eurekami
Purpose and function of sentences (SAT)
11th grade (Year 12 in England) · 16 questions · Common Core: RI.11-12.5, RI.11-12.6 · England: SAT Reading and Writing (Text Structure and Purpose)
Name
Date
Score/ 16
Inheritance
When my aunt died she left me her piano, which was the one thing in her house I had never wanted. It was an upright of dark, scarred wood, too large for any room it had ever stood in, and it had been out of tune for as long as I could remember. As a child, I had been made to sit at it every Thursday while she counted the beats aloud in a voice like a ruler rapping a desk. I had hated it with the pure, uncomplicated hatred of a nine-year-old.
The removal men groaned it up the three flights to my flat and left it in the hall, where it blocked the light from the only window. For a month I edged around it sideways, as one edges around a guest who has outstayed their welcome. I told friends I would sell it. I photographed it twice for the listing and deleted the pictures both times.
It was during a power cut in February that I finally lifted the lid. I could not have said why. The flat was cold and dark and silent, and perhaps I simply wanted to hear something. I pressed middle C. It was flat, of course – everything about that piano was slightly flat – but the note hung in the hall far longer than I expected, and something in the slowness of its fading undid me.
I played the only piece I still knew, a dull exercise in C major that my aunt had made me repeat a hundred times. My fingers found it before my mind did. Halfway through, I realised I was counting under my breath, in her rhythm, in her voice.
I have not had the piano tuned. People ask me why, and I tell them I haven't got round to it, which is true in the way that most convenient answers are true. The other reason is harder to explain. Every flat note is exactly as she left it. I am not ready to correct her yet.
Question 1
Read "Inheritance". What is the significance of the power cut in the structure of the story?
- A. It explains why the piano is out of tune.
- B. It shows the narrator moving to a new flat.
- C. It creates the quiet, isolated moment in which the narrator finally confronts the piano.
- D. It introduces a new character.
Two Views on AI and Art
Text 1. When photography was invented, some painters declared that art was dead. Instead, painting changed: freed from the need to record reality, artists explored colour, emotion and abstraction. Image-generating AI may play a similar role. Used as a tool, it can help people sketch ideas quickly, test compositions and bring visual thinking to those who never trained as artists. The question is not whether AI will end art, but what new kinds of art people will make with it.
Text 2. Comparisons with photography are tempting but misleading. A camera records the world; many AI image tools are trained on millions of existing artworks, often without their creators' permission or payment. Until artists can choose whether their work is used, and are fairly credited, it is hard to call this simply a new tool. The problem is not the technology itself but the way it has been built.
Question 2
Read "Two Views on AI and Art". How does each text end?
- A. Both end by agreeing completely.
- B. Text 1 ends with a story; Text 2 with a joke.
- C. Both end with statistics.
- D. Both end by reframing the debate: Text 1 asks what new art will be made; Text 2 locates the problem in how AI is built.
Two Texts on Memory
TEXT 1
For much of the twentieth century, many people imagined memory as a kind of recording device. An experience, according to this view, was stored somewhere in the brain like a film on a shelf; remembering meant taking the film down and playing it again. Forgetting was simply the film fading with age. This model was appealing because it matched how memory often feels: vivid, detailed and certain.
TEXT 2
Decades of experiments have undermined the idea that memories are fixed recordings. In one well-known type of study, participants watch a video of a car accident and are later asked how fast the cars were going when they "smashed" or when they "hit" each other. Those who heard "smashed" not only gave higher speed estimates but were more likely, a week later, to report seeing broken glass – although there was none in the video. Such findings suggest that each act of remembering is partly an act of reconstruction, shaped by later information, expectation and language. A memory can feel certain and still be wrong.
Question 3
Read "Two Texts on Memory". What is the function of the final sentence of Text 2?
- A. to support the recording model
- B. to state a key implication of the research
- C. to introduce a new experiment
- D. to describe the video in detail
The Quiet Infrastructure
When we speak of infrastructure, we tend to picture concrete and steel: bridges, railways, power lines. We rarely think of the public library. Yet libraries are a form of infrastructure as essential, in their way, as any road – and, because their work is quiet, they are easier to neglect.
