English lesson plan · 10th grade (Year 11 in England) · 60 minutes
The effect of narrative perspective and tense
Reading Comprehension
CCSS RL.9-10.5CCSS RL.9-10.6England: GCSE English Language Paper 1 Q3 and Q4England: GCSE English Literature
Objective and success criteria
Students will: The effect of narrative perspective and tense.
- I can answer questions on today's skill on my own, without help.
- I can explain each step and say why it works.
- I can check my answer and spot a mistake.
Before and after
Needs first: First, second or third person narrators; Point of view and narrator
Leads to: Drama terms: soliloquy, aside, foil, hamartia, catharsis…; Narrative techniques: unreliable narrator, in medias res, frame narrative…
Materials: A short text or extract (one copy each), Highlighters, Question cards, Mini whiteboards, A short model text on the board, Printed student sheet (below).
Warm-up · 6 min
- Quick retrieval from earlier learning (First, second or third person narrators; Point of view and narrator). Students answer on mini whiteboards.
- Show answers together and note who needs support in the main task.
- What point of view is this extract written in? We had never seen snow before, so we pressed our noses to the window. (first person / second person / third person limited / third person omniscient) → first personPrompt: Look at the pronouns: I/we (first), you (second), he/she/they (third).
- Read the question and choose. A story is told by a character who misremembers events and hides the truth. What is this narrator called? (an omniscient narrator / a reliable narrator / an unreliable narrator / a second-person narrator) → an unreliable narratorPrompt: Think about how much each type of narrator knows.
- What point of view is this extract written in? To make the perfect pancake, you first need patience. You wait until the bubbles pop. (first person / second person / third person limited / third person omniscient) → second personPrompt: Look at the pronouns: I/we (first), you (second), he/she/they (third).
Hook · 6 min
- Read the first lines of a short text aloud and ask what students predict will happen and why.
- Share the objective: The effect of narrative perspective and tense. Read the success criteria together.
I do: model it · 12 min
- Work through the example out loud, saying why you do each step, not just what you do.
- Example: Read the question and choose. A story switches between two first-person narrators in alternating chapters. What is the main benefit?
- Step 1: Perspective and tense control closeness, knowledge and trust: present tense feels immediate; hindsight allows reflection; omniscience allows dramatic irony.
- Step 2: So the answer is: readers see the same events from two viewpoints
- Answer: readers see the same events from two viewpoints
- Pause after each step and ask a student to say what comes next.
We do: guided practice · 12 min
- Do these together. Students try each step on whiteboards before you reveal it.
- Use the hints as prompts rather than giving the answer.
- Is the proposed answer correct? A guidebook says, "You turn left at the fountain and you'll see the old gate." Why use second person? → it makes the text a poem (yes, it is correct / no, it is not correct) → no, it is not correctPrompt: Who is telling the story, and when (present or looking back)?
- Read the question and choose. A story switches between two first-person narrators in alternating chapters. What is the main benefit? (readers see the same events from two viewpoints / it removes all suspense / it makes the story shorter / readers learn nothing about either character) → readers see the same events from two viewpointsPrompt: Who is telling the story, and when (present or looking back)?
You do: independent practice · 17 min
- Students work on the student sheet. Circulate and check the first two answers of every student early.
- Students who finish: write a question of their own for a partner, with the answer.
The 8 questions are on the student sheet below, with answers in the key.
Exit ticket · 7 min
- Two questions on their own. Sort answers into got it / nearly / not yet to plan the next lesson.
- Read the question and choose. A story switches between two first-person narrators in alternating chapters. What is the main benefit? (readers learn nothing about either character / it removes all suspense / it makes the story shorter / readers see the same events from two viewpoints) → readers see the same events from two viewpointsPrompt: Who is telling the story, and when (present or looking back)?
- Is the proposed answer correct? A narrator describes a disastrous party but insists, "Everyone had a wonderful time." What might the writer be suggesting? → the narrator is unreliable, so readers should question their account (yes, it is correct / no, it is not correct) → yes, it is correctPrompt: Who is telling the story, and when (present or looking back)?
Watch out for
- Answering from memory or opinion instead of evidence in the text.
- Copying a long quote without explaining what it shows.
Support and stretch
Support
- Review first: First, second or third person narrators.
- Use concrete materials: a short text or extract (one copy each).
- Give the first step of each question, or a partly worked example to finish.
- Pair with a confident partner for the guided practice.
Stretch
- Move on to: Drama terms: soliloquy, aside, foil, hamartia, catharsis…; Narrative techniques: unreliable narrator, in medias res, frame narrative….
- Explain a common mistake in writing and how to fix it.
- Write a word problem that uses today's skill, then solve a partner's.
Homework and more practice
Free online practice with hints and printable worksheets for this skill: eurekami.com/english/grade-10.
Free lesson plan from eurekami.com/lesson-plan-builder