Lesson length30 min 45 min 60 min

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English lesson plan · 5th grade (Year 6 in England) · 30 minutes

Making inferences

Reading Comprehension

CCSS RL.5.1CCSS RI.5.1England: Y5/6 Reading (inference)England: KS2 SATs ReadingEngland: 11+ English

Objective and success criteria

Students will: Making inferences.

I can answer questions on today's skill on my own, without help.
I can explain each step and say why it works.
I can check my answer and spot a mistake.

Before and after

Needs first: Predicting and simple inference

Leads to: Citing textual evidence; Tone and mood; Implicit meaning and inference

Materials: A short text or extract (one copy each), Highlighters, Question cards, Mini whiteboards, A short model text on the board, Printed student sheet (below).

Warm-up · 4 min

Quick retrieval from earlier learning (Predicting and simple inference). Students answer on mini whiteboards.
Show answers together and note who needs support in the main task.

Theo yawned and rubbed his eyes. His book slipped onto the floor. What is probably happening? (Theo is falling asleep. / Theo is very excited. / Theo is running a race. / Theo is hungry.) → Theo is falling asleep.Prompt: The answer is not written word for word. Look for clues.
Omar's mum put a cake with seven candles on the table. Everyone began to sing. What is probably happening? (It is a school day. / It is Omar's birthday. / The family is moving house. / Omar is ill.) → It is Omar's birthday.Prompt: The answer is not written word for word. Look for clues.
The puppy sat by the door with its lead in its mouth and wagged its tail. What does the puppy want? (to go for a walk / to sleep / to have a bath / to eat its lead) → to go for a walkPrompt: The answer is not written word for word. Look for clues.

Hook · 3 min

Read the first lines of a short text aloud and ask what students predict will happen and why.
Share the objective: Making inferences. Read the success criteria together.

I do: model it · 7 min

Work through the example out loud, saying why you do each step, not just what you do.
Example: The house was silent. Dust covered the furniture, and cobwebs hung from every corner. What can you infer about the house?
Step 1: An inference combines clues in the text with what you know.
Step 2: So the answer is: Nobody has lived there for a long time.
Answer: Nobody has lived there for a long time.
Pause after each step and ask a student to say what comes next.

We do: guided practice · 6 min

Do these together. Students try each step on whiteboards before you reveal it.
Use the hints as prompts rather than giving the answer.

Tariq stared at his test paper, then crumpled it up and pushed it to the bottom of his bag before his dad could see. What can you infer about the test? (Tariq's dad wrote the test. / The test was cancelled. / Tariq got full marks. / Tariq did not do well.) → Tariq did not do well.Prompt: The answer is not written word for word. Look for clues.
The coach blew the whistle, and the players trudged off the field, heads down, while the other team cheered. What can you infer? (The match was cancelled. / The players lost the match. / The players won. / The players are going to start playing.) → The players lost the match.Prompt: The answer is not written word for word. Look for clues.

You do: independent practice · 7 min

Students work on the student sheet. Circulate and check the first two answers of every student early.
Students who finish: write a question of their own for a partner, with the answer.

The 6 questions are on the student sheet below, with answers in the key.

Exit ticket · 3 min

Two questions on their own. Sort answers into got it / nearly / not yet to plan the next lesson.

Tariq stared at his test paper, then crumpled it up and pushed it to the bottom of his bag before his dad could see. What can you infer about the test? (Tariq's dad wrote the test. / Tariq got full marks. / The test was cancelled. / Tariq did not do well.) → Tariq did not do well.Prompt: The answer is not written word for word. Look for clues.

Watch out for

Answering from memory or opinion instead of evidence in the text.
Copying a long quote without explaining what it shows.

Support and stretch

Support

Review first: Predicting and simple inference.
Use concrete materials: a short text or extract (one copy each).
Give the first step of each question, or a partly worked example to finish.
Pair with a confident partner for the guided practice.