Consider what a library actually provides. It offers free access not only to books but to the internet, to printers, to warm and safe space, to help with forms and applications, to activities for toddlers and to company for the isolated elderly. For a student without a quiet room at home, it is a study hall. For a job-seeker without a computer, it is an office. For a newly arrived family, it may be the first public institution that welcomes them without asking anything in return.
Critics argue that, in an age of smartphones, these functions are obsolete. Information is everywhere; why fund buildings full of paper? But the argument confuses access to information with access to opportunity. A phone cannot print a CV, provide a warm room on a winter afternoon or offer the patient guidance of a librarian who can tell a reliable source from a persuasive fake. Moreover, millions of people still lack reliable internet at home. To assume that everyone is connected is to design policy for the comfortable and forget the rest.
None of this means libraries should stand still. The best have already transformed themselves into community hubs, hosting coding clubs, repair cafés and citizenship classes. But transformation requires investment, and investment requires us to recognise libraries for what they are: not a nostalgic luxury, but part of the foundation on which a fair society is built.
A bridge that collapses makes headlines. A library that closes rarely does. Its users simply scatter, each a little more alone than before. That silence is precisely why we should pay attention.
Question 4
Read "The Quiet Infrastructure". Why does the writer include paragraph 4?
- A. to argue that libraries should stay exactly as they are
- B. to show that supporting libraries is not the same as resisting change
- C. to criticise coding clubs
- D. to list the opening hours of libraries
Question 5
[1] Many assume that deserts are lifeless. [2] In fact, the Sonoran Desert is home to thousands of plant and animal species. [3] Some, like the saguaro cactus, can live for over 150 years. Which choice best describes the function of sentence 1?
- A. It summarises the whole text.
- B. It presents a common belief that the text then challenges.
- C. It provides evidence for the main claim.
- D. It introduces a specific species.
The Gettysburg Address (Abraham Lincoln, 1863)
Four score and seven years ago our fathers brought forth on this continent, a new nation, conceived in Liberty, and dedicated to the proposition that all men are created equal.
Now we are engaged in a great civil war, testing whether that nation, or any nation so conceived and so dedicated, can long endure. We are met on a great battle-field of that war. We have come to dedicate a portion of that field, as a final resting place for those who here gave their lives that that nation might live. It is altogether fitting and proper that we should do this.
But, in a larger sense, we can not dedicate—we can not consecrate—we can not hallow—this ground. The brave men, living and dead, who struggled here, have consecrated it, far above our poor power to add or detract. The world will little note, nor long remember what we say here, but it can never forget what they did here. It is for us the living, rather, to be dedicated here to the unfinished work which they who fought here have thus far so nobly advanced. It is rather for us to be here dedicated to the great task remaining before us—that from these honored dead we take increased devotion to that cause for which they gave the last full measure of devotion—that we here highly resolve that these dead shall not have died in vain—that this nation, under God, shall have a new birth of freedom—and that government of the people, by the people, for the people, shall not perish from the earth.
Question 6
Read "The Gettysburg Address (Abraham Lincoln, 1863)". How does the speech move through time across its three paragraphs?
- A. from the future to the past
- B. it stays entirely in the present
- C. from the nation's past founding, to the present war and ceremony, to the future task
- D. from a personal story to a list of statistics
The Quiet Infrastructure
When we speak of infrastructure, we tend to picture concrete and steel: bridges, railways, power lines. We rarely think of the public library. Yet libraries are a form of infrastructure as essential, in their way, as any road – and, because their work is quiet, they are easier to neglect.
Consider what a library actually provides. It offers free access not only to books but to the internet, to printers, to warm and safe space, to help with forms and applications, to activities for toddlers and to company for the isolated elderly. For a student without a quiet room at home, it is a study hall. For a job-seeker without a computer, it is an office. For a newly arrived family, it may be the first public institution that welcomes them without asking anything in return.
