodded at their moorings, half-asleep, their ropes creaking in complaint. Old Tomas was already there. He was always there. He sat on an upturned crate at the end of the quay, mending a net with fingers that had long ago stopped feeling the cold. His knife flashed, paused, flashed again. Every so often he lifted his head and sniffed the air, as if the sea had written him a letter only he could read. Behind him, the town stirred reluctantly. A shutter rattled up. A dog barked twice and thought better of it. Somewhere a kettle began its thin, rising whistle. The smell of bread drifted from the bakery on Water Lane and mixed with the older, deeper smells of salt, diesel and fish. Then the sun arrived. It did not rise so much as break through – one bright blade splitting the fog, then another, until the whole harbour was suddenly ablaze. The water turned from slate to copper. Gulls exploded upward from the harbour wall, screaming. The boats seemed to sit up straighter. Tomas did not look up. He tied off the last knot, tested it with a sharp tug, and laid the net across his knees like a sleeping cat. Only then did he raise his eyes to the brightening sea, and for a moment, just a moment, his face softened into something very close to a smile.

  1. Question 1

    Read "Harbour at Dawn (GCSE-style extract)". Why might the writer end with Tomas's near-smile?

    • A. to show he is angry about the weather
    • B. to end on a quiet, personal moment after the dramatic sunrise
    • C. to introduce a new character
    • D. to reveal a twist about his identity

A Letter to the Council

Dear Councillors, I am writing to ask you not to close Elm Street Library. I am nine years old, and the library is one of the most important places in our town. First, the library helps children learn. Every Saturday, there is a story club where younger children listen to stories and older children like me read aloud. Many families cannot afford to buy lots of books, but at the library everyone can borrow them for free. Second, the library is not just for children. My neighbour, Mr Haddad, goes there every week to use the computers because he does not have one at home. He uses them to apply for jobs and to talk to his grandchildren in another country. Some people say that everything is online now, so we do not need libraries. However, not everyone has the internet at home, and a website cannot give you a quiet, warm place to study or a librarian who helps you find exactly the right book. Please keep our library open. It belongs to all of us. Yours faithfully, Priya Shah

  1. Question 2

    Read "A Letter to the Council". How does Priya organise her reasons?

    • A. as a list of questions
    • B. with the words First and Second
    • C. as a poem
    • D. in alphabetical order

The Attic

The attic door had been painted shut for as long as Daniel could remember. His mother said there was nothing up there but dust and old suitcases. So when the decorators scraped away the paint on the first Saturday of the summer holidays, Daniel was the first one up the narrow stairs. The air was thick and warm and smelt of mothballs. Thin blades of light slid through gaps in the roof tiles and lay across the floorboards like fallen swords. In the far corner, beneath a sheet greyed with age, something waited. Daniel crossed the room slowly. Each board groaned beneath him as if complaining about being woken. He reached out, hesitated, then pulled the sheet away in one quick movement. It was a desk – small, battered, and covered in carvings. Initials. Dates. A crooked drawing of a sailing boat. And there, in the corner, carved more deeply than all the rest, were three letters he knew better than his own name: D.A.M. Daniel Adebayo Mensah. His grandfather. The grandfather who had died two years before Daniel was born, and whom his mother never spoke about. He ran his fingers over the letters. Downstairs, someone switched on a radio, and a burst of music floated up through the floor. Daniel did not move. For the first time, the silence in the attic did not feel empty. It felt like someone waiting to tell him a story.

  1. Question 3

    Read "The Attic". Why does the writer reveal the initials D.A.M. before explaining who they belong to?

    • A. to show Daniel cannot read
    • B. to create a moment of suspense before the discovery
    • C. to change the setting
    • D. because the reader already knows

Why Do Leaves Change in Autumn?

In many parts of the world, autumn turns forests into blazes of yellow, orange and red. But where do these bright shades come from? The answer is hidden inside every leaf. During spring and summer, leaves are busy making food for the tree. To do this, they use sunlight, water and air. A green substance called chlorophyll captures the energy from sunlight. There is so much chlorophyll in a leaf that it hides all the other shades. As autumn arrives, the days grow shorter and there is less sunlight. Trees such as maples and oaks begin to get ready for winter. They stop making chlorophyll. As the green fades away, the yellows and oranges that were in the leaf all along begin to show. Some trees, such as certain maples, also make a brand-new red substance in autumn. This is why some leaves turn bright red or purple. Finally, the tree seals off each leaf where it joins the branch. The leaf dries out and falls. Without leaves, the tree uses less water during the cold winter months. In spring, new green leaves will grow, and the cycle will begin again.

  1. Question 4

    Read "Why Do Leaves Change in Autumn?". Which text structure is mainly used in paragraph 3?

    • A. cause and effect
    • B. problem and solution
    • C. a personal story
    • D. compare and contrast

The Moon's Night Walk (a poem)

The moon puts on her silver coat and tiptoes up the sky. She hums a tune to sleepy owls and winks at clouds nearby. She paints the rooftops pearly white, she lights the cat's way home, she peeps into the children's rooms to check they're not alone. She counts the stars like sleeping sheep, she sings the sea to rest, she hangs a lantern on the hill for travellers in the west. And when the sun yawns in the east and stretches out his rays, the moon slips off her silver coat and hides away for days. But look up on a quiet night when all the town's asleep: she's tiptoeing across the sky with promises to keep.

  1. Question 5

    Read "The Moon's Night Walk (a poem)". Which words rhyme in the first verse?

    • A. sky and nearby
    • B. moon and tune
    • C. coat and owls
    • D. silver and sleepy

Rethinking Screen Time

Few debates generate as much anxiety among parents as the question of screen time. Headlines warn that smartphones are "destroying a generation", while technology companies insist that their products connect and empower young people. The truth, as so often, is more complicated than either side admits. Part of the problem is that "screen time" is a crude measure. An hour spent video-calling a grandparent, coding a game or researching a school project is not the same as an hour spent scrolling through an endless feed of short videos. Researchers increasingly argue that what young people do on screens matters more than how long they spend on them. That said, quantity is not irrelevant. Several large studies have linked very heavy use – more than five or six hours a day of recreational screen time – to poorer sleep and lower wellbeing. Screens can displace other activities that support health: exercise, face-to-face friendship and, crucially, sleep. Light from devices and the stimulation of social media late at night can delay sleep for teenagers, whose body clocks already push them towards later bedtimes. It is worth noting, however, that most of these studies show correlation, not causation. Teenagers who are already unhappy may turn to their phones more, rather than their phones making them unhappy. Untangling cause and effect is notoriously difficult. What, then, should families do? Rather than fixating on a single number, experts suggest asking three questions. Is screen use getting in the way of sleep? Is it crowding out exercise and real-world relationships? And does the young person feel in control of it, or controlled by it? If the answers are reassuring, the exact number of minutes may matter less than we fear.

  1. Question 6

    Read "Rethinking Screen Time". What is the function of paragraph 4?

    • A. It adds a caution about how to interpret the research in paragraph 3.
    • B. It introduces the topic for the first time.
    • C. It gives the writer's final advice.
    • D. It describes a specific family.

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Answer key: Text structure (cause–effect, compare, problem–solution)

  1. 1. B. to end on a quiet, personal moment after the dramatic sunrise

  2. 2. B. with the words First and Second

  3. 3. B. to create a moment of suspense before the discovery

  4. 4. A. cause and effect

  5. 5. A. sky and nearby

  6. 6. A. It adds a caution about how to interpret the research in paragraph 3.