Stretch

Move on to: Citing textual evidence; Tone and mood; Implicit meaning and inference.
Explain a common mistake in writing and how to fix it.
Write a word problem that uses today's skill, then solve a partner's.

Homework and more practice

Free online practice with hints and printable worksheets for this skill: eurekami.com/english/grade-5.

Free lesson plan from eurekami.com/lesson-plan-builder

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Making inferences

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How to Build a Junk Robot

Do you have a pile of empty boxes and bottle tops? Instead of throwing them away, turn them into a robot! This project takes about an hour. You will need: one cereal box, one smaller box (such as a toothpaste box), four cardboard tubes, bottle tops, glue, scissors and some tape. Step 1: Ask an adult to help you cut a hole in the top of the cereal box. This will be the robot's body. Step 2: Glue the smaller box on top of the body to make the head. Hold it in place for a minute while the glue sets. Step 3: Tape two cardboard tubes to the sides of the body for arms and two to the bottom for legs. Step 4: Glue bottle tops onto the head for eyes and onto the body for buttons and dials. Step 5: Leave your robot to dry overnight before you play with it. Top tip: Give your robot a name and write it on a label. Robots with names are much more fun!

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Question 1
Read "How to Build a Junk Robot". Why should you ask an adult to help with Step 1?
- A. The box is too heavy.
- B. Adults choose the robot's name.
- C. Adults are better at gluing.
- D. Cutting with scissors can be tricky or unsafe.

Lady Montagu and the Smallpox Gamble

In the early eighteenth century, smallpox was one of the most feared diseases in Europe. It killed around three in every ten people it infected and left many survivors scarred or blind. Lady Mary Wortley Montagu knew its cruelty personally: the disease had killed her brother and marked her own face. In 1717, while living in Constantinople (now Istanbul), where her husband was the British ambassador, she observed a remarkable practice. Local women would take a small amount of material from a mild smallpox sore and scratch it into the skin of a healthy person. The person usually developed a mild illness and was then protected for life. This process was called variolation. Montagu was so impressed that she had her young son variolated. When she returned to England, she campaigned to spread the practice, despite fierce opposition. Some doctors resented being taught by a woman; others distrusted a practice from abroad. To win public confidence, Montagu had her daughter variolated in front of physicians from the royal court. Variolation was not without risk: a small number of patients developed severe smallpox, and they could infect others. Decades later, in 1796, Edward Jenner developed a safer method using cowpox, a related but much milder disease. His method, called vaccination after the Latin word for cow, gradually replaced variolation. Smallpox was declared eradicated worldwide in 1980. Jenner is often called the father of vaccination, but the story began with the courage of a woman who noticed what others had overlooked.

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Question 2
Read "Lady Montagu and the Smallpox Gamble". Why did Montagu have her daughter variolated in front of royal physicians?
- A. to prove the method was safe and gain trust
- B. because the law required it
- C. because her daughter was ill
- D. to test Jenner's vaccine

The Mapmaker's Apprentice

Ines had worked in Master Corvo's shop for three years, and in all that time he had never let her draw a single line on a real map. She ground his inks, stretched his parchment and swept up the shavings from his quills. When she asked why she could not draw, he only said, "A mapmaker must first learn to see." So Ines watched. She watched sailors come in, sunburnt and impatient, to buy charts of the southern coast. She watched merchants argue over which mountain pass was fastest. Most of all, she watched Master Corvo, who spent far longer listening to travellers than he did holding his pen. One winter morning, a fisherman stumbled into the shop, soaked and shaking. A storm had pushed his boat far north, past the edge of every chart in the city. He had found a narrow channel between two islands that no map showed, and it had saved his life. Master Corvo was in bed with a fever. The fisherman was leaving on the evening tide. Ines hesitated only for a moment. Then she sat the fisherman by the fire and asked him questions — not just where the channel was, but how the water changed colour near the rocks, where the gulls gathered, how long it took to row from one island to the other. She wrote down every answer. Only when she had heard everything did she pick up a pen. When Master Corvo recovered, she laid the new chart in front of him. He studied it for a long time without speaking. Then he took his own pen, signed his name in the corner, and beneath it, for the first time, he wrote hers.