Critics argue that, in an age of smartphones, these functions are obsolete. Information is everywhere; why fund buildings full of paper? But the argument confuses access to information with access to opportunity. A phone cannot print a CV, provide a warm room on a winter afternoon or offer the patient guidance of a librarian who can tell a reliable source from a persuasive fake. Moreover, millions of people still lack reliable internet at home. To assume that everyone is connected is to design policy for the comfortable and forget the rest.
None of this means libraries should stand still. The best have already transformed themselves into community hubs, hosting coding clubs, repair cafés and citizenship classes. But transformation requires investment, and investment requires us to recognise libraries for what they are: not a nostalgic luxury, but part of the foundation on which a fair society is built.
A bridge that collapses makes headlines. A library that closes rarely does. Its users simply scatter, each a little more alone than before. That silence is precisely why we should pay attention.
Question 7
Read "The Quiet Infrastructure". What is the function of the list in paragraph 2?
- A. to describe the layout of a library
- B. to criticise library users
- C. to show the wide range of people libraries serve
- D. to compare libraries with bridges
Inheritance
When my aunt died she left me her piano, which was the one thing in her house I had never wanted. It was an upright of dark, scarred wood, too large for any room it had ever stood in, and it had been out of tune for as long as I could remember. As a child, I had been made to sit at it every Thursday while she counted the beats aloud in a voice like a ruler rapping a desk. I had hated it with the pure, uncomplicated hatred of a nine-year-old.
The removal men groaned it up the three flights to my flat and left it in the hall, where it blocked the light from the only window. For a month I edged around it sideways, as one edges around a guest who has outstayed their welcome. I told friends I would sell it. I photographed it twice for the listing and deleted the pictures both times.
It was during a power cut in February that I finally lifted the lid. I could not have said why. The flat was cold and dark and silent, and perhaps I simply wanted to hear something. I pressed middle C. It was flat, of course – everything about that piano was slightly flat – but the note hung in the hall far longer than I expected, and something in the slowness of its fading undid me.
I played the only piece I still knew, a dull exercise in C major that my aunt had made me repeat a hundred times. My fingers found it before my mind did. Halfway through, I realised I was counting under my breath, in her rhythm, in her voice.
I have not had the piano tuned. People ask me why, and I tell them I haven't got round to it, which is true in the way that most convenient answers are true. The other reason is harder to explain. Every flat note is exactly as she left it. I am not ready to correct her yet.
Question 8
Read "Inheritance". What is the significance of the power cut in the structure of the story?
- A. It creates the quiet, isolated moment in which the narrator finally confronts the piano.
- B. It introduces a new character.
- C. It explains why the piano is out of tune.
- D. It shows the narrator moving to a new flat.
Two Views on AI and Art
Text 1. When photography was invented, some painters declared that art was dead. Instead, painting changed: freed from the need to record reality, artists explored colour, emotion and abstraction. Image-generating AI may play a similar role. Used as a tool, it can help people sketch ideas quickly, test compositions and bring visual thinking to those who never trained as artists. The question is not whether AI will end art, but what new kinds of art people will make with it.
Text 2. Comparisons with photography are tempting but misleading. A camera records the world; many AI image tools are trained on millions of existing artworks, often without their creators' permission or payment. Until artists can choose whether their work is used, and are fairly credited, it is hard to call this simply a new tool. The problem is not the technology itself but the way it has been built.
Question 9
Read "Two Views on AI and Art". How does each text end?
- A. Text 1 ends with a story; Text 2 with a joke.
- B. Both end by reframing the debate: Text 1 asks what new art will be made; Text 2 locates the problem in how AI is built.
- C. Both end with statistics.
- D. Both end by agreeing completely.
Two Texts on Memory
TEXT 1
For much of the twentieth century, many people imagined memory as a kind of recording device. An experience, according to this view, was stored somewhere in the brain like a film on a shelf; remembering meant taking the film down and playing it again. Forgetting was simply the film fading with age. This model was appealing because it matched how memory often feels: vivid, detailed and certain.
TEXT 2
Decades of experiments have undermined the idea that memories are fixed recordings. In one well-known type of study, participants watch a video of a car accident and are later asked how fast the cars were going when they "smashed" or when they "hit" each other. Those who heard "smashed" not only gave higher speed estimates but were more likely, a week later, to report seeing broken glass – although there was none in the video. Such findings suggest that each act of remembering is partly an act of reconstruction, shaped by later information, expectation and language. A memory can feel certain and still be wrong.
Question 10
Read "Two Texts on Memory". What is the function of the final sentence of Text 2?
- A. to support the recording model
- B. to introduce a new experiment
- C. to describe the video in detail
- D. to state a key implication of the research
The Quiet Infrastructure
When we speak of infrastructure, we tend to picture concrete and steel: bridges, railways, power lines. We rarely think of the public library. Yet libraries are a form of infrastructure as essential, in their way, as any road – and, because their work is quiet, they are easier to neglect.
Consider what a library actually provides. It offers free access not only to books but to the internet, to printers, to warm and safe space, to help with forms and applications, to activities for toddlers and to company for the isolated elderly. For a student without a quiet room at home, it is a study hall. For a job-seeker without a computer, it is an office. For a newly arrived family, it may be the first public institution that welcomes them without asking anything in return.
Critics argue that, in an age of smartphones, these functions are obsolete. Information is everywhere; why fund buildings full of paper? But the argument confuses access to information with access to opportunity. A phone cannot print a CV, provide a warm room on a winter afternoon or offer the patient guidance of a librarian who can tell a reliable source from a persuasive fake. Moreover, millions of people still lack reliable internet at home. To assume that everyone is connected is to design policy for the comfortable and forget the rest.
None of this means libraries should stand still. The best have already transformed themselves into community hubs, hosting coding clubs, repair cafés and citizenship classes. But transformation requires investment, and investment requires us to recognise libraries for what they are: not a nostalgic luxury, but part of the foundation on which a fair society is built.
A bridge that collapses makes headlines. A library that closes rarely does. Its users simply scatter, each a little more alone than before. That silence is precisely why we should pay attention.
Question 11
Read "The Quiet Infrastructure". Why does the writer include paragraph 4?
- A. to list the opening hours of libraries
- B. to criticise coding clubs
- C. to show that supporting libraries is not the same as resisting change
- D. to argue that libraries should stay exactly as they are
Question 12
[1] Many cities are replacing grass verges with wildflowers. [2] The change saves money on mowing. [3] It also supports pollinators such as bees. What is the main purpose of the text?
- A. to describe a change and two of its benefits
- B. to criticise wildflower planting
- C. to argue that grass is better
- D. to explain how bees make honey
The Gettysburg Address (Abraham Lincoln, 1863)
Four score and seven years ago our fathers brought forth on this continent, a new nation, conceived in Liberty, and dedicated to the proposition that all men are created equal.
Now we are engaged in a great civil war, testing whether that nation, or any nation so conceived and so dedicated, can long endure. We are met on a great battle-field of that war. We have come to dedicate a portion of that field, as a final resting place for those who here gave their lives that that nation might live. It is altogether fitting and proper that we should do this.
But, in a larger sense, we can not dedicate—we can not consecrate—we can not hallow—this ground. The brave men, living and dead, who struggled here, have consecrated it, far above our poor power to add or detract. The world will little note, nor long remember what we say here, but it can never forget what they did here. It is for us the living, rather, to be dedicated here to the unfinished work which they who fought here have thus far so nobly advanced. It is rather for us to be here dedicated to the great task remaining before us—that from these honored dead we take increased devotion to that cause for which they gave the last full measure of devotion—that we here highly resolve that these dead shall not have died in vain—that this nation, under God, shall have a new birth of freedom—and that government of the people, by the people, for the people, shall not perish from the earth.
Question 13
Read "The Gettysburg Address (Abraham Lincoln, 1863)". How does the speech move through time across its three paragraphs?
- A. it stays entirely in the present
- B. from the nation's past founding, to the present war and ceremony, to the future task
- C. from a personal story to a list of statistics
- D. from the future to the past
The Quiet Infrastructure
When we speak of infrastructure, we tend to picture concrete and steel: bridges, railways, power lines. We rarely think of the public library. Yet libraries are a form of infrastructure as essential, in their way, as any road – and, because their work is quiet, they are easier to neglect.