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Question 3
Read "The Mapmaker's Apprentice". Why did Ines have to act quickly?
- A. A storm was coming to the city.
- B. Merchants were waiting for the map.
- C. The fisherman was leaving that evening and Master Corvo was ill.
- D. The shop was about to close forever.

The Moon's Night Walk (a poem)

The moon puts on her silver coat and tiptoes up the sky. She hums a tune to sleepy owls and winks at clouds nearby. She paints the rooftops pearly white, she lights the cat's way home, she peeps into the children's rooms to check they're not alone. She counts the stars like sleeping sheep, she sings the sea to rest, she hangs a lantern on the hill for travellers in the west. And when the sun yawns in the east and stretches out his rays, the moon slips off her silver coat and hides away for days. But look up on a quiet night when all the town's asleep: she's tiptoeing across the sky with promises to keep.

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Question 4
Read "The Moon's Night Walk (a poem)". What is happening in the fourth verse?
- A. A storm is starting.
- B. The moon is getting brighter.
- C. Morning is coming and the moon is disappearing.
- D. The children are waking the moon.

Message in a Bottle (a poem)

I am a bottle, empty and light, tossed from a boat on a bright summer night. No note inside me, no secret to tell, just plastic and air and a sea-salty smell. The ocean is patient, the ocean is wide; it rocks me and rolls me from tide to tide. A turtle swims near me and stares at my shine. I am not a jellyfish. Please, don't you dine! I'll drift for a lifetime, I'll drift for a few, I'll crumble to pieces too tiny for you. But somebody somewhere could carry me back, a hand on the beach and a bin in a sack. So here is my message, though no one wrote it: the sea keeps whatever we throw. Don't forget it.

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Question 5
Read "Message in a Bottle (a poem)". Why does the bottle say, "I am not a jellyfish. Please, don't you dine!"?
- A. Turtles are afraid of bottles.
- B. The bottle wants to be eaten.
- C. Turtles can mistake shiny plastic for jellyfish and eat it.
- D. Jellyfish live inside bottles.

The Climbing Wall

The climbing wall at the leisure centre was twelve metres high, and from the bottom it looked like a mountain covered in brightly coloured sweets. Jaya had watched her older cousin, Ravi, scramble to the top of it a dozen times. Today was her first turn. The instructor clipped the rope to her harness and checked the knot twice. "Remember," she said, "use your legs, not just your arms. And don't look down until you're ready." The first few holds were easy. Jaya climbed quickly, buoyed by Ravi's cheers. But halfway up, the holds grew smaller and farther apart. Her arms began to burn. She looked down – and immediately wished she hadn't. The floor seemed impossibly far away, and her legs began to tremble. "I want to come down," she called. "You can," the instructor answered calmly. "Or you can rest. Lean back into the harness. The rope's got you." Jaya didn't believe her. But slowly, she let her weight sink back. The rope held. Her breathing steadied. She looked at the wall in front of her, not at the floor, and noticed a small yellow hold to her right that she hadn't seen before. Ten minutes later, she slapped the top of the wall. The leisure centre erupted in cheers – or at least Ravi did, which felt like the same thing.

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Question 6
Read "The Climbing Wall". What is the tone of the final paragraph?
- A. triumphant and lightly humorous
- B. angry
- C. gloomy and regretful
- D. frightening

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Answer key: Making inferences

1. D. Cutting with scissors can be tricky or unsafe.
2. A. to prove the method was safe and gain trust
3. C. The fisherman was leaving that evening and Master Corvo was ill.
4. C. Morning is coming and the moon is disappearing.
5. C. Turtles can mistake shiny plastic for jellyfish and eat it.
6. A. triumphant and lightly humorous