Consider what a library actually provides. It offers free access not only to books but to the internet, to printers, to warm and safe space, to help with forms and applications, to activities for toddlers and to company for the isolated elderly. For a student without a quiet room at home, it is a study hall. For a job-seeker without a computer, it is an office. For a newly arrived family, it may be the first public institution that welcomes them without asking anything in return.
Critics argue that, in an age of smartphones, these functions are obsolete. Information is everywhere; why fund buildings full of paper? But the argument confuses access to information with access to opportunity. A phone cannot print a CV, provide a warm room on a winter afternoon or offer the patient guidance of a librarian who can tell a reliable source from a persuasive fake. Moreover, millions of people still lack reliable internet at home. To assume that everyone is connected is to design policy for the comfortable and forget the rest.
None of this means libraries should stand still. The best have already transformed themselves into community hubs, hosting coding clubs, repair cafés and citizenship classes. But transformation requires investment, and investment requires us to recognise libraries for what they are: not a nostalgic luxury, but part of the foundation on which a fair society is built.
A bridge that collapses makes headlines. A library that closes rarely does. Its users simply scatter, each a little more alone than before. That silence is precisely why we should pay attention.
Question 14
Read "The Quiet Infrastructure". What is the function of the list in paragraph 2?
- A. to show the wide range of people libraries serve
- B. to describe the layout of a library
- C. to compare libraries with bridges
- D. to criticise library users
Inheritance
When my aunt died she left me her piano, which was the one thing in her house I had never wanted. It was an upright of dark, scarred wood, too large for any room it had ever stood in, and it had been out of tune for as long as I could remember. As a child, I had been made to sit at it every Thursday while she counted the beats aloud in a voice like a ruler rapping a desk. I had hated it with the pure, uncomplicated hatred of a nine-year-old.
The removal men groaned it up the three flights to my flat and left it in the hall, where it blocked the light from the only window. For a month I edged around it sideways, as one edges around a guest who has outstayed their welcome. I told friends I would sell it. I photographed it twice for the listing and deleted the pictures both times.
It was during a power cut in February that I finally lifted the lid. I could not have said why. The flat was cold and dark and silent, and perhaps I simply wanted to hear something. I pressed middle C. It was flat, of course – everything about that piano was slightly flat – but the note hung in the hall far longer than I expected, and something in the slowness of its fading undid me.
I played the only piece I still knew, a dull exercise in C major that my aunt had made me repeat a hundred times. My fingers found it before my mind did. Halfway through, I realised I was counting under my breath, in her rhythm, in her voice.
I have not had the piano tuned. People ask me why, and I tell them I haven't got round to it, which is true in the way that most convenient answers are true. The other reason is harder to explain. Every flat note is exactly as she left it. I am not ready to correct her yet.
Question 15
Read "Inheritance". What is the significance of the power cut in the structure of the story?
- A. It explains why the piano is out of tune.
- B. It shows the narrator moving to a new flat.
- C. It creates the quiet, isolated moment in which the narrator finally confronts the piano.
- D. It introduces a new character.
Two Views on AI and Art
Text 1. When photography was invented, some painters declared that art was dead. Instead, painting changed: freed from the need to record reality, artists explored colour, emotion and abstraction. Image-generating AI may play a similar role. Used as a tool, it can help people sketch ideas quickly, test compositions and bring visual thinking to those who never trained as artists. The question is not whether AI will end art, but what new kinds of art people will make with it.
Text 2. Comparisons with photography are tempting but misleading. A camera records the world; many AI image tools are trained on millions of existing artworks, often without their creators' permission or payment. Until artists can choose whether their work is used, and are fairly credited, it is hard to call this simply a new tool. The problem is not the technology itself but the way it has been built.
Question 16
Read "Two Views on AI and Art". How does each text end?
- A. Text 1 ends with a story; Text 2 with a joke.
- B. Both end with statistics.
- C. Both end by reframing the debate: Text 1 asks what new art will be made; Text 2 locates the problem in how AI is built.
- D. Both end by agreeing completely.
Write your answers right on the page. · Free from eurekami